Lady Hamilton, a Divina Dama

I have not seen this amazing film for many years, and then viewed it on a TV broadcast. It was sumptuously produced with first-class talents in front of and behind the (unfortunately not Technicolor) cameras, with production values that were absolutely prodigal in their opulence.

For today's audiences, Vivien Leigh is, of course, this film's main attraction, with her delicate beauty and expressive acting showcased as well as could be imagined. I note that no video version of this is currently offered for the American enthusiast and the Canadian VHS, possibly compatible with U.S. VCRs, is "Out of Stock" at present. (The U.K. VHS tape must be viewed via the PAL format, which most American video equipment cannot accommodate.) With so many films as good as this one in a kind of limbo, lovers of truly "classic" films can only hope that the keepers of this treasure will eventually favor us with the opportunity to enjoy it once again.

This is a beautiful period piece with the incomparable Vivien Leigh at her peak, just after GWTW and Waterloo Bridge. For a 1940's era production, the sets and lighting are outstanding, and the remaining cast is credible. Laurence Olivier may have been the best actor in history, but I do not appreciate it here. Perhaps this was not his best role. Leigh runs circles around him.

This film is worth a look for Leigh fans and those liking British period work, along with war propaganda. Here the noble civilized Brits are threatened by Napoleon (which is easily drawn to comparison with Hitler, being 1941).

Certainly, this is worth a look. Jolly Good Show.

Screen biography of Emma, Lady Hamilton, whose love for Lord Nelson (the British naval hero of the Napoleonic wars) scandalized the Regency world.

Vivien Leigh is in almost every frame, and completely dominates the film. The story is all about Lady Hamilton and her unhappy marriage, her love for Nelson, and the consequences of leaving her stodgy husband to live adulterously and with the man she loved. (He was already famous before Trafalger, this was the "Monicagate" of its day) It's a fine soap opera, centered around a performance that can only be called luminous.

The camera doesn't just love Leigh, it gets down on its knees and worships her. Even in GWTW she never looked so unbelievably beautiful, and she's also completely charming and sensitive. The great Sir Laurence Olivier doesn't have a chance, he barely registers. He's handicapped by a serious lack of screen time and a dreadful red pony-tail wig, but the director seems to have decided to give him short shrift so he can squeeze in a few more exquisite close-ups of Leigh being enchanting. And she is, oh is she ever...

This picture emphasizes the fact that Vivien Leigh is not only beautiful but a major talent, too. In some ways, the character of Lady Emma Hamilton does resemble Leigh's earlier role of Scarlett O'Hara, but this is not surprising when one considers the actress is often typecast as the scheming vixen.

In a particularly memorable scene, when the Lady argues with her husband (Alan Mowbray) you do get a sense of Scarlett quarreling with Rhett. But the actress' undeniable chemistry with costar Laurence Olivier, as lover Lord Nelson, is perfect and much more intimate than what she shared on screen with Clark Gable in Gone with the Wind.

In fact, we believe that these two sincerely love each other. Both performers are rather eloquent and yet passionate in this film. And Korda's direction is superb. In addition to the great melodramatic moments, we are treated to some very realistic battle scenes that provide a fair amount of adventure amid the realities of war.

In 1941,only England was still resisting Hitler.So the parallel was obvious and "that Lady Hamilton" is a propaganda work,which does not prevent if from being highly commendable,thanks to the two leads,mainly Leigh-this must have been her third best performance,in the movies,far behind "gone with the wind" and "a streetcar named desire",but her beauty shines in every scene.

The movie is a long flashback,sandwiched between two "present scenes " in a jail in France.Hamilton tells her story to her prison mate,an English good-time gal:the rise,decline and fall of a courtesan.There are some brilliant lines in the dialogue:Hamilton to her old soon-to-be hubby:"so your nephew sent me to you with his paintings and the bric-à-brac because he's broke!".Her last lines are touching .My mother saw the movie when it was released and how did she love them:"And then?" ,the hooker says " "there's no then" Hamilton replies"there's no after".When Hamilton understands she's lost everything,she draws the curtains and collapses,she seems to be on a stage and the play is over.

Vivien leigh did not make many movies.So it would be a pity to miss this one.

French remake by Christian-Jaque in 1968,with Michèle Mercier,John Mils and Richard Johnson as the leads ,known as "les amours de lady Hamilton."Despite a huge budget,much inferior to Korda's version" Jean Tulard.