Correspondente Fenômeno

Typical BOB HOPE comedy popular during the war years when his gags were timely and always on target kidding the current political situation and the entertainment world with breezy one liners. DOROTHY LAMOUR is the fetching sweetheart who helps Bob in his efforts to win back his reputation as a Pulitzer Prize journalist after his big gaffe in predicting that Germany will never invade Russia.

It's the breezy sort of thing Hope always did so well, with a nice supporting cast of character actors who knew how to be foils for his comic gags. Among them: EDWARD CIANNELLI, LEONORE AUBERT, DONALD COOK, OTTO PREMINGER, MARION MARTIN and DONALD MacBRIDE. Cook has a surprising against type role as a crazy gangster who at one point says to Hope: "You're cool, ain't ya?" (The use of "cool" way ahead of its time!).

Directed at a fast pace by David Butler, it's certainly not one of Hope's best films but easy to see why Hope vs. Nazis was such a fun idea in those WWII days when the best villains were always those notorious Germans.

The plot has Lamour helping Hope win his reputation back by capturing a bunch of spies in Washington, D.C. Fans of Hope and Lamour should find this one satisfying enough despite its flaws.

Foreign correspondent Bob Hope is recalled to the States. He has, as he puts it, "slipped up a little bit on the Russian rumpus." Meaning—he was the only foreign correspondent in Europe who didn't report the invasion of Russia by the Nazis. (Instead he sent home a cable saying to disregard all such rumors.)

Fired, Hope winds up in Washington, hoping to redeem himself and his job by begging (and buying) another scoop from a spy named Vanescu (John Abbott). He is going to need help from his girlfriend on the Washington bureau—Dorothy Lamour, of course.

One thing leads to another, and the plot develops into a spy thriller involving a missing notebook; a kidnapped stenographer (Phyllis Ruth); a blonde dance hall star (Marion Martin) who musters up her patriotism when it counts; a murder or two; and a beauty parlor that is actually a nest of Axis spies.

Donald Meek has one great scene as a nut who thinks he's fighting the Civil War. Donald MacBride has a wild bit as the managing editor who is flabbergasted at Hope's incompetence and takes great relish in loudly firing him. Lenore Aubert is wickedly tempting as the beautiful fortune teller and spy near the center of the plot.

The patriotic element is there, too: When the emergency is on, Lamour rounds up her roommates—all government office workers in one department or another. For muscle, the girls bring along their boyfriends: a marine, a sailor, and so on. It's a team very easy to cheer for as they swoop onto the scene.

Of course, Hope and Lamour always look good together. A fair number of snappy one-liners and a decent plot keep this one moving.

They Got Me Covered is one of two films Bob Hope did on loan out from Paramount to Sam Goldwyn. After that Goldwyn once again signed his own house comedian Danny Kaye so he wouldn't have to pay an exorbitant ransom Paramount put on Hope's talents.

Hope's a bumbling newspaper reporter who turned out to be the only wire service man who did not get the story of the German invasion of the Soviet Union. That got him fired by boss editor Donald MacBride in one of his patented movie temper tantrums,

If you can believe it Hope actually won a Pulitzer Prize, but we soon learn the reason for it. He's got a Rumanian source named Venescu played by John Abbott. Abbott's got another big story for him, but he manages to get himself killed. Hope and ever suffering gal pal Dorothy Lamour have to find out what happened.

This could have been the plot line for any number of melodramatic noir type films, but this is a Bob Hope film so we're talking satire of same. Hope gets a lot of help from a very good cast of players Sam Goldwyn assembled here. Representing the Axis are Otto Preminger, Philip Ahn, and Eduardo Ciannelli plus a very seductive Lenore Aubert as the traditional femme fatale.

Best moments for me are those that Hope has with Donald Meek playing an addled old caretaker who believes the Civil War is still going on. The two of them reprise a couple of old burlesque routines in Abbott and Costello style.

Also look for a really nice performance by brassy blond Marion Martin as stripper Gloria the Glo-Girl.

They Got Me Covered despite the dated World War II topical references still has quite a lot of laughs for today's audience.

Paramount Studios loaned out Bob Hope to Sam Goldwyn to make two films--"The Princess and the Pirate" (1944) and this film. Despite a new studio, however, the style and enjoyability of this film is about on par with Hope's films of the late 30s and through the 1940s. This was Hope's most productive period--with one excellent comedy after another. None are masterpieces, but all are consistently worth seeing.

Hope stars as an incompetent reporter. His boss is so fed up with his lack of talent in sniffing out a story that he fires him. However, when a man approaches Hope and promises to give him important secrets about the Nazis, Hope sees his chance to win his job back and tell an important story. But, unfortunately, things don't go that smoothly and soon Hope's days seem numbered, as Axis agents from all three powers are all mobilized to kill him and gain the secrets for themselves. Along for the ride is the ubiquitous Dorothy Lamour.

All in all, the film is breezy and fun--and relies more on fun situations than one-liners. It also is a good propaganda film, as although like most of these films it's a bit preachy, it's entertaining enough that you just don't care. If only Hope's later films were this much fun....

Always loved this movie since I saw it on television when I was 14. It doesn't have a very convincing, or even good, script but it's still extremely entertaining, not only because of Bob Hope. There are some scenes without him that are quite on the spot, like that one where the Nazi, Fascist and Japanese sabotage heads meet in order to get a stenographic notebook transcribed:

the Nazi guy (played by Otto Preminger who directed "Laura") calls for his expert: "Send in Schulz!" Schulz enters immediately and is greeted by the words "What delayed you?"

As Schulz can't read the notebook, the Fascist guy calls for his expert: "What is needed is a fine Italian hand! Send in Mr. Testori, please. We do things differently!" Testori enters and is hearty greeted but gets a blow on the head and a dressing down when he too can't read the notebook.

Then the Japanese guy calls for his expert, Hawara, a humble servant of the Emperor who knows all stenographic systems. He's not greeted at all ("Transuration, purease.") but he can explain that the notebook is written in a system of its own (and is subsequently reproached for this information).

There is some suspense in it too, and a memorable killing of an airhead sing-and-dance girl on stage by the throwing of a knife inserted in some kind of cotton ball. (The Fascist guys previously warned her: "Remember, an empty head is better than no head at all!").