O Falcão em Perigo

Another Falcon mystery, starring the usual crew, Tom Conway and Jean Brooks. When a plane crash lands, they find it completely empty. A mystery, since a millionaire is now missing. The other passengers were left behind at the last stop. The coppers track down the falcon to assist, and find him in a speakeasy, of course. When the kidnappers demand ransom, the falcon tries to figure out who is behind it all. And how is the antique store involved in this? You'll recognize Clarence Kolb, as the kidnap-ee... he was always the wise old senator, or the rich old uncle. This one goes all over the place, but it's watchable. Except for the annoying, screeching girlfriend (Amelita Ward) she's yackety yack the whole film. Directed by the usual Bill Clemens. This one is an RKO shortie, at 69 minutes. A roller skating rink? Really??

Tom Conway, playing the Saint knock-off his real life brother George Sanders abandoned to him, is actually in danger: of getting married. He aso has a fine little mystery to solve, when a plane sets down at the airport with no one aboard.

RKO actually paid for some good writing for Conway's series; this one is credited to Craig Rice and Fred Niblo Jr. RKO stocked it liberally with starlets, and there's the always watchable Clarence Kolb around as an 'industrialist' near the center of the story. Another Falcon movie was the first to use a Raymond Chandler story as its plot basis. The results were pretty good mysteries and some nice cheesecake. This one lives up to that undemanding standard for a second feature.

Yes, the plot was a little "messier" - as well as the print in this entry in the Falcon series [#6/13], but in spite of all that still very enjoyable. The gang was all there – Lawrence, Clark and Gargan, plus regular Falconite Jean Brooks, the RKO staircase from Ambersons/Cat People was seen to good advantage in Clarence Kolb's house - no Goldie however.

Passenger plane crash lands at airport at the beginning of the film and is found to be literally running on empty – a wealthy industrialist who was on board is presumed kidnapped, especially when ransom notes are left for his daughter. The Falcon is asked to help solve the mystery by 2 beautiful women. It gets … slightly complicated from here, what with murders, a bitter daughter of a missing employee, stolen securities, a broken padlock, and a foreign antique dealer with 2 trigger happy sons but a rather splendidly cluttered shop. Not a second in the 67 minutes was wasted! The only thing that really grated was the Falcon's girlfriend played by Amelita Ward laid her jealousy on with a trowel, and from being amusing at first got irritating – there was a seriousness there I never liked! Favourite bit: Carefree Gargan helping himself to beer and sandwiches at the gambling den and continually interrupting his boss Clark.

Not the best Falcon film but not too bad, anyway well worth watching for fans and well worth avoiding for enemies.

The Falcon films, both with George Sanders and Tom Conway in the lead role, are on the most part very enjoyable. There are some very good ones like the first two Sanders Falcon films and 'The Falcon Strikes Back'. At the same time there are a few lacklustre ones, with 'The Falcon in Danger' being one of the biggest examples.

Not unwatchable certainly. Tom Conway continues to thrive and enjoy himself as the title character, everything that Sanders brought to the role are also present in Conway's performance and with full impact. The music is lively enough, and on the most part the production values are slick and atmospheric. Cliff Clark is much better here than in his previous two Falcon films, where he suffered from poor writing that made his character a mugging buffoon and that James Gleason was (still is admittedly) sorely missed, here he's amusing at being befuddled and indignant.

It starts off well too, with a tense opening (pretty poor effects aside) that makes one wish that the rest of 'The Falcon in Danger' was just as good. The roller-skating scene is funny, Elaine Shepherd is alluring and fits well enough and Edward Gargan boasts the best comic moments.

On the other hand, any sense of danger and suspense is lost after the opening. The running time is too short, which has not always been a problem in a film series with short durations but it was less forgivable with so much crammed in and paced so frantically here. 'The Falcon in Danger' does suffer from trying to cram in and tell too much in a short space of time, which makes a lot of the mystery underdeveloped and confused, with almost all of it a long way from suspenseful, and a few scenes and transitions rushed. The script is full of red herrings and sudden revelations, a vast majority of which done rather unsubtly and out of nowhere, any surprises turn out even not to be all that surprising.

A lot of the mystery is forced to take a backseat to the romance, which is dull and lacks chemistry. A contender for the worst thing about 'The Falcon in Danger' is the exceedingly annoying performance of Amelita Ward, if there was an award for the worst or most annoying performance in a Falcon film Ward's a very strong contender.

Summing up, starts off well and definitely watchable, but the rest of the film doesn't match up to the promising standard of the opening, being rushed, over-stuffed and confused and Ward really grates. 5/10 Bethany Cox

A plane lands with nobody aboard, making a crash landing on automatic pilot. The police come to The Falcon (TOM CONWAY) for assistance in the mystery of the vanishing crew but he's reluctant to help them. That is, until a pretty girl tells him her father was aboard the plane and wants him to help her. His girlfriend, a Southern gal played by AMELITA WARD, persuades the Falcon to take the case.

The plot thickens when another damsel in distress shows up, the niece of a wealthy man who needs to find her uncle and reveals a blackmail plot over missing securities that makes her afraid there's been a kidnapping. All of this happens within the first fifteen minutes, so you can see how crammed with events the plot gets in a very short time.

Despite all the red herrings, I did manage to put my finger on the right suspect long before the end. Too much plotting spoils enjoyment of this one with too much cramming of plots and sub-plots in brief running time.

Trivia note: AMELITA WARD, who plays the annoying and whining Southern woman that Conway manages to get rid of, was the body double for Olivia de Havilland's twin sister in THE DARK MIRROR ('46).