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IMDbPro

O Lobisomem

Título original: The Wolf Man
  • 1941
  • 12
  • 1 h 10 min
AVALIAÇÃO DA IMDb
7,2/10
33 mil
SUA AVALIAÇÃO
Lon Chaney Jr. and Evelyn Ankers in O Lobisomem (1941)
Theatrical Trailer from Universal Pictures
Reproduzir trailer1:48
2 vídeos
99+ fotos
HorrorHorror corporalMistérioRomanceRomance trágicoTerror de lobisomemTerror monstruosoTerror sobrenatural

Larry Talbot retorna ao castelo de seu pai no País de Gales e conhece uma bela mulher. Numa noite fatídica, Talbot a acompanha a um carnaval local onde encontram um misterioso adivinho cigan... Ler tudoLarry Talbot retorna ao castelo de seu pai no País de Gales e conhece uma bela mulher. Numa noite fatídica, Talbot a acompanha a um carnaval local onde encontram um misterioso adivinho cigano.Larry Talbot retorna ao castelo de seu pai no País de Gales e conhece uma bela mulher. Numa noite fatídica, Talbot a acompanha a um carnaval local onde encontram um misterioso adivinho cigano.

  • Direção
    • George Waggner
  • Roteirista
    • Curt Siodmak
  • Artistas
    • Claude Rains
    • Warren William
    • Ralph Bellamy
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    33 mil
    SUA AVALIAÇÃO
    • Direção
      • George Waggner
    • Roteirista
      • Curt Siodmak
    • Artistas
      • Claude Rains
      • Warren William
      • Ralph Bellamy
    • 266Avaliações de usuários
    • 117Avaliações da crítica
    • 72Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 3 indicações no total

    Vídeos2

    The Wolf Man
    Trailer 1:48
    The Wolf Man
    The Wolfman: Chase
    Clip 0:46
    The Wolfman: Chase
    The Wolfman: Chase
    Clip 0:46
    The Wolfman: Chase

    Fotos122

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    Elenco principal32

    Editar
    Claude Rains
    Claude Rains
    • Sir John Talbot
    Warren William
    Warren William
    • Dr. Lloyd
    Ralph Bellamy
    Ralph Bellamy
    • Colonel Montford
    Patric Knowles
    Patric Knowles
    • Frank Andrews
    Bela Lugosi
    Bela Lugosi
    • Bela
    Maria Ouspenskaya
    Maria Ouspenskaya
    • Maleva
    Evelyn Ankers
    Evelyn Ankers
    • Gwen Conliffe
    J.M. Kerrigan
    J.M. Kerrigan
    • Charles Conliffe
    Fay Helm
    Fay Helm
    • Jenny
    Forrester Harvey
    Forrester Harvey
    • Twiddle
    Lon Chaney Jr.
    Lon Chaney Jr.
    • The Wolf Man
    • (as Lon Chaney)
    Jessie Arnold
    Jessie Arnold
    • Gypsy Woman
    • (não creditado)
    Gertrude Astor
    Gertrude Astor
    • Townswoman
    • (não creditado)
    Caroline Frances Cooke
    Caroline Frances Cooke
    • Townswoman
    • (não creditado)
    Harry Cording
    Harry Cording
    • Wykes
    • (não creditado)
    Margaret Fealy
    Margaret Fealy
    • Townswoman
    • (não creditado)
    Gibson Gowland
    Gibson Gowland
    • Villager
    • (não creditado)
    Mercedes Hill
    • Girl
    • (não creditado)
    • Direção
      • George Waggner
    • Roteirista
      • Curt Siodmak
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários266

    7,233.1K
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    Avaliações em destaque

    machette

    A true classic

    When I was about 18, my uncle came over and said he had just bought two new movies Frankenstien and the Wolf Man and wanted me to watch them with him. Since I was nursing a broken foot at the time I decided to go watch them. Thank you uncle for a truly memorable night. The Wolf Man is great movie. It spooky atmosphere and creepy music only add to this gem of a flick. As far as Lon Chaney goes; this role was made for him. He is perfect as the tragic Larry Talbot. Horror movie makers of today should watch these classic gems before attempting their movies. God knows they could learn a thing or two about how to make a REAL horror movies. What must Lon, Boris, Bela and Vincent be think as they look down the atrocities that are called horror movies. It's like my uncle has always said: They sure don't make horror movies like they used to.

