Uma Noite no Rio

The one thing that has stood the test of time for "That Night In Rio" is the great Technicolor - it is quite outstanding. The story has been done to death many times, but probably not much better than this, and the cast are a lot of fun - Carmen Miranda was really the Brazilian Bombshell as the ads said, and had the best lines, and the best songs of the time (pretty terrible to listen to now!), Don Ameche was a charmer and his "Boa Noite" was very good, while Alice Faye looked decidedly overweight, but it may have been caused by all the jewellery she had to wear!! The supporting cast were as usual excellent, with all the old stagers in it - a quick glimpse of Maria Montez came as a bit of a surprise. All in all , very light entertainment, but harmless.

This one is one of Foxs' best of this type of musical. While the plot is totally implausible, it's still lots of fun with the beautiful Alice Faye and the funny Carmem Miranda doing her best Carmen Miranda. Don Ameche acquits himself well in a double role. Lavish production numbers in a night club that could never really fit or be done in even the biggest night club in the world, are nice to see. Since this is "fantasy" all works well here, even the inane plot line. A little risqué for it's day with Faye not sure who she has slept with. All comes out well in the end, which is no surprise in any of the Fox musicals. The DVD transfer here is great. If you enjoy this little confection, be sure to rent ON THE RIVIERA with Danny Kaye. It's a very close remake of this with some of the dialog exactly the same. Danny Kaye is brilliant in this one and I enjoyed it more than THAT NIGHT IN RIO, but both have their charms. See them both, back to back.

Poor Don Ameche must have felt like something of a doormat. In her first film Carmen Miranda stole the film from him and Betty Grable in Down Argentina Way. Now Ameche with new co-star Alice Faye got upended again by Miranda in That Night In Rio. Don Ameche if nothing else was a gentleman and one of the classiest men in Hollywood. He got his licks in That Night In Rio playing a dual role.

If this plot seems familiar it was previously done as Folies Bergere with Maurice Chevalier and afterward by Danny Kaye in On The Double. Ameche is a prominent Brazilian financier who is married to Alice Faye and something of a cold fish. He's also a visiting American entertainer who is going out with Carmen Miranda and as part of his act does a dead on impersonation of the financier with a little more pizazz.

Circumstances have Curt Bois and S.Z. Sakall come to the entertainer to have him impersonate the financier for 24 hours while the financier goes out of town for some really delicate business negotiations. The entertainer succeeds in arousing the sleeping woman in Faye and the sleeping tiger in Miranda with the impersonation. I think you can figure the rest out.

Harry Warren and Mack Gordon wrote the score, but the songs that Faye and Ameche sing are barely noticeable. But I Yi Yi Yi I Like You Very Much and Chica-Boom-Chic became a staple of Carmen Miranda's nightclub act for the rest of her life. And the way she sings them, hey no one else has ever even tried to do those numbers, you can't possibly imitate that style.

For Carmen Miranda fans who are still legion, the world over.

This is one of my absolute favorite Fox musicals, photographed in the studio's idiosyncratic garish Technicolor, featuring Carmen Miranda in her second American appearance; Alice Faye and Don Ameche in their last pairing. Ameche is in a double role: playing a Rio nightclub entertainer Larry Martin and a rich airline businessman Baron Duarte.

"That Night in Rio" starts explosively with Miranda's entertainingly flashy number "Chicka Chicka Boom Chick" in Rio. Then Carmen's boyfriend Martin enters while riding a car. After hordes of couples dance to Carmen's colorful spectacle, Baron Duarte and his wife Baroness (Alice Faye) arrive. Martin announces he is going to impersonate the Baron. In a musical number, he does it brilliantly. The Baron is very impressed and goes off to backstage to meet him and Carmen. While he is in backstage, Martin courts the Baroness and does another fine Duarte impression. But Martin doesn't know the Baron is in real financial trouble. A few days after that night in Rio, the Baron leaves for Buenos Aires. Martin is secretly hired by the Baron's associates to replace him, so his rivals in the airline business won't notice his absence. Martin not only replaces the Baron, he again courts and romances the Baroness. Many funny and ingenious complications follow.

"That Night in Rio" continues the trend started in "Down Argentine Way" - pleasant romancing in exotic Latin locales, galvanized by Technicolor and Carmen Miranda. Alice Faye was supposed to star "Down Argentine Way" but due to illness, the lead role went to Betty Grable. Now, Faye got her lead in "That Night in Rio". I don't think it is near "Hello, Frisco, Hello" (my favorite Faye musical) but there are a lot to enjoy in "That night In Rio".

Miranda especially is very funny. Her quarrels with Ameche, her Brazilian accent ("You is a low down, no good ham!"), and her dance numbers (particularly "Ay, yai, yai, yai, yai, I like you very much") are entertaining & rapturous.

"That Night in Rio" is a good comedy musical with Don Ameche as an American entertainer who is a look-alike for a prominent Brazilian. When he does an impersonation of Baron Manuel Duarte at the nightclub, he sets the stage for a later engagement when the baron's associates will require a stand-in while the baron is away.

That's the gist of this story, but much of the film is filled with song and dance numbers, with Alice Faye, Carmen Miranda, and Ameche singing. Miranda's numbers often include short but elaborate choreographed routines with several dancers in costume. The comedy occurs on two fronts, but there isn't much of it. The first is in the lover's feuding between Ameche's Larry Martin and Carmen. The second is in Ameche's substitute role as the baron, with Alice Faye, the Baroness Cecilia Duarte, and a business rival of the baron's, Machado (played by J. Carrol Naish).

This may be a familiar theme to movie buffs - it was in "Folies Bergere de Paris" of 1935 with Maurice Chevalier and Merle Oberon, "On the Riviera" of 1951 with Danny Kaye and Gene Tierney, and "Let's Make Love" of 1960 with Yves Montand and Marilyn Monroe. The plot is essentially identical for all of these films but the last. And, the original was the best one going into 1951 when "On the Riviera" was made. That is by far and away the best of all of these. It received two Academy Award nominations, and Danny Kaye won the best actor Golden Globe for his performance.

While this film can't hold a candle to either the 1935 or 1951 versions, it is entertaining. Those who especially like the beat and rhythm of South American music should enjoy this film. That overpowers the comedy and takes up much of the story.

Here's the best line in this film. Arthur Penna (S. Z. Sakall) is watching Larry Martin as he's impersonating the baron with the baron's wife, played by Alice Faye. Penna says to Felicio (played by Curt Bois), "It's hard to tell when he leaves off and she begins."