Girls in Chains

Back in the 1930s and 40s, there were quite a few so-called 'poverty row studios'. These were small outfits with very small budgets...so small that they didn't even own studio space. Instead, they usually rented space in other studios at night...filming when the big studios were sound asleep. Many of these tiny outfits made lousy films...and perhaps the most consistently lousy was PRC (Producers Releasing Corporation). Sure, occasionally they made a decent film...but they seemed to be pretty much by accident! So, when I noticed that "Girls in Chains" was from PRC, I pretty much assumed it would be crap.

The story begins with sleazy gangter Johnny Moon murdering someone. In the next scene, he's in court for some murder--perhaps that one at the beginning or some other. Regardless, the jury finds him not guilty...and the judge lectures them about what horrible folks they are and he's baffled at how they could have said the man wasn't guilty despite overwhelming evidence.

In an odd plot twist, in the next scene, Johnny Moon's sister-in-law is fired because of her association with Johnny--though she hates who he is and what he stands for. Here's the odd part--some reformers help her get a job at the local women's prison, as they like her attitude and the place is desperate need of reform. Once there, she sees that the staff are indifferent towards the fates of the inmates...and the Warden is essentially employed by Johnny Moon! Can anything be done to clean up this festering mess?? And, will the women of this prison trust their new teacher or is she just like the rest? And why would a crook like Moon WANT to see the prisoners mistreated? Wouldn't he want them treated like princesses instead?!

According to IMDB, this film was shot in only five days--so there wasn't much room for re-shoots and making it a high quality product. Yet, despite this, the movie isn't nearly as bad as I expected. Now I am NOT saying it's great...but it sure looks better than a five-day film. And, its score of 4 is practically an Oscar win for PRC!!



By the way, the tough inmate who is first befriended by the teacher is played by Barbara Pepper. Pepper is better known as the lady who played the first Mrs. Zipfel on "Green Acres". Yes, that would make her Arnold's mom! And, Johnny's right hand man is played by Sid Melton...who played Al Monroe on the same show!

The version shown on "Film Detectives" channel has turrible sound, picture, and editing, but it's probably taken from a copy out of copyright. The ONLY name i recognize in here is Sid Melton, who, for those old enough, remember him as the bumbling contractor Alf Monroe on Green Acres! In lieu of a good script, they keep dragging character actor Emmet Lynn in as the town drunk. he keeps wandering in and bugging everyone until they ask him to scram. The lead here is Arline Judge, who was married to director Wes Ruggles for a few years. In the story, a woman takes a job at a Reformatory, but she may or may not be on the up-and-up. meh. story is so-so. another low budget gangster film from PRC productions. no big thing. Directed by Edgar Ulmer, bigshot at PRC film Productions. Ulmer had started in the silents, and worked his way up to head of production, making both good films, and some real cheesy, low budget ones along the way. SO many better films to see. can skip this one, and go do something else. anything else.

This monstrosity should settle for once and for all that Edgar Ulmer is not the continental wunderkind that Peter Bogdanavich held him to be, (a view, incidentally, that Ulmer did all he could to promote.) True, in "Strange Illusion,"and "Detour," Ulmer delivered films with suspense and pacing, whilst in "Bluebeard," he delivered a fairly convincing 19th century atmosphere, (heavily influenced by German expressionism but under-cut by the film's supporting actresses who sound like Bronx stenographers rather than Parisian coquettes.)

The "Black Cat" deserves separate treatment inasmuch as it manages disturbing aesthetical accomplishments of an altogether singular, (if morally dubious) order.

But such accomplishments do not extend to the whole of his work, and most of the time, (until at least his allegedly two best films--"Club Havana," and "Her Sisters Secret," again become extant) we must confront the fact that Ulmer may as well be Jean Yarborough, or Lew Landers, or Sam Newfield or Tommy Carr, which is to say he turned out PRC dreck utterly without distinction.

"Girls in Chains" is an excellent case in point. Unless one counts the shadowy rooftop chase finale, (which pre-figures "Bluebeard") this picture is risible in its ineptitude.

Where to begin? The plot? (and since Ulmer is one of the writers he shares the blame): the matron, (Arline Judge) of a woman's correctional institution is thwarted in her attempts at prison reform by a corrupt warden and his mafia cronies.

There are shades of Irene Dunne's earlier "Ann Vickers" in this, but this treatment is so pulpy that it's a pity the "Carol Burnett Show" never got ahold of it. Ulmer's alleged literary fixations here betoken a fondness for "The Police Gazette" rather than Faust.