    They sure don't uncle. They sure don't.
    herbertweiner

    larry talbot should have run for President

    Lon Chaney portrays psychological torment, guilt, and conflict so well in this film. These feelings are so absent in this century. Larry Talbot, in contrast to public officials and corporate executives, wants to do the right thing, and feels remorse at the suffering that he has caused. Chaney also does this in his later Inner Sanctum films. Maria Ouspenskaya is also great as Maleva, the gypsy. And the music is also marvelous. Films as these put contemporary horror films to shame. The former are fun and a pleasure to watch. This one is quite good.
    fleckwil

    Classic Horror At It's Best

    What famous horror classic, panned by reviewers upon its initial release in December of 1941, looks better and better every year? THE WOLF MAN, starring Claude Rains, Ralph Bellamy, Evelyn Ankers, and Lon Chaney Jr. as the hapless Larry Talbot.

    The story is a familiar one: Larry, the son of esteemed Sir John (Rains) returns home to Wales after many years in America, is bitten by a werewolf (well played by Bela Lugosi), and becomes a werewolf himself. What's extraordinary is the fact that the film can be so effective today.

    The biggest reason for this is the acting. Some classic films, pre-Actor's Studio, look pretty pathetic when it comes to realistic characterization. Not so THE WOLF MAN. Curt Siodmak's excellent screenplay (likened to a Greek Tragedy) provides a vehicle for the stars to be at their best, and, boy, do they shine: Rains a tower of strength as the proud father; Ankers hitting just the right note as the torn female lead; Maria Ouspenskaya as the Old Gypsey Woman whose words prefigure Larry's doom....

    But the standout is Lon Chaney Jr. A definite mixed-bag as an actor, he is perfect here--and this is a role calling for the use of all human emotions (unlike later Wolf Man films, where Talbot's head-pounding becomes monotonous). In fact, seeing THE WOLF MAN recently has convinced me that Chaney would have made the ideal screen Phillip Marlow (and I'm not forgetting Bogie)--big, tough, surly, yet charming when need be (a highlight early in WOLF MAN is Larry's attempts at flirting with Ankers; Chaney does the surprisingly playful dialogue with just the right touch). There's no doubt that his performance would merit accolades even today.

    This is not to say that there aren't problems in the film. The continuity is off in a number of places (Chany transforms into the Wolf Man at one point wearing a sleeveless undershirt; in the very next scene, he's wearing a neatly buttoned Dickey), and there's a scene or two that's completely inexplicable (e.g., why DOES the Wolf Man pass out when caught in that trap?)....

    But overall, the pace, lighting, cinematography, excellent musical score, and strong story propel the film through these rough spots, the 70-minute ride leaving the viewer wanting more. For these reasons, THE WOLF MAN is a classic.
    Shield-3

    Insert Clever Werewolf Joke Here

    It wasn't the first werewolf movie (that honor goes to `Werewolf of London'), but it was `The Wolf Man' that gives us most of the werewolf mythology we still cling to today.

    As with most classics, `The Wolf Man' draws its power from a combination of elements. First, there's Curt Siodmak's plausible and intelligent script. Siodmak said he was given a title, a star and a start date, and from there he consolidated and invented the werewolf myth into a cohesive, logical format.

    Then there's the actors, a veritable who's who of 1930s-40s Universal horror. Lon Chaney joins the pantheon on great horror actors on this one, playing the tormented Larry Talbot. He manages to give Larry a tragic quality, a man trapped by a curse he doesn't understand or deserve. Chaney also generates considerable chemistry with the luminous Evelyn Ankers, which is surprising considering the rumors that the two practically hated each other. And then there's the always-excellent Claude Rains, who doesn't look very much like Lon Chaney's father, but still exudes quiet authority and authenticity.

    Topping off the whole package is a healthy dollop of atmosphere: foggy forests, Gothic mansions and crypts, colorful Gypsy encampments. Each bit of design enhances the sense of mystery and dread that surround Larry Talbot, and burns `The Wolf Man' into your memory.

    I'll never walk a foggy forest at night again!
    8telegonus

    The Rising Of the Moon

    As werewolf movies go The Wolf Man is probably the best. It was written by Curt Siodmak and directed by George Waggner. The script, though it gets the job done, has altogether too many wolf and dog references in it for comfort, many in the first fifteen minutes. A horror movie should never at the outset tell you that it is a horror movie. The title and and cast often give this away anyway, I grant, not to mention lobby cards and reviews. But the idea is or should be to draw the viewer in slowly, enabling him to acclimatize himself to the people and atmosphere so that the horror can, as it were, creep up on him. For all its excellent qualities The Wolf Man does not do this. Otherwise it works fairly nicely.

