Adicionar um enredo no seu idiomaDanny and Steve are migrant farm workers who wind up in Cat Tail, Florida. Cat Tail is run by Madden Packing and Danny works for Madden while Steve works for the underdog farmer named Nick. ... Ler tudoDanny and Steve are migrant farm workers who wind up in Cat Tail, Florida. Cat Tail is run by Madden Packing and Danny works for Madden while Steve works for the underdog farmer named Nick. After the Tomato crop is destroyed by Madden, Steve takes Nick, Lola and the next crop to ... Ler tudoDanny and Steve are migrant farm workers who wind up in Cat Tail, Florida. Cat Tail is run by Madden Packing and Danny works for Madden while Steve works for the underdog farmer named Nick. After the Tomato crop is destroyed by Madden, Steve takes Nick, Lola and the next crop to Atlanta where they sell it for big money. Danny is going up with Madden and thinks Steve i... Ler tudo
- Direção
- Roteiristas
- Artistas
- Cully
- (as Howard da Silva)
- Truck Driver
- (cenas deletadas)
- Townsman
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Reagan costars here with Ann Sheridan in 1942's "Juke Girl," sort of a weaker "Grapes of Wrath," with Gene Lockhart as an unscrupulous businessman who is cheating the local farmers by paying them low prices and making sure they can't sell anywhere else. Reagan and Richard Wharf, as Steve and Danny, are two drifters who arrive in a small town populated by farmers. There Steve meets and falls for Lola (Sheridan) who works in the local bar. As he endeavors to help a local farmer, Nick (George Tobias) who has fought with Madden (Lockhart) and has now seen his crops destroyed, Steve gets more than he bargained for. The result is murder.
Entertaining Warner Brothers effort, perhaps not the most original plot you've ever seen, but you'll keep watching. Ann Sheridan was kind of a poor man's Rita Hayworth - the redhead had that been around the block presence, a low voice, and a toughness, all of which were appealing in any film in which she appeared. Gene Lockhart does a great job as a bully who underneath is terrified, and George Tobias is sympathetic as Nick Garcos, who wants to buck the system. Reagan comes off well as a determined young man who believes in doing the right thing.
If you're a fan of Sheridan's or love the Warner's potboilers, this is worth seeing.
Juke Girl is a knock-off of The Grapes of Wrath, but without the old folks. In my opinion, Jane Darwell and Charley Grapewin were the only good parts to that movie. Both focus on the struggles of migrant farmers and the poor, common man. Both have handsome leading men who aren't very good actors. But for my money, I'll take Juke Girl. And not just because Reagan has great hair and a lovely smile. Although, that doesn't hurt.
Even though he wasn't a good actor, Reagan seemed to give his best performances when he was paired with Ann Sheridan. I hope they got along; they certainly had good chemistry together. This was made the same year as Kings Row, and it'd make a great double feature. Even though the title implies a silly movie about a dance hall romance, it actually turns dark in the second half. It's a solid drama with a strange title. Yes, Ann Sheridan plays a hardened dance hall girl who captures the heart of an idealistic farmer, but there's a lot more to it than that. Reagan stands up for George Tobias, a Greek farmer who gets pushed around, and that sets off a series of dramatic events. Gene Lockhart plays a real bad guy, coming off another villainous role in Hangmen Never Die. I don't know why he played bad guys so often, except for the reason that he's extremely good at it! Juke Girl might not be Gone With the Wind, but it's definitely one of the better Reagan movies.
This is an interesting film because in many ways it's like a 1940s western...yes, western. While there are no cowboys, the idea of a local boss-man ruining people and using his gang of thugs is very, very common in westerns. It's also interesting to see Reagan playing such a populist sort of role, though it was very much in line with the Reagan of the 1940s (a union man through and through).
So is it any good? Well, for the first 90% of the film, I'd say yes. However, the ending has quite a few problems. Seeing the town inexplicably turn into a lynch mob made little sense--especially when one of Madden's goons is clearly egging them to action. Additionally, Madden's behavior at the very end made little sense--he was evil through all the film--so why would he suddenly do the right thing?! All I know is that it's frustrating to see a good film that folds up at the end of the movie. Worth seeing but it should have been better.
But I want to add a note about Betty Brewer. First, what a personality! Her life seems to have been tragic. Details are shrouded in some mystery, but whenever she pops up in a film, if she doesn't steal the whole movie, she at least sure steals the scenes she's in.
That's why I wish she had made more, and I wish she had stayed active into her adulthood.
The other actors in this enjoyable film mostly did very well for themselves, and for us.
The Reagan-Sheridan team always works magic; Richard Whorf is another of those actors who should have attained more "household-name" status, but he stayed busy in films and television a long time, including directing, apparently right up until his untimely death.
There was a long list of great Warner Brothers actors, including Alan Hale, and others, such as Willie Best, who might not be known as of a particular studio.
Howard da Silva played a bad guy, and every time I see him, I just marvel at his range. His Benjamin Franklin in the movie "1776" was just about perfect.
Ronald Reagan doesn't get much of a break from critics, but in "Juke Girl" he was great. He looked good and his acting was right on.
Ann Sheridan probably could do no wrong.
Together, the actors and the story -- although some of the dialog could have used some work -- create a very good movie.
As in their previous films together, _The Angels Wash Their Faces (1939)_ (qv) and _Kings Row (1942)_ (qv), Ronald Reagan (qv) and the wonderful Ann Sheridan (qv) make a nice film couple. Heck, in a perfect world Ann Sheridan would have been First Lady, but that's another story.
Good acting, good characters, and a good story. Toss in a quick song by Miss Sheridan and you have the makings of a pretty good movie. Enjoy.
Você sabia?
- CuriosidadesIda Lupino was considered for the part, but the actress felt her accent made it an inappropriate role.
- Erros de gravaçãoIn the early scene at the gas station, which is supposed to be somewhere in Florida, the hills of California can clearly be seen in the background.
- Citações
Danny Frazier: The body's familiar but I can't place the face.
Lola Mears: I never forget a face but for you I'll make an exception.
- ConexõesFeatured in This Theatre and You (1949)
- Trilhas sonorasI Hates Love
(1942) (uncredited)
Music by M.K. Jerome
Lyrics by Jack Scholl
Played during the opening credits
Also played at Muckeye's and sung by Ann Sheridan (uncredited)
Played often in the score
Principais escolhas
- How long is Juke Girl?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 1 h 30 min(90 min)
- Cor
- Proporção
- 1.37 : 1