Ver-te-ei Outra Vez

I'll Be Seeing You captures the loneliness of two people who - besides their own serious problems - just don't fit into the bustling wartime image we often see of America in film during that time.The opening scene is in a busy train station. We quickly focus in on two travelers. She (Ginger Rogers as Mary Marshall) is uncomfortable when she tries first to buy a stick of gum and then a chocolate bar and is rebuffed by the sales clerk as though she had been asking to buy gold bullion at a five and dime. He (Joseph Cotten as Zachary Morgan) is uncomfortable because he wants to buy reading material and all that is available is full of news about the war and images that you can tell make him squeamish.

Zach is suffering from what would be called PTSD today due to battle fatigue, and he's ashamed of that fact, afraid of winding up like the shell-shocked WWI soldier he knew as a boy.

Mary is a convict out on Christmas furlough, although what she is serving time for will probably be a shock to modern sensibilities - I know it was for me. She is also ashamed - understandably perhaps for being a convict, not so understandably for what she did to become one. I'll let you watch the movie and see what I'm talking about here.

Against this backdrop of people who feel badly for the positions they are in due to social mores of the 1940's - soldiers are always brave and good girls never get themselves into the position Mary got herself into, these two lonely people find each other and connect. At first Zach lies to Mary about his situation, but then tells her the truth. Mary chooses to keep the truth from Zach, partly because she loves him and doesn't want to lose him, but mainly because her company is making him well - he says her self-confidence is giving him confidence - and she doesn't want to set back his recovery.

Mary is staying with her aunt, uncle, and cousin during the holidays, and this warm family setting has both of them healing just a bit. Shirley Temple plays the cousin that is too young to know why Mary is in prison or wear lipstick according to her parents, but is apparently old enough to go out unchaperoned with a Lieutenant on leave who is probably five years older than she! Spring Byington plays the aunt who is supportive overall but still drops phrases from time to time that leave you wondering about the overall wisdom of her advise. For example, she keeps telling Mary to settle for second best and pretend it's first best - that's what she did!. Rather wacky advice by today's standards, but maybe mainstream feelings for people who married during the roaring twenties, and then raised a family during the depression and world war.

I highly recommend this sentimental favorite of mine. I'm rather surprised it hasn't become more of a Christmas standard, because even though in many ways it is a unique snapshot in time, the story of two lonely people finding each other in a world that would probably judge them severely if they were open about their problems is universal.

A bit offbeat is this story of a girl on prison furlough (Ginger Rogers) who meets a shell-shocked soldier (Joseph Cotten), each keeping their past secret. She invites him to spend some holiday time with her family during the Christmas season and gradually the romance begins. Nice to see Shirley Temple in a pivotal role doing a nice job as the selfish Barbara who unintentionally reveals Ginger's secret. Spring Byington and Tom Tully are fine in supporting roles and John Derek (then called John Harris) makes a brief appearance as Shirley's date. A bit dated and rather slow moving, but worthwhile because of the fine performances of the leads.

Interesting tidbits: Ginger Rogers was not the first choice for the leading role--it was originally offered to Joan Fontaine who disliked the script and was having contract troubles with Selznick and turned it down. Ginger was said to be against using Temple in the movie and wanted her removed since she had a clause in her contract re cast approval. Nevertheless, wiser heads prevailed and Shirley received excellent reviews for her contribution. Shirley documents this in her book, "Child Star"--for some reason Ginger took an instant dislike to her.

Good World War II romantic drama with excellent performances by Ginger Rogers, Joseph Cotton and 16-year old Shirley Temple.

"I'll Be Seeing You" looks at the effects of a kind of `battle fatigue' known then as "old sergeant's syndrome". This particular form of post-traumatic stress occurred in battle-seasoned noncommissioned officers. After a dreadful encounter with someone's guard dog Sgt. Zachary Morgan, on leave from an Army mental hospital, experiences a very realistic and dramatically effective "flash back". Through judicious camera editing you see Joseph Cotton affect the appropriate 'sweat response', as his forehead, chest, shoulders and armpits become progressively more sweat-drenched. Very realistic!

This movie also subtly delivers the message that none of us are perfect and that open-mindedness and compassion are virtues called for under difficult circumstances.

Criticize this movie as you will, call it schlocky, or cornball, or whatever, it will always be one of my favorites ... perhaps because it was one of the first late night tv movies I ever got to stay up late and watch at 12 yrs old. I lapped up this sentimental romance like a puppy laps up cream. It didn't occur to me to take it any way but seriously. And years later the sound of two stones hitting a lamp post at the end still makes my spine tingle.

Everyone else has outlined the plot, I'd just like to point out something really interesting. Ginger was around 33 when she made this movie playing a girl in her early twenties. And each time there's a close up of her face at Christmas, it's obvious the lens has been coated with vaseline or something... she looks softer and hazier than anyone else in the movie. "I'll Be Seeing You" is the epitome of old 1940's sentimental romances. And if you like that sort of thing, you'll love this one.

Old-fashioned corn, romance and nice, wholesome people - just what the sick movie critics hate.....but I find refreshingly nice to see. Yes, it's dated, but that's part of the charm.

In this movie, people say their prayers, sing hymns, are respectful to one another, are considerate, etc. Unfortunately, they exhibit a trait that Hollywood has always loved to portray: they lie or, if you prefer, they cover up the truth. Here, Rogers does it, trying to hide her past while Cotten almost does the same, but comes clean early on.

Other than that, it's a throwback-to-the-more-wholesome-past film that, while it might be a bit slow in parts, features interesting lead characters by famous actors of their day: Joseph Cotten, Ginger Rogers and Shirley Temple. The latter is almost as entertaining as when she was the incredible child star but it was strange to see her in a role where she's trying to show off her chest! Yikes! Well, I guess you can't play a little kid forever.

Even though they were famous, Cotten and Rogers, I believe, were two of the most underrated actors of their day, particularly Rogers who was far more than just a great dancer.