Anjo de Felicidade

Here's a so-so Shirley Temple entry with a catchy song that plays throughout the film. The movie features a bunch of nice characters. The "bad guys" in here - a snotty woman, her butler and a crabby "Uncle Sam" - aren't overly mean and don't have huge roles in here so the atmosphere, for the most part, is very genial.

In addition to the main song ("This Is A Happy Little Ditty," a very catchy song), there is a good production number near the end of the film. Both of those numbers feature Shirley and Bill Robinson. Those two were always fun to watch dance and sing together.

There are two negatives in here: some of the spoken lines are a little stupid and poorly delivered, mostly by the male rich kid "Milton Ramsby" (Bennie Bartlett) who looked like he was reading his lines and the female adult lead, "Lola Ramsby," played by Amanda Duff, was weak. I can see why Duff never had much of a screen career.

I would like to have heard a few more songs, too, but it's still a charming film: not her best, but not the worst, either.

I would agree with other reviewers who felt this was a mediocre Shirley Temple outing--neither particularly good nor particularly bad. It's worth seeing, however, some might have a hard time stomaching the schmaltz and propaganda--the film does lay it on pretty thick.

The film begins with Shirley being taken from her boarding school and sent home. It seems her father (no mention is EVER made of the mother, by the way) has lost his fortune and cannot afford to keep her in the school. But, as Shirley is MORE optimistic and chipper than Pollyanna or Ned Flanders, she sees this as all a grand adventure. Through the course of the film, she remains unabashedly optimistic and does her best to make everyone have a happily ever after--even the nasty old man she refers to as 'Uncle Sam'! I liked and disliked the film. The humor was very sweet and you can't help loving Shirley. Additionally, the theme song throughout the film is very peppy and you'll most likely find yourself humming along with it. But, on the other hand, the optimism angle wore a bit thin, as did the stuff about Uncle Sam and the Depression. In fact, it came off, at times, as pure propaganda. Had the intent been disguised a bit, it would have made it all less obvious.

If you do see the film, pay attention to the fund-raiser at the end. Shirley had a huge bag of nickels from all the kids who paid to see it. However, when you see the ridiculous sets and costumes, the kids should have paid at least $100 a ticket to break even!! Silly, but also kind of funny.

Additionally, look for Charles Farrell in a rare starring appearance. Although Farrell was arguably the most famous male star of the late silent age, by 1938 his career was pretty much over in Hollywood. Why? I have no idea nor is there any indication why on his IMDb page. Also, this is the fourth and final film pairing Shirley and Bill Robinson--and to watch them dance, that's more than enough reason to watch the movie.

This is a pretty entertaining Shirley Temple movie. Basically, Shirley singlehandedly ends of the Great Depression. Sure, it's unrealistic, but does anyone really expect a Shirley Temple movie to be a display of stark realism? Shirley was still cute, there were good musical numbers, and a good deal of funny scenes (aka run-ins with Mr. Waters). It's not a serious movie; it's just plain fun.

"Just Around the Corner" is strictly Shirley Temple 101. Paul Girard Smith's short story "Lucky Penny" (a much better title!) becomes an unlucky vehicle for the pint-sized star, here portraying the daughter of a financially-strapped architect during the Depression. Through some comically-contrived misunderstandings, Shirl comes to believe her father's boss is actually Uncle Sam--and sets out to solve not only her papa's problems, but the nation's as well! Forgettable bubblegum nonsense, though one with an elaborate production and some energy from supporting players Bert Lahr, Joan Davis, and Bill Robinson. ** from ****

There is such a lackluster quality about JUST AROUND THE CORNER--everything from script to performances to the songs--is below average. And Shirley is not quite as cute as the story wants her to be--clearly, she is starting to develop into a chubby preteen youngster with just a modicum of talent left over from her earlier films as a tot.

Only a couple of the songs are pleasant enough to be worth mentioning--"A Happy Little Ditty" and "A Walk in the Rain" have the kind of charm expected in a Temple musical. But staging of the numbers and overall set decoration leaves a lot to be desired. Bert Lahr and Joan Davis are on hand as a chauffeur and a maid but both are defeated by some flat one-liners. Charles Farrell is clearly past his career as a romantic leading man and is just so-so as Charlie's depressed father on the skids.

For Temple fans only--weaknesses in both script and song numbers--and not much else can be said for it. It's all very routine and quite forgettable.