Ali Babá e os Quarenta Ladrões

I saw this a few days ago after a gap of many years and it's still fun to watch. There was a whole spate of these highly colored Arabian Nights adventures in the 1940's and audiences lapped them up. The fun now is in the apparent seriousness with which they were made and the earnestness of not very good actors and actresses spouting there quasi poetic dialog.

These films were bonanzas for the exotic looking performers of the period, Turhan Bey, Jon Hall and Maria Montez (one of the lust objects of my adolescence). She would often wear quite revealing see-through dresses and there was always at least one scene where she emerged from a bath or swimming pool, quickly being discretely covered by large towels borne by hand-maidens.

Extras were cheap in those days and so there is a cast of thousands but most of the time the director does no more than fill the screen with bodies. Look at the battle scenes and you will see most of the participants are just waving their scimitars in the air aimlessly.

Ali Baba has wicked caliphs and valiant freedom fighters battling it out in the Hollywood desert. The ridiculousness of the All American Andy Devine as an Arab. Fairy tale cardboard castles. All makes for colorful entertainment.

I give it 8 out 10.

I have a fairly sophisticated taste in cinema classics so I am a bit ashamed to rate this as one of my Favorite films of all time. I must cite first and foremost the sublime and under-rated masterpiece of a score by Edward Ward WHICH DESERVES A CD FOR SURE!!-Kurt Katch as Hulagu Khan is one of the screens most odious villains and the very fast pace all add to it's delight.....FOR ME-Weird, but not once in the entire film does handsome Jon Hall as Ali ever actually kiss Lady Amara, the exotic Maria Montez! Another bonus is the the vision of loveliness that is GORGEOUS Ramsay Ames as the incredibly HOT, sexy and traitorous lady in waiting Nalu who betrays her mistress-I just have to own up that GULP....I love this flick! PS-What a tragedy that Bagdad today is not the happy one that we find at this film's conclusion. SO SAD.

In Baghdad, in the days of the Mongol invasion leaded by the cruel Hugalu Khan (Kurt Katch), the caliph Hassan (Moroni Olsen) is betrayed by Prince Cassim (Frank Puglia) and killed by the Mongols. His son Ali, who had just pledged love to Prince Cassim's daughter Amara, escapes and accidentally finds the magic cave Sesame, the hiding place of forty thieves leaded by Baba (Fortunio Bonanova). Ali is adopted by Baba, who assigns the strong Abdullah (Andy Devine) to protect him. For ten years, the Mongols held Baghdad, and Ali Baba (Jon Hall) becomes the leader of the forty thieves, now beloved by the population for challenging the invaders. When the thieves acknowledge that a caravan is bringing Lady Amara (Maria Montez) to marry the tyrant Hugalu Khan, Ali Baba meets her bathing and does not recognize her. The Mongols capture him and he believes she betrayed him. Amara's servant Jamiel (Turhan Bey) helps Ali Baba, and the thieves rescue him in Baghdad and abduct Amara. In the garden of Prince Cassim's garden, they have recollections of their childhood, but they do not recognize each other. When Ali finds the truth, he fights for his love and for the freedom of Baghdad.

"Ali Baba and the Forty Thieves" is a delightful naive adventure that brings me back to my childhood, when I loved to see the movie because of the magic cave that opened and closed with the commands: "- Open, Oh Sesame!", or "- Close, Oh Sesame!". The story is simple, with the evil Hugalu Khan in the always invaded Baghdad; the traitor Prince Cassim; the forty bandits that become good guys; the hero Ali Baba and the heroine Amara, and lots of action for children and adults. My vote is seven.

Title (Brazil): "Ali Baba e os Quarenta Ladrões" ("Ali Baba and the Forty Thieves")

Technicolor fantasy about an overthrown prince , marvelous maidens , gorgeous princess , several happy-go lucky thieves and many other things . It deals with Ali and a gang of thieves doing battle against Hulagu Khan , leader of Mongols who wants the throne for himself and orders as a hundred citizens shall be tortured to death each day , until the head of the caliph is brought before him . Being children , the prince Ali , son of Caliph (Moroni Olsen) promises eternal love to Amara . But the Mongol Army destroys the city of Baghdad with help of prince Cassin (Frank Puglia) , father of Amara. Then Ali escapes and he shelters in a cave in which thieves hide their loot. A wily young enlist the aid of a band led by Baba (Fortunio Bonanova) and Abdulla (Andy Devine is fun as nursemaid lookalike) to outwit the Grand Mongol (Kurt Katch) and to save Baghdad and its citizens from death and ruin . One time grown-up Ali (John Hall) seeks vengeance and retrieve his lover (Maria Montez of Cobra woman , Arabian nights). Baghdad in the times of the Mongol invasion the Caliph has escaped , Khan orders find him , every day until he dies a hundred of his subjects will be tortured . And so far ten years the Mongols held Baghdad and the people died in agony and only the band of thieves made resistance. A bounty is offered , ten thousand pieces of gold for the body of Ali Baba and the destruction of the band of thieves by order of Hulagu Khan of the Mongols and ruler Baghdad.

Lavish spectacle and good casting overcomes the somewhat sluggish storytelling that combines a number of familiar ¨one thousand and one nights¨ tales . Technicolor adventure fantasy adorned by beautiful cinematography by Howard Greene and George Robinson , filmed on location in Coral Pink Sand Dunes Road, Kanab, Utah, and Red Rock Canyon State Park - Highway 14, Cantil, California, USA . Striking and evocative musical score by Edward Ward . This Universal spectacle is glamorously directed by Arthur Lubin (Thief of Bagdad , Phantom of Opera , Escapade in Japan, the mule Francis series ). Easy to take , it's a good rendition of this oft-told story

What I have noticed, which I think greatly glues this film to the viewers impression after so many lapsed years, is solid non-ambitious scenario, it is an easy story, really, yet some tricks of great master of film making are: 1. joining 3 totals, from 3 different angles, with no loss of trill in action, each total represented new information about the horse chase. 2. transition in memory sequences of protagonist, with water-surface blur transitions,which is rarely used, do not know why, because it is well crafted thing. 3. Using comedy actor which has comedy charisma to play one of major side rolls. Just his appearance provokes humor, which is essential for benevolent character of this like fairy tale story. 4. Ambient of orient, carefully picked scenery for scenes made near water manifest longings and cravings for love, freedom, better life, and emphasize the strong inner romantic feelings of protagonists...