While we're at it--be sure and note the musical score too. This is stock music utterly unsuited to the characters or situations it underpins--frequently to hilarious results. Thus, gangster, con man extrordinaire, "Johnny Moon"'s scenes are underscored by a syrupy rendition of "When Johnny Comes Marching Home" !!! Are we, the audience, supposed to feel patriotic and sentimental at knowing this murderer has been freed from prison by a corrupt jury, that he has "come marching home again" to yet kill again?

Then too, since Mr. Ulmer is noted for his oversight of art direction--well exactly what happened here?! The inside of Miss Judge's office looks like several forgotten flats pushed to the edge of the sound stage, waiting to be dressed. Couldn't someone have hung a picture on the picture hook that hangs so visibly above the lamp behind her? True, the flat of gangster Johnny Moon, and a nightspot known as the "Rendevous" do show traces of down-market PRC swank, but elsewhere the picture is visually starved.

The characterization is similarly absurd--strictly by the books gangster clichés--the only thing missing is the name "Mugsy".

Case in point: an elderly alcoholic who stumbles in and out of the story, (for comedy relief purposes--of which he affords neither) who is eventually tossed into a dam! (that looks like stock footage of the Tennessee Valley Authority).

As the lead, Miss Judge appears to be operating on about 100 mg. of Valium during most of her scenes, (and who can blame her--since she has read the script and is probably thinking, "...If only I were still under contract to Fox...".

Earlier posters, however, reveal their ignorance of World War II coiffures in their gibes at her hairdo. Miss Judge's up-sweep was all the rage at the time, and, in fact, many other actresses wore modified versions of the same style.

"Girls in Chains" is for connoisseurs of perfectly dreadful films. Rest assured that Mr. Ulmer did us no favors with this one.

I agree with most of the criticisms of the first 11 reviewers and agree that Edgar G. Ulmer has not worked his magic and made a shoestring budget into a masterpiece. However there are two things that I think the film deserves credit for. The first is the genre. This is one of the earliest women in a bad prison pictures. I know there were a bunch of men in bad prison movie before this, and of course "Fugitive From a Chain Gang" was ten years earlier. Still this is the earliest or one of the earliest females in prison movies. It kind of sets up the basic formula for the bad girls in prison films. Here the prison staff are more criminal than the women prisoners.In fact, Ulmer seems to be making some kind of anti-Nazi statement with the film.

It does develop a lot of tension and you really root for the female inmates. Yes, it was shot in five days and lots of things are ridiculous, especially the actor and character of lead gangster Johnny Moon. Yes, the playing of Johnny Comes Marching Home Again when he's on-screen is ridiculous, but the film is fun and watchable nevertheless.

The second thing is the hairstyles. They are unique. When was the last time you saw a film and wanted to look up the credit for who did the hairstyles? They are outrageous and ridiculous. Still they are fascinating. I had to watch another film with Arlene Judge to make sure that her hair wasn't styled this way permanently. (I saw her in Baby Bride (1932) and her hairstyle was normal in that one.

Judge is actually a fine actress. You can actually believe that she does have a Masters Degree in psychology. She does seem to be compassionate and thoughtful towards the girls she must protect. It is not her fault that we are always mesmerized by the absurd hairstyle and we watch it instead of listening to her dialogue.

Anyways, I'm giving the film five stars because Ulmer did make a watchable early women in prison movie in just five days with on a shoestring budget. I'm giving the film two extra stars for the wild and unusual hairstyle. I'm pretty sure that the hairstylist, no matter who s/he was, never worked again on another picture.

"Helen Martin" (Arline Judge) is an honest woman who continues to have problems keeping a steady job because her sister "Jean Moon" (Patricia Knox) is married to a well-known gangster named "Johnny Moon" (Addison Randall). That being the case she reluctantly accepts a job as a teacher at a female correctional facility which just happens to be run by a man who is almost as corrupt as her brother-in-law. Yet even though he likes things just the way they are she continues to try to improve the lives of the young women she comes into contact with. This results in a conflict which poses great risks for all involved. Now rather than reveal any more of this film and risk ruining it for those who haven't seen it I will just say that this low-budget B-movie was produced during the height of World War II and it's possible some allowances might be necessary. But even so there were some parts which were definitely in need of improvement. For example, the scenes involving the alcoholic by the name of "Lionel Cleeter" (Emmett Lynn) were especially repetitive and boring. All things considered I suppose I can give this movie 4 stars (out of 10) but even then that might be stretching it a bit.