AVALIAÇÃO DA IMDb
6,7/10
7,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA young, lonely girl lives in a dreamworld with her father's dead first wife as a playmate.A young, lonely girl lives in a dreamworld with her father's dead first wife as a playmate.A young, lonely girl lives in a dreamworld with her father's dead first wife as a playmate.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 vitória e 2 indicações no total
Charles Bates
- Jack
- (não creditado)
Linda Bieber
- Little Girl
- (não creditado)
Joel Davis
- Donald Miller
- (não creditado)
Joan Delmer
- Little Girl
- (não creditado)
Gloria Donovan
- Little Girl
- (não creditado)
Edmund Glover
- Card Playing Guest
- (não creditado)
Nita Hunter
- Lois Huggins
- (não creditado)
Delos Jewkes
- Caroler
- (não creditado)
Sarah Selby
- Miss Plumett - Caroler
- (não creditado)
Avaliações em destaque
This film is so much more than it appears to be at first viewing. It is essentially an adult's view of a lonely child's fantasies and how those fantasies affect her relationships with the adults around her. The performances are uniformly excellent with Ann Carter as Amy, the lonely girl, a standout. Her angelic look is perfect for her character. Also excellent are Julia Dean as Mrs. Farren, the ex-stage actress living in her own fantasy world, and Elizabeth Russell as her daughter, Barbara. And to justify the title reference to "Cat People", Simone Simon appears as Amy's imaginary friend. This is a small film that deserves a much larger audience. Excellent in all respects.
Lewton's sequel to the almighty "Cat People" is a mesmerizing and elegant fantasy, but it is by no means a horror film. It's a touching drama and a perceptive social portrait that makes a great study on loneliness and creating an alternate dreamworld. In this case: a young girl that hasn't got much contact with her classmates because of her constant daydreaming and often alarms her parents due to her isolated position. Amy eventually finds true friendship in the supernatural form of Irena, the deceased first wife of her father. Although entirely different in purpose and message, "Curse of the Cat People" actually has a lot more in common with its predecessor than it looks. Three essential characters return and their personalities haven't changed. Irena (played by the goddess Simone Simon) is still a warm-hearted but frigid woman and Ollie is still a loving man incapable of handling the supernatural events around him. Basically, this sequel is quite a unique achievement in cinema as it forms a solid wholesome with the first, despite implementing an entirely different tone. There are some genuine moments of fear, but these are the result of a terrific sub-plot in which an elderly Mrs. Farren (Amy's neighbor) accuses her daughter Barbara of being an impostor and a replacement for her real daughter who died in an accident. The film is beautiful to look at, with a stunning photography and excellent sets. The end-sequence (involving an imaginary metamorphosis) is breath-taking and one of the most enchanting moments in cinema history. The acting performances are flawless and the crush I had on Simone Simon only got intenser! Robert Wise does a terrific directing job (his debut) along with the unknown Gunther Von Fritsch. Wise continued working for Val Lewton one year later with the effectively creepy "The Body Snatcher". I will probably always prefer the original "Cat People" simply because that is one of the most impressive and intelligent stories ever but this imaginative sequel is almost as brilliant. Highly recommended.
but then that should really be no surprise considering who's involved here..Val Lewton, Robert Wise and returning star Simone Simon here in a much different albeit the same role as in CAT PEOPLE. Ann Carter as Amy is absolutely phenomenal in this film as well.
This celebration of the strength of a child's imagination is a joy to watch as it is in essence her imagination which gives her strength and courage and in the end will even her tormented and worried father , still terribly haunted by the events in CAT PEOPLE, need it?
While this is in part a sequel to CAT PEOPLE, it's relation to that film is mild at best. No this is a journey into the fantastic through the eyes of one very imaginative yet very lonely child. Beautiful and moving.
This celebration of the strength of a child's imagination is a joy to watch as it is in essence her imagination which gives her strength and courage and in the end will even her tormented and worried father , still terribly haunted by the events in CAT PEOPLE, need it?
While this is in part a sequel to CAT PEOPLE, it's relation to that film is mild at best. No this is a journey into the fantastic through the eyes of one very imaginative yet very lonely child. Beautiful and moving.
Robert Wise directed this sequel to "Cat People", set several years later. Oliver Reed(played by Kent Smith) and Alice(played by Jane Randolph) are now married with a six-year old daughter named Amy(played by Ann Carter). Amy is a lonely child who has a hard time making friends, and seems to prefer living in her fantasy world, visited by the ghost of Irina(played by Simone Simon) Irina looks after Amy, but Oliver wants nothing to do with this, insisting that Amy must be socialized. Amy does befriend an elderly woman in her "haunted" house, though her daughter(played by Elizabeth Russell, though not as her cat lady character from the first) is resentful. Amy will later run away from home, becoming lost, though she is far from being alone... Unique and thoughtful sequel builds on the story from Part I, rather than repeating it, and result is most satisfying. (No third film was made however!)
Curse of the Cat People is an intriguing tale, beautifully filmed in a style that bears more resemblance to a Grimms fairytale than horror, with a mesmerizing performance from Ann Carter. This is her film and she is strong and convincing in the role. The exploration of the insecurity of the child coupled with a troubled relationship with her father is fascinating. I have not seen Cat People and, possibly, aspects of the history of the demise of Irena would be clearer having seen the original. The expectation of a "horror" film with the suggestive title is also misleading. If you are looking for horror you will need to look elswhere. This is ultimately a surprisingly sensitive and uniquely haunting film that would appeal on many levels.
Você sabia?
- CuriosidadesThe theme within the film, a child believed to be on the verge of insanity because she lives in a fantasy world, was personal to producer Val Lewton who behaved in a similar way as a child. His wife has said that she felt he never truly entered the real world as an adult.
- Erros de gravaçãoThe photograph Amy finds in the drawer is seen in closeup to be a portrait of Irena. In long shots, however, it looks more like a wedding picture with one person in white and another in black standing side-by-side.
- Citações
Ghost of Irena: I come from great darkness and deep peace.
- Versões alternativasAlso available in a computer colorized version.
- ConexõesFeatured in Film Review: Robert Wise (1967)
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Maldição do Sangue de Pantera
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 150.000 (estimativa)
- Faturamento bruto mundial
- US$ 300
- Tempo de duração1 hora 10 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was A Maldição do Sangue da Pantera (1944) officially released in India in English?
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