Dedos Diabólicos

I hesitate to call this film a mystery, because the nature of the murders that are plaguing Chicago is known to the viewer from the very beginning. And although it has some traits common to noir, I found the tone of this film to be too light to firmly place it in that genre.

Lew Ayres (as Oliver Duffy) plays an out of work actor who stumbles into a murder plot aimed at Laraine Day (Edwina Brown). She is rather kooky and he seems unable to string two serious lines together. With his help, they capture the axe murderer who attempts to end Laraine's day.

Ayres develops a theory about the nature of the murders, but the police won't listen. They are buffaloed by the hypothesizing of a psychologist--a common theme in the 40s and 50s when audiences seemed intrigued by the mysteries of the human mind and the simple "explanations" that science seemed to offer. For a superior example of this, see "The Bad Seed" from 1956. Hitchcock liked to dabble in these kinds of stories, as in "Spellbound" in 1945.

But this film does have some appeal. And Basil Rathbone, in his role, provides the intensity that was his hallmark.

A struggling actor tries to solve a series of murders, which police believe have been committed by a madman, and finds love in the process.

This starts out as a chiller but fails to live up to its early promise. Despite this it's entertaining enough with good performances from Lew Ayres, Laraine Day and Basil Rathbone.

Any story about an axe murderer on the loose has to be taken seriously--and this one is no exception, especially since it is given some film noir ambience in lighting, sets and photography--and has Basil Rathbone as the master mind of all the villainy.

Laraine Day and Lew Ayres (usually cast in the Dr. Kildare series) are the stars of this well made B-film that played the lower half of double-bills when released in 1942. They both move capably through a story that mixes romance, humor and suspense--although much of what happens stretches credibility a bit. Attempts on Laraine Day's life provide a few genuine thrills in this somewhat creepy tale about an actor (Lew Ayres) and a society girl (Day) on the trail of a serial killer being masterminded by sinister Basil Rathbone who uses hypnotism to carry out his plans.

Although a minor mystery, it has some chilling moments thanks to the intensity of Rathbone's acting and some atmospheric night scenes with the heroine being menaced and stalked on rainy streets by a killer.

This is just one of the films discussed in my career article on LARAINE DAY that appears in the current Spring 2001 issue of FILMS OF THE GOLDEN AGE.

Lew Ayres and Laraine Day star in "Fingers at the Window," a 1942 film which also stars Basil Rathbone.

An ax murderer is killing people in Chicago, and the police don't have any leads. A young actor, Oliver Duffy (Ayres) suspects that a woman, Edwina (Day) is going to be attacked after he notices her being followed.

Oliver attaches himself to her, sees some activity outside of her window, and also notices a problem with her door latch, as if someone was preparing it to break in. He tries to figure out why she has been singled out, but Edwina, being an airhead, can't come up with anything.

Ayres and Day are delightful, having worked together so well in the "Dr. Kildare" series, and Rathbone is terrific as a distinguished doctor.

This was Ayres' last film before the war, during which he served as a conscientious objector (he was a medic on the front lines), something very controversial at that time. MGM washed their hands of him and the "Dr. Kildare" series quickly became the "Dr. Gillespie" series.

One of the first "Dr. Gillespie" films concerned a man who had lost a limb during the war - MGM was making a point. Ayres made one too, by winning an Oscar nomination for "Johnny Belinda" in 1948.

"Fingers at the Window" is a little silly with some plot holes, but the cast makes it work. Despite its macabre subject matter, it's directed by Charles Lederer with a light touch to mine the humor. Enjoyable.

Laraine Day and Lew Ayers always seemed to have great chemistry between them and this picture carries on that tradition. Ayers is an out of work actor who happens to see Day being followed by a man who is carrying an axe. He manages to save her and capture the would-be killer but it's obvious that there will be further attempts on her life. Ayers tries to solve the mystery of why she is being stalked and manages to get himself in trouble both with the law and with the mastermind of the killings. Basil Rathbone does his usual top job in a role that calls for someone who is both suave and has ice water in his veins. The cast is rounded out with many familiar faces of MGM contract players. All in all, a very good mystery with Ayers and Day providing just the right amount of light interplay.