Frankenstein Encontra o Lobisomem
Adicionar um enredo no seu idiomaThe resurrected Wolf Man, seeking a cure for his malady, enlists the aid of a mad scientist, who claims he will not only rid the Wolf Man of his nocturnal metamorphosis, but also revive the ... Ler tudoThe resurrected Wolf Man, seeking a cure for his malady, enlists the aid of a mad scientist, who claims he will not only rid the Wolf Man of his nocturnal metamorphosis, but also revive the frozen body of Frankenstein's inhuman creation.The resurrected Wolf Man, seeking a cure for his malady, enlists the aid of a mad scientist, who claims he will not only rid the Wolf Man of his nocturnal metamorphosis, but also revive the frozen body of Frankenstein's inhuman creation.
- Prêmios
- 2 vitórias e 2 indicações no total
- The Wolf Man - Lawrence Stewart Talbot
- (as Lon Chaney)
- Townsman
- (não creditado)
- Villager
- (não creditado)
- Llanwelly Police Sergeant
- (não creditado)
- Crypt Keeper
- (não creditado)
- Villager at Festival
- (não creditado)
- Freddy Jolly--Graverobber
- (não creditado)
- Townsman
- (não creditado)
Avaliações em destaque
A direct sequel to both "The Wolf Man" and "Ghost of Frankenstein", the plot follows Larry Talbot (played again by Lon Chaney Jr.), the werewolf, who realizes that he can't die. In order to find inner peace he is on a quest for death, and Maleva, the gypsy, takes him to Vasaria, in order to fin Dr. Frankenstein. When they realize that Frankenstein is dead, Talbot finds the Creature (Bela Lugosi), now with Ygor's brain but severely damaged. When a doctor teams up with Talbot in order to help him, the Wolf Man won't be happy to discover the doctor's true intentions.
This movie is carried by Chaney Jr. who is totally inside the character of the Wolf Man. It is probably Chaney's best performance as beast, and he steals every scene he is in. As Talbot, he shows the horrible trauma of being an unwilling murderer, giving the character a greater presence that fills the screen with charm.
Bela Lugosi, as the creature, has more troubles to be satisfying, but it is important to note that most of his scenes were changed as the previous subplot of Ygor's brain was abandoned. Bad choice since the first scenes with the monster show him confused and blind without giving any explanation. The poor editing is responsible of Lugosi's apparent bad performance.
The rest of the cast is surprisingly good, with old friends like Lionel Atwill and Dwight Frye in small supporting roles. Beautiful Ilona Massey plays Elsa Frankenstein who in an odd change appears as a cold smart businesswoman vastly different from the character's traits in "Ghost of Frankenstein". Nevertheless, Massey plays the role with grace and her beauty shines in the screen.
Director Roy William Neill, known for his Sherlock Holmes movies, does a superior work than predecessor Erle C. Kenton and makes the most of his actors. Depsite the plot holes of the story and the awful changes the studio made to the original script, the movie flows with a good pace.
The whole atmosphere is an improvement that while it never reaches the levels of "Bride" or "Son", works very well and give the film a distinctive look.
Overall, a worthy addition to the Frankenstein saga, that even when it certainly could have been better, it is an enjoyable underrated movie. 7/10
Credit Universal's production crew for making the movie very watchable for horror film fans. From art direction to special effects to set design, the movie's a visual treat. The crumbling dam and collapsing towers are really well done, especially for a non-digital era. Story-wise, the 80-minutes is okay, but for me didn't generate much nail-biting or shudders. The makeup on the Wolfman is scary and the best part, but frankly Frankie is something of a joke, the makeup more like a Halloween mask. The monster brawl, however, is the movie high point that features some good stunt work, a battle between agility vs. strength. Then too, because Chaney just naturally projects a mournful quality (check out Of Mice and Men {1939}), he is again a rather sympathetic figure as the Wolfman. But why does Massie get star-billing when she really has few lines and little screen time; at the same time, the delicious old hag Ouspenskaya is largely wasted. And catch mad scientist Lionel Atwill in a respectable role for a change as the town mayor. All in all, it's a better than average horror flick, thanks mainly to Universal's practiced production crew.
