Ela Quase Matou Hitler

To make a successful comedy/action movie about Hitler and Co, filmed in the midst of World War Two, requires the genius of a Lubitsch (i.e. "To Be Or Not To Be") rather than what we have here, namely Leo Mc Carey's kid brother with about a fifth of his elder sib's talent. It also does not help that the screenplay provides alarmingly few funny lines or interesting characters beyond Ms. Lanchester's indomitable janitor. So we are left with a decent performance by the usually hammy but this time blessedly more restrained Lanchester and comedy that is not all that funny and action that is not all that action-y. And I really could have done without the relatively benign treatment of Lord Haw Haw. Solid C.

This is surely one of the most extraordinary films to have come out of America during the war. It is also notable for being the only Hollywood movie in which Elsa Lanchester, best known as The Bride of Frankenstein, had the lead part and top billing. She plays a cockney charlady who is convinced she's protected by a "lucky charm" once owned by her late husband (cut to a photo of Charles Laughton) and is resolved to assassinate Hitler. During the London blitz, armed only with her bucket and a mop, she stows away on a ship across the English Channel and proceeds to scrub her way across Occupied Europe by pretending to be deaf and dumb. She lands up in Hitler's HQ in Berlin where language problems are solved by all the 'bad' Germans speaking English with funny guttural accents! Elsa gets a job as a cleaner in Hitler's office but he's out at the time so she delivers a propaganda-like speech to his empty chair. Some 'good' Germans opposed to Hitler (they all speak English with American accents) whisk Elsa back to England in a stolen plane. She is hailed as a heroine only to discover that the "lucky charm" she took with her was part of a job-lot of glass eyes! An absolutely priceless movie, and one which at the end is dedicated to the fighting US forces overseas. One can only wonder what they made of it.

During World War II, London widow Elsa Lanchester (as Ella Muggins) reminisces about her deceased husband Albert. A notorious liar, he claimed to have "magic eye" which protected him from harm. Sadly, Albert wasn't carrying the glassy object when he expired. Locating the magic eye in an attic, Ms. Lanchester carries it safely through a German air raid. Convinced she now possesses a charmed life, Lanchester wisely decides to assassinate Adolf Hitler. She stows away on a ship and makes her way to Germany...

In Berlin, Lanchester looks up Hitler in the local phone book. She poses as a deaf mute cleaning woman attending to Nazi officials. These scenes are amusing. In a subplot, resistance officer Gordon Oliver (as Franz von Weber) seeks to rescue his sweetheart Lenore Aubert (as Greta Neuman) from a Gestapo prison. Reliably funny Fritz Feld and effectively villainous Lionel Royce have the best supporting material. The photograph of "Albert" is, as you might suspect, Lanchester's real-life spouse Charles Laughton.

***** Passport to Destiny (1/31/44) Ray McCarey ~ Elsa Lanchester, Gordon Oliver, Fritz Feld, Lionel Royce

Preposterous but fun film starring Elsa Lanchester as a British cleaning woman whose late husband (a photo of Charles Laughton) was saved from crocodiles by a glass eye he carried.

She believes this eye to have magic powers. She believes it will protect her against all eventualities, so she decides to go to Germany and kill Hitler.

I had a feeling I'd seen this film, and when I heard Lanchester's name in the film, Mrs. Muggins, I knew I had. I named one of my cats Muggins.

Pretending to be deaf and dumb, Mrs. M gets a job at Hitler's headquarters, though he's out of town at the time. She does, however, manage to pass information to an agent about the whereabouts of his girlfriend. What she doesn't realize is that the Nazis have actually let the woman leave prison and have followed her and the agent and know of Mrs. Muggins' involvement.

Though Lanchester was 42 at the time of this film, she doesn't look it and is quite pretty. She gives a lively performance and is very funny, though the humor comes out of the seriousness of her character and her belief in this magic piece. Seeing her order a Nazi to get her coat was too much, as was her rehearsal for murder in Hitler's office.

The rest of the cast is good, and despite the fact that it was done on a set, you really do think you're in London and Berlin somehow.

Short, and Lanchester is always a pleasure.

Passport to Destiny (1944)

** (out of 4)

Bizarre "comedy" from RKO about Ella Muggins (Elsa Lanchester), a British woman who keeps with her a special glass eye, which her husband (photos of Charles Laughton are used) used to escape any bad harm. She decides to take this charm to Germany where she's going to work as a deaf and dumb house cleaner and she plans to get into Hitler's office and assassinate him. I'm really not too sure what RKO was thinking but this here is pretty much dead on arrival and if it weren't for the charm of Lanchester then we'd really have a disaster on our hands. This film is clearly just for fans of the actress since this here was her first and only leading role. I thought she managed to be quite charming here and especially during the scenes where she's pretending not to be able to hear anything going on. I'm sure some might take offense to this but the actress does a pretty good job in the part and she certainly helps keep the 65-minute running time moving at a decent pace. The one bit of trivia that might make this film appeal to some is that Lanchester was in BRIDE OF FRANKENSTEIN and co-star Lenore Aubert would eventually appear in the studio's ABBOTT AND COSTELLO MEET FRANKENSTEIN so perhaps Universal monster fans will want to see the two together. Gordon Oliver is also good in his supporting role. PASSPORT TO DESTINY is supposed to be a comedy but for the life of me I don't remember laughing a single time. The film manages to be mildly entertaining simply because of how strange the story is but it's just way too predictable and unfunny to really work.