O Homem Que Ouvia a Grã-Bretanha

A depiction of life in wartime England during the Second World War. Director Humphrey Jennings visits many aspects of civilian life and of the turmoil and privation caused by the war, all without narration.

The title is literal -- the director is asking us to "listen" to "Britain". Not necessarily its people, and not the narration of someone telling us how to feel. Just the sound of the radio, the airplane, and anything else going on in daily life during the war. They even dance to "Roll Out the Barrel", though in some weird circular slow dance style rather than the polka version I know and love.

This is probably considered Humphrey Jennings' masterpiece. That may be a fair assessment.

Jennings makes an interesting experiment. He films a number of scenes representative of wartime Britain, but does not include a spoken commentary or an anonymous musical backing.

Instead, the sound alone (often amplified and remixed)conveys mood, emphasis, and narrative climax.

A recital given by Dame Myra Hess in the National Gallery provides the background of a stirring climax.