O Monstro das Trevas

Forget the much vaunted Val Lewton "Cat People" as a classic horror film from the early 40s. "Night Monster" is a glittering gem of chilling beauty that supplies the juice and frission and performances that make "Cat People" look like "Ishtar." Veteran director Ford Beebe had only two weeks to whip his crew of Grade A technicians and Hollywood's greatest B actors into shape. Cult B-Actress, Fay Helm, is fantastic as the emotionally unstable Margaret Ingstom who claims she sees a hideous night monster creeping around her mansion at night. Irene Hervey is attractive and warm as the psychiatrist. Leif Ericson (former husband of tragic-prone actress Frances Farmer)is hilarious as the lecherous, over-sexed chaffeur. Bela Lugosi is here, too, but he mostly leers and raises his brows. There's plenty of mist, beautifully lit and photographed scenes of fire places and wavering shadows.The great character actress, Doris Lloyd, is wonderfully intense and lethal. She and Helm also starred together in "The Wolf Man." A great Hollywood mystery is whatever happened to Fay Helm? Not even film historians know. Although filmed on a low budget, "Night Monster" shows what can be done with great talent--before and after--the camera, in post-production and editing. H.J. Salter does the music which is mostly the much beloved excerpts from "Son of Frankenstein" in l939. This is a great movie to watch on a wintry night. Now, just to get it on DVD. Come on MCA/Universal Home Video--get with it. Put this one and "Captive Wild Woman" on the same disc and give us all a thrill!

During the 1940's decade, Universal Pictures attempted to continue making horror films as they did the previous decade but did try to re-invent and package them a bit differently. Their financial success never mirrored that of its earliest successes, but films like The Night Monster showed that they still had the wherewithal to make classic, good horror yarns. This film is different from most Universal horror films for a number of reasons. Yes, Bela Lugois and Lionel Atwill are in the film. Lugosi is yet again wasted playing a butler - a role I sometimes tire of seeing him relegated to for a man of his considerable talents. Atwill does better as a pompous(can he be any other way?) doctor called with two other doctors to the home of the rich man their medicine was not able to save - he was now paralyzed from the waist down. Ralph Morgan plays the crippled man hosting the doctors, another doctor called in by his sister who believes she is crazy, a hypnotist, and a couple of other servants who act and expect better than their positions might suggest. Swirling around this is a series of murders, secretive looks and discussions, and the sighting by several of a monster that comes out at night. The Night Monster is really more of a mystery than a true horror film though the eerie, foggy atmosphere helps convey significant menace. The story isn't really particularly hard to figure out, but all the actors do a very good job playing their roles. Bela is really wasted unfortunately. He certainly could have been better utilized. Atwill as always is very, very smart and clever as he delivers his dialog. Frank Reicher, of King Kong fame, gives a nice turn as a fellow doctor caught in some terrible plot. While maybe not one of Universal's brightest stars, The Night Monster is a good, entertaining film.

Night Monster is the best Universal Horror film of the 30s and 40s that was NOT about one of the Major Monsters (Dracula, Frankenstein, Wolf-Man or Mummy). In fact, it may just be the best one ever. I first saw it on TV in the 1960s as a pre-teen and have seen it about 10 times since, including twice in the last year. It is a very successful film in terms of using atmosphere to communicate a sense of dread. The film effectively used the themes of Insanity, Murder, Eastern Mysticism and the properties of Nature (crickets and frogs going silent for no reason) to keep the viewer unhinged throughout the whole film. The murders are creepy and mysterious. The actors are top shelf.

I remember being scared, puzzled, mystified and wondering how the murderer got around. I remember the scene where Dr. Timmons is murdered. The actor really looked frightened. The scene where Leif Erickson's strangled body is discovered in the closet was strong stuff in the early 40s.

If you haven't seen this film...SEE IT! Just remember the time in which it was made and you will have a 73 minute feast.

Interesting "B" old dark house thriller about somebody or something killing people right and left at the estate of wealthy cripple Kurt Ingston (Ralph Morgan). Who the culprit is won't be a huge shock to you but how they are doing it is pretty cool. The main selling point of this film is the terrific cast, even though some of the bigger names have small roles. Despite being top billed, Bela Lugosi plays a minor part as a butler. Lionel Atwill also has a minor role as a doctor. Leif Erickson plays a lusty chauffeur and Nils Asther a Hindu mystic. Janet Shaw has a memorable part early on as a sassy maid who can't get away from the Ingston estate fast enough. But the best parts go to Ralph Morgan and Fay Helm as the deranged brother and sister. This is a great movie to pass an hour. Universal made it and it's usually billed as a horror film. It does have some supernatural overtones but at its heart it's basically a murder mystery. A good one, though.

Universal made a great hit with this one due to the way the story is put together. This had to be one of the best "spooky house" films. The use of atmosphere in terms of foggy nights, shadows on the wall, creepy facial expressions (this is why "The Ring" was such a hit), creaky doors, puddles of blood, a skeleton materializing in a room, Bela Lugosi looking mysterious, frogs/crickets coming to a sudden silence, sinister residents of "The Towers" and more, make this one of the best shockers of the 1940s.

Ever spook yourself in a darkened room ? (Great fun!) Ever get spooked by inanimate objects in a room based on their shadows on the wall? (I used to have nightmares as a child (about 5 years of age) due to the wood patterns on a dresser that looked like ghoulish figures. My mother told me that I used to run high fevers as a child and this may account for it.) Not being a psychologist, I am not familiar with a lot of the theory underlying why this sort of thing happens, perhaps it is based on subliminal reactions to the unknown, but it is very simple to scare oneself by associating objects,shapes or shadows with some sort of subconscious fear. In any case, this movie does the same thing to an extent by creating an atmosphere of overwhelming dread by tuning to the subconscious anxieties (such as the proverbial "things that go bump in the night" ) which exist in all of us.

I am a great Bela Lugosi fan and even though he plays a red herring butler in this film, through the use of creepy facial expressions, he adds to the nightmare quality of this film. Some fans think he would have been better off in the Angar Singh role (as he played in another great film, "Night of Terror" 1933), but he is fine as the sinister butler this time. Lionel Atwill is also fun to watch. The ladies Fay Helm and Irene Harvey are great eye candy. In the last reel of the film, people are knocked off one by one until the film reaches a ghoulish climax (I won't give the ending away).

The film is similar to "Night of Terror" (1933) (one of my B-movie favorites) which is equally creepy and equally fun. The difference is that in "Night Monster", a supernatural element is added.

10/10.

Dan Basinger