O Santo no Balneário

George Sanders is really the reason you should watch this film. He is always cool, suave and sophisticated. Rarely caught by surprise. Of the five Saint films he made, this is second best(after The Saint in London). This one has sunny Palm Springs and a decent mystery. Wendy Barrie(once again) is also ok. The identity of the killers is a bit of a surprise, especially the head of the gang, but this does not take away from the fun of the film. Some of the back screen projection(in the desert scenes) is dreadful but there are enough location shots to compensate. Overall fun with a good performance by Sanders. I give it 7 stamps out of 10.

The sixth RKO Saint film is the last for star George Sanders before he moved over to the similar Falcon series. The plot this time involves rare stamps. So wake the kids. As a favor for Inspector Fernack, the Saint agrees to help watch over an old friend who's in possession of some rare postage stamps. Because "competent bodyguard" isn't among his many skills, the Saint fails to prevent the guy being killed. So he sets out to deliver the stamps to the dead guy's daughter in Palm Springs and hopefully catch the killer as well.

Sanders' final Saint film is a good one, filled with action and humor. There's a rear projection biking scene that's worth a chuckle and the climax of the film involves a fake eyebrow, of all things. Also making their final appearances in the series are Jonathan Hale as Inspector Fernak and Wendy Barrie as the Saint's love interest, her third role in as many films. Paul Guilfoyle returns as Pearly Gates and provides most of the movie's laughs. After this, RKO launched their own series The Falcon, also starring George Sanders. The Falcon is a pretty obvious ripoff of the Saint (minus the calling cards and whistling) made because RKO was tired of dealing with Saint creator Leslie Charteris. I have to admit I enjoy the Falcon movies more than the Saint ones, outside of the first couple.

After now seeing all five films, 'The Saint Strikes Back' was a decent film though had somewhat of a finding-its-feet feel, 'The Saint in London' while not perfect was an improvement, 'The Saint Takes Over' was the best of the series and 'The Saint's Double Trouble' the weakest.

'The Saint in Palm Springs' is bang in the middle when ranking all five films. Like all the films, it's not great, but like 'Takes Over' and 'London' it's good ('Strikes Back', as said, was decent, while 'Double Trouble' was disappointingly average). The pros do outweigh the cons, but 'The Saint in Palm Springs' does suffer from a lack of suspense ('Takes Over' is the darkest of the five, despite the high body count here, and adheres closest to the tougher edge when Louis Hayward was in the role).

As well as an ending that is far too confused and comes far too suddenly with little build up. The screen projection agreed is obvious at times.

On the other hand, the sets are atmospheric and the photography doesn't look hasty or low-budget. Scripting is smart and with the right balance of fun and mystery, while the music is jaunty but also atmospheric. The direction is suitably brisk, as well as a story, that although lacking in suspense, is paced in a lively way and diverting, never dull at least.

George Sanders himself, as said with my previous reviews of his Saint outings, is super-suave, sophisticated and wonderfully caddish, while also giving a charming and humorous edge and delivering some cutting lines with aplomb. Jonathan Hale is fine support, while Wendy Barrie gives one of her better performances of her three appearances in the Saint films. Paul Guilfoyle comes very close to stealing the film in an amusing performance, and Linda Hayes is charming.

In conclusion, good fun and bang in the middle of the five Saint film starring Sanders. 7/10 Bethany Cox

This film or possibly the Leslie Charteris book from which the Saint is derived might very well have been the inspiration over 20 years later for the film Charade. If you remember the Hitchcockian McGuffin in that film were rare postage stamps.

In what would turn out to be George Sanders last appearance as Simon Templar, the Saint is asked by his good friend Inspector Fernack played in the series by Jonathan Hale to guard an old friend on his way west with a fortune that was smuggled out of occupied Europe. And like the fortune in Charade it is contained in three priceless postage stamps.

Sanders proves too late to save Hale's friend, but the stamps are saved and he couriers them to Palm Springs to give to Wendy Barrie who is the daughter of the late friend. Of course news of this kind of loot gets out and all kinds of people are trying for them.

It must have been deja vu all over again for Sanders. In addition to Hale, two members of the cast of the previous Saint film, The Saint Takes Over return. Wendy Barrie died in the last film, but apparently the movie-going public liked her and Sanders together. So she came back as the damsel in distress whom the Saint must aid.

And Paul Guilfoyle repeats his same role as the luckless crook who is determined to go straight in this film. As in the last he's on Simon Templar's side, but his help is somewhat dubious.

The Saint In Palm Springs is a nice entry in the Saint series and a good one for Sanders to go out on.

George Sanders again plays "The Saint" Simon Templar, in the murder mystery series, helping to solve some crime, while whistling and trying to avoid jail time himself. (Roger Moore would play the title character in the very successful TV Series in the 1960s). Sanders, with his quick, proper British accent, is probably best known for his roles in "All About Eve", or "Rebecca". Good story, but WHY do they keep taking the valuables that everyone is after out of the hotel safe ?? It gets a little confusing later in the story on who actually has the coveted valuables, but maybe that's part of the mystery. Also some competition over Templar on the parts of Elna Johnson (Wendy Barrie) and Margaret Forbes (Linda Hayes). It would be interesting to know if ANY of it were filmed in the Palm Springs area, as there is liberal use of stills and backdrops. Pretty good story, some clever scriptwriting, but the ending is a little silly. --- note that many of the actors in the background were also used in "The Falcon" films, another Sanders mystery murder series from RKO.