Sobra um Cadáver

One Body Too Many is a production from Pine-Thomas Paramount B picture unit and after seeing it I'm convinced it was a script and story that was meant for Bob Hope. But old ski nose either rejected this one or was out entertaining the troops during the second World War. So Paramount gave the project to its B unit and got Jack Haley to play the lead.

Pine-Thomas assembled a nice cast in a project that was unusual for them, normally they did economical action/adventure stories. This is a comedy involving a late millionaire who was a firm believer in astrology, so much so that he requested to be buried in a glass covered mausoleum like Lenin at the Kremlin so that he would be always under the stars at night. After that the living relatives of whom he didn't have too good an opinion of would split up the estate. Until then they had to live at his house until the burial was done.

Poor Haley plays the Bob Hope like schnook who is an insurance salesman and keeps an appointment that he made with the old guy before he passed away. Haley arrives just in time for the reading of the will and the lawyer for the estate thinks he's a bodyguard he hired. Never mind Jack takes the job and the fun starts. If you think a couple of murders that follow is fun.

Also in the cast are Bela Lugosi and Blanche Yurka who are the butler and maid. I wish the film had a lot more of them. They look and act so sinister with some lovely eye twinkles. Lugosi had a nice gift for comedy that was too rarely seen on film.

The lovely cast of relatives of whom one is a murderer include Lyle Talbot, Jean Parker, Maxine Fife, Lucien Littlefield, Douglas Fowley and Dorothy Granger. Now who do you think is our killer in the cast?

One Body Too Many has some funny moments, but a lot of it is a rehash of material from better films.

So do you think Hope was busy with the USO or did he pass on this one?

You might not think so from the looks of it, but "One Body Too Many" actually is a hilarious spoof / comedy instead of an eerie horror film! Sure, it involves a creepy old mansion and Bela Lugosi as a suspicious butler, which both are elements that featured in nearly every typical horror movie made in the 1940's, but the screenplay is very comical and actually a lot better than all those poverty row horror movies that tried to be genuinely horrific...but failed. This totally unexpected surprise in tone feels very original and really forced me to love this little movie! The story opens with one of the greatest cliché in the genre, when a family of greedy bastards gathers in the old mansion to hear the will of deceased uncle Cyrus. The rich but eccentric uncle insisted on peculiar burial accommodations and, before they can be completed, the heirs & heiresses reluctantly have to spend a couple of days together. In case anyone leaves, or in case uncle Cyres doesn't get buried like he wanted to, the will is altered. Insurance agent Albert Tuttle is mistaken for a private detective but, at the request of lovely niece Carol, he stays to watch over the corpse. This film is FUNNY! The Albert Tuttle character is FUNNY! He's the perfect anti-hero; cowardly and always the wrong man in the wrong place at the wrong time. He has some of the most hilarious lines and his facial expressions more than once evoke spontaneous chuckles. "One Body Too Many" makes great use of the typical haunted-house setting with the endless network of secret passages and dark towers. The actual search for the mysterious saboteur is also quite interesting and full of neat twists and red herrings. Horror veteran Bela Lugosi is downright marvelous in his supporting role of butler. He constantly walks around the house offering people cups of coffee which, I think, is a homage/spoof toward the butler-character Boris Karloff played in "The Old Dark House" (always supplying the guests with more potatoes). I had very low expectations on this film but I really ended up loving it! Highly recommended!

On the night of the reading of a will an insurance salesman arrives to sell a policy to the dead man. Confused for a detective he's hired to watch the body of his "client"...and then the gathered family members begin to die...

An okay comedy thriller that rises up a couple of notches by the use of occasional witty dialog, some good twists, and Bela Lugosi being wonderfully funny as a sinister butler and heir.(He should have done many more comedies)

The real problem with this film is the pacing which slackens about half way in. The problem is that in order to make the required running time bits, the wandering through the secret passages goes on way too long. Its a serious wound to what was a nicely paced movie. Its not fatal but it does diminish he enjoyment.

That said its worth a look. A good rainy night film for a double feature with a stronger movie.

The other reviewers here weren't too impressed by this, but I must admit to laughing practically all the way through. This film is very much a second-rate retread of the classic Cat & The Canary, with Jack Haley doing the Bob Hope schtick, yet it is far more entertaining than it has any right to be. Haley is a very entertaining & likable 'hero' and is well served by the witty script, which is brimming with snappy one-liners. Lugosi, whose performance will undoubtedly be the biggest draw for modern audiences, proves surprisingly adept at comedy; as the suspicious butler, he has a lot of fun sending up his image. I particularly liked the running joke involving the coffee that may or may not be laced with rat poison; by the end of the film, Lugosi's catchphrase line 'Anybody Want A Cup Of Coffee?' has become hilarious through repetition, especially since the dubious-looking coffee is always refused by everyone. I particularly enjoyed the following exchange (my wording) :

LUGOSI: "Would you like a cup of coffee?" HALEY: "Depends. There are two types of coffee, percolated or drip. What type have you got?" LUGOSI: "It is the percolated kind." HALEY: "No thanks, I'm a drip."

OK, maybe you had to be there.

Although the mystery & the comedy elements are not up to the standard of the 1939 Cat & The Canary, this is still a superior spooky-house thriller. The ne'er do well relatives waiting for their piece of the estate are a splendidly hateful bunch; the sequence in which Lyle Talbot's lawyer reads out the late millionaires' comments about each of his relatives sets up their characters beautifully. Talbot, of course, stops short of reading out the old man's comments about him ("I would trust him as far as I could throw...an elephant").

In short, I would recommend this to fans of old-fashioned spooky house thrillers & fans of Lugosi who'd like to see him trying his hand at playing for (intentional) laughs. It's streets ahead of most of his poverty row 1940s output, which is for the most part utterly dire, and I was surprised at how often I laughed out loud. I'm going to be very generous with this, as it made me laugh more than any other film I've seen recently, including a lot of modern comedies.

8/10

Insurance man Jack Haley keeps an evening appointment at a rich client's mansion to make a sales pitch—and is instantly mistaken for a detective. The client is lately deceased, all of his relatives are there for the reading of the will, and funny business has already commenced.

Bela Lugosi is tops as the butler: "Perhaps you would all like some coffee," he suggests early on, and then spends the entire rest of the picture trying to persuade the guests to accept a cup of his coffee, which may or may not be poisoned.

Jean Parker is fine as the appealing young relative who may be in line to inherit via the will, once it's finally read; she and Haley work nicely together, naturally falling into a romantic subplot that is cute and lively if predictable.

The other plot elements are the standard items no dark house can be without—a phone that's mysteriously disconnected, switched bodies in the closet, secret passages all over the place, a thunderstorm.

Favorite scene: Haley, having thrown himself into the role of amateur detective, tries to catch Lugosi off guard regarding the mud on his shoes. Lugosi replies that he opened the door for the cat and there was mud from the rain. Haley springs: "What rain?" To which Bela Lu responds with a sort of quiet incredulity, "What rain?"—walks to the door and opens it, displaying thunder and lightning and pouring rain—"The rain that's falling down, sir."

It's a lot of fun if not exactly a workout for the brain.