    A thoroughly Americanized Larry Talbot arrives at the estate of his British father, Sir John (A baronet? I wish they'd made this clear). Aside from the fact that he is three times larger than his father and altogether different in temperament (shy and fumbling as opposed to assertive and incisive), the two hit it off well enough. Larry has returned from the States due to the death of his brother, and Sir John clearly wants Larry to take his place (whatever it is) in the village. Larry spies on a young woman through a telescope (Sir John is an astronomer), and goes to her shop, where he buys a cane, with a wolf's head, and asks her for a date. She agrees, but when they meet later on she brings a friend, just in case Larry gets too, well, wolfish. It is autumn and the gypsies are in town. Larry his girl and her friend go to a fortune teller to get their palms read. The palm-reader sees death in the friend's hand and urges her to go. Later on, in the form of a wolf, he attacks and kills the girl, and is in turn killed by Larry with his cane; but Larry is bitten by the wolf, which guarantees that he will become one, too. In time Larry does indeed become a werewolf, but as with everything else in his life only goes half-way. While the animal that attacked him was a wolf, Larry becomes only partly wolf in appearance, though when the transformation occurs he is wholly wolf in spirit, yet walks on two human, albeit furry legs. He is more or less adopted by the dead Gypsy fortune teller's mother, who looks after him, and has a way of turning up in her wagon at appropriate moments. She also recites a poem about werewolfery (or lycanthropy if you will), which I shall not repeat here and which everyone in the village seems to know by heart. Sir John, being a man of science, does not believe that his son is a true werewolf but suffering from some form of mental illness. Yet when the moon rises Larry turns into a werewolf and goes on rampages.

    The Wolf Man is quite well made on what appears to be, for its studio, a generous budget; fog swirls everywhere, and the landscape is dominated by gnarled, leafless trees. It's tone is evocative of the Sherlock Holmes films, though not of course the content. There are so many good and bad things in the picture they're difficult to enumerate, and are often jumbled together. Of the bad, the casting of Americans Evelyn Ankers and Ralph Bellamy as Brits. Neither give a bad performance, but they don't belong in this film. It's difficult enough to keep one's disbelief in suspension with Lon Chaney on hand, but the addition of these two is a bit too much. Claude Rains, as Sir John, is a great asset to the movie, giving it a touch class and gravitas. His occasionally supercilious manner is in keeping in with the part he plays; and though he doesn't look at all like Chaney's father, he acts it. Maria Ouspenskaya and Bela Lugosi make marvelous gypsies, and they play their parts sincerely, with none of the hamming one might expect. Chaney's Larry Talbot became, after his Lennie in Of Mice and Men, his most famous role. He is sincere if somewhat phlegmatic in his 'normal' scenes, and early on, before the wolf-bite, lacks the joi de vivre he ought to have, as he is supposed to be a carefree young man. Chaney never seemed carefree. On the other hand his tragic, deeply lined face, sad eyes and prematurely middle-aged appearance suggests a troubled soul,--not an easy thing to fake--and in this regard he is magnificent in the part. His worry, over the prospect of another werewolf transformation, and the damage it will cause, appears genuine, and to a degree seems to come at times from outside the character he is playing, which as we know Chaney had serious personal problems, is a case of art imitating life, and the result is a kind of sad serendipity.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      In Curt Siodmak's original script for the film, whether or not Lawrence Talbot really underwent a physical transformation to a werewolf or if the transformation simply occurred in his mind was left ambiguous. The Wolf Man was never to appear onscreen. Ultimately, the studio determined that Talbot's literal transformation into a werewolf would be more appealing to the audience and, thus, more profitable. The script was revised accordingly. The remake of the film starring Benicio Del Toro leaned into this idea, having its version of Lawrence Talbot be admitted to an asylum for "delusions" of lycanthropy.
    • Erros de gravação
      Bela the Gypsy transforms into an actual wolf, not a wolf/man. When his body is discovered, his feet are bare but he is wearing a shirt and trousers. The wolf killed by Larry Talbot was not wearing any clothing.
    • Citações

      Jenny Williams: Even a man who is pure in heart and says his prayers by night, may become a wolf when the wolfbane blooms and the autumn moon is bright.

      Larry Talbot: [after hearing it twice already] You know that one too, eh?

    • Versões alternativas
      An abridged version lasting 8 minutes was released in 1966.
    • Conexões
      Edited into The Wolfman (1966)

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    • How long is The Wolf Man?
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    Detalhes

    Editar
    • Data de lançamento
      • 12 de dezembro de 1941 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • El hombre lobo
    • Locações de filme
      • Court of Miracles, Backlot, Universal Studios - 100 Universal City Plaza, Universal City, Califórnia, EUA(Werewolf 's loud howl awakens local villagers after grave digger is killed)
    • Empresa de produção
      • Universal Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 180.000 (estimativa)
    • Faturamento bruto mundial
      • US$ 420
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 10 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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