As the Monster, Lugosi is pretty terrible but his ineffective performance was made worse in the editing room where his dialogue was cut out after it was decided that the Monster should not have an Hungarian accent. Yet Lugosi's lips move and he flails his arms about as if he were speaking. It's a rather sad footnote to what is an enjoyable horror yarn, albeit one that was perhaps the first step in turning Universal's classic horror characters into a joke, ones that would soon have no choice but to meet Abbott and Costello. What really makes this one memorable is the atmosphere provided by the great and unheralded Roy William Neill, then taking a break from the studio's Sherlock Holmes series. This film has a wonderful look that helps make it the best of the later Frankenstein films produced by the studio (although everything after 1939's "Son of Frankenstein" represented a steady and steep decline for the series).
Talbot flees from the hospital and seeks out the gypsy Maleva (Maria Ouspenskaya), who knows that he is a werewolf, asking her to help him. Talbot wants to die and they travel to find Dr. Frankenstein. Talbot transforms into the werewolf and falls into the frozen catacombs of Dr. Frankenstein's castle. He finds the Monster (Bela Lugosi) frozen and he breaks the ice and release it. Soon Talbot discovers that Dr. Frankenstein is dead and he seeks out the daughter of Dr. Frankenstein, Baroness Elsa Frankenstein (Ilona Massey), expecting to borrow his journal that contains the secret of life and death. Meanwhile Dr. Mannering arrives in the village following the blood track left by the werewolf. When Elsa lends the diary of her father, Dr. Mannering prepares the equipment to drain power from Talbot to the Monster. But he becomes insane with the power on his hands and the experiment goes wrong.
"Frankenstein Meets the Wolf Man" is a movie by Universal with a creepy beginning in the environment of the cemetery and a sensational transformation of Talbot into the werewolf in slow motion. The development of the plot is dramatic and funny, with the encounter of the Wolf Man with the Monster and Talbot wishing to die. Unfortunately the lame conclusion is terrible. My vote is six.
Title (Brazil): "Frankenstein Encontra o Lobisomem" ("Frankenstein Meets the Werewolf")
Você sabia?
- CuriosidadesSeveral photos exist showing the deleted scenes (the fireside chat between the Monster and Talbot beneath the icy catacombs of the castle for instance; where Talbot & the audience learn that the Monster is still blind). This has been confirmed by several sources, including screen writer Curt Siodmak. In the mid-'80s a search was made through the Universal Studio vaults for a print or negative of the uncut prerelease version. As of this date, it has not yet been found.
- Erros de gravaçãoThe Wolf Man falls into the ice caverns beneath Frankenstein castle. Larry Talbot awakens the next morning wearing shoes, which The Wolf Man didn't have on.
- Citações
Inspector Owen: This is Inspector Owen speaking, in Cardiff. Have you got anything in your files about a man named...
Llanwelly Police Sergeant: Lawrence Talbot? Why of course, he lived here.
Inspector Owen: Well, that's all right, then. We've got him up here in our hospital.
Llanwelly Police Sergeant: I wouldn't want him in *our* hospital; he died four years ago!
- Cenas durante ou pós-créditosA scientist's hand is shown pouring a chemical into a flask, which bubbles over in vapor that coalesces into the film's title and cast names.
- Versões alternativasOriginal screen prints of the film included Lugosi speaking dialog as the Monster. Apparently, preview audiences, consisting of Universal studio's executives and employees, found Lugosi's Hungarian accent hilarious coming from the Monster's mouth, so Lugosi's voice was deleted.
- ConexõesEdited from Minha Dengosa (1940)
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Detalhes
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- Frankenstein Meets the Wolf Man
- Locações de filme
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- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 14 minutos
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- Proporção
- 1.37 : 1