Oráculo do Crime

Crime Doctor (1943)

** (out of 4)

First film in Columbia's Crime Doctor series has a man (Warner Baxter) thrown out of a car, which leaves him with amnesia. Not knowing who he is, the man decides to start a new life as a doctor but then learns that in his previous life he was a gangster. This was the first film from the series that I watched and I certainly hope they get better. I suspect this film just tells a backstory, which could have been told in the first five minutes of another movie. I found the film incredibly dull and the story itself really wasn't all that involving. Baxter was good in his role but I still wouldn't rank him very high among the countless mystery/detective films of the 30's and 40's.

When a man is thrown from a speeding car, he awakens without a clue who he is. It takes ten years for him to rehabilitate into the renowned "Dr. Ordway" (Warner Baxter), a man who ends up esteemed enough to be put in charge of the parole board. It's as he is making a broadcast that an inmate elsewhere (Dorothy Tree) recognises his voice and identifies criminal mastermind "Philip Morgan" - a man whose gang stole $200,000 that is still unaccounted for. It's not just her who has identified him, and pretty swiftly his erstwhile gang are also on his trail wanting their loot. "Ordway" realises that he still has some cards to play in his dealings with their leader "Caspair" (John Litel) that might just help him fully re-establish his identity and hopefully find the money. This is quite an engaging little mystery that allows Baxter to establish his character's credentials as a competent detective whilst using some elementary psychology, the odd shrug and a wry smile to provide us with a decently paced cat-and-mouse drama that presents our protagonist with a sort of lose-lose scenario towards the end. The production is adequate, the dialogue quite entertaining and it amiably sets the scene for more to come.

With the exception of the Rathbone and Bruce Sherlock Holmes series, this is quite possibly the best of the 'mystery' series of the 30s and 40s. The series begins with this movie as Phil Morgan, master criminal, is double crossed by his gang, beaten and dumped along a roadside. As a result, he suffers from amnesia. This movie, the first of the series, establishes The Crime Doctor's background, explains how and why he became a doctor (a psychiatrist, actually), head of the parole board and helped many convicts find the 'straight and narrow'.

The element that makes this movie and the series in general unique is that it relies on psychiatry and the tendencies of the mentally ill. They often tease you by inserting an obviously unbalanced person and although the plot may lead one to believe that person is the "perp" they may or may not be the actual "perp". Because psychiatry was relatively new and often misunderstood, it provided general insight to the subject. In many ways, the series has yet to become dated although the psychological concepts may appear to be fairly basic nowadays.

A series of factors make this movie series much more enjoyable than others such as The Lone Wolf, Boston Blackie or Bulldog Drummond. The first is the consistency. The quality of the stories in all ten movies remains high throughout the series where the stories of other series tend to deteriorate into standard potboilers after the studio has captured the audience's interest. Second, the same actor plays the lead character in all of the movies. Third, the quality of the supporting cast is exceptional throughout the series. Some of the more recognizable supporting cast includes John Litel, Ray Collins, Harold Huber, Barton MacLane, Jerome Cowan, Reginald Denny, Eduardo Ciannelli, Nina Foch, George Zucco, Ben Weldon, Hillary Brooke, William Frawley, Ellen Drew and last, but far from least, a very young Lois Maxwell who played Miss Moneypenny in at least 15 James Bond films.

However, over the six years the series was shot, one can easily see Baxter's health deteriorating.

This was the opening chapter in the Crime Doctor series from Columbia, and as usual the first cut is the deepest. The other nine films veered from lightly sparkling to slightly insipid but all lovely to see - this one was strikingly thought provoking with many memorable scenes scattered throughout. Additionally the production values, acting and plots were of a consistently high standard, and basically Columbia allowed Warner Baxter a six year holiday with the filming of them to help him recover his dodgy health.

A man is tossed out of a moving car as one dead in 1932, turns out an amnesiac who is nursed back to good health by a good doctor who encourages him to become a good friend, good citizen and ultimately a good psychiatrist. He achieves all this by 1943, by which time his shady past is starting to catch up with him, 3 dumb guys eager to reclaim USD 200,000 stolen in his previous life. How it all unfolds and is resolved is as ingenious as the b picture format and the Hays Office could allow. Favourite bits: The 4 of them sitting round the table in Frankie's, all wondering what was going off; Margaret Lindsay – almost too exquisite too watch here; Leon Ames, the violent patriot in prison for life then out in a twinkling; the trial of Phil Morgan and Robert Ordway.

It should be an incredibly rewarding 65 minutes to fans of this genre of film, if you find yourself unmoved by it my advice is don't bother with the rest and do yourself and the fans a favour.

One of the wilder premises involving a movie series was in the Crime Doctor films that starred Warner Baxter. We are asked to believe that Baxter was once gentleman crook Phil Morgan who held out the loot from his gang and who slugged him and threw him from a moving car and left him for dead. He didn't die, but has a case of amnesia. In any event ten years go by and in those ten years we are asked to believe that Baxter has acquired the eduction and training to become criminal psychologist Robert Ordway a most respected gent.

The Crime Doctor character came from radio and I assume that radio provided a lot of background so that the Ordway character became more believable. Given the fact that the movie-going public had been used to the Crime Doctor radio program the whole premise was easier to swallow in 1943 than it is today.

Baxter who is now a successful criminal psychologist and engaged to Margaret Lindsay is visited by old gang member John Litel who wants to know where the stashed loot is. He's not buying the amnesia story. He assembles the rest of the gang and the film is a battle of wits between Baxter and the rest. Need I tell you who wins?

Future Crime Doctor films gradually left out the part that Baxter was a convict and as a result they have not become as dated and are more believable than the first film. Some are actually pretty good with the simple premise that Baxter with his psychological training is a pretty good criminologist, better in many cases than those who carry a badge. In fact Jeff Goldblum's character on Law and Order: Criminal Intent who does carry a badge can trace his origins back to Warner Baxter's Robert Ordway.

A good screen character with too much unbelievable baggage.