Ouro do Céu

I was surprised by this movie. Pleasantly surprised, but surprised. I bought this for $2 expecting an early, unpolished Jimmy Stewart. However, made after 'It's a Wonderful Life', 'Mr. Smith Goes to Washington', 'Philadelphia Story' and other Stewart classics, this movie gives us the Jimmy Stewart we all know and love.

In terms of the rest of the movie, the plot is thin, and doesn't quite deliver on the comedic mayhem for which this story certainly has the potential. The dialogue isn't quite as quick and witty as one would like, because this is where Jimmy Stewart shines the brightest in films like 'Harvey', 'Philadelphia Story', and 'Destry Rides Again' with his slow drawl and deadpan delivery.

The musical numbers are generally well integrated with good music, until the Caballero song towards the end which drags on too long and seems to suffer from Busby Berkeley envy. But then again, who doesn't?

Overall, this is a quality film, especially for devoted fans of Mr. Stewart.

This movie was found in the dollar bin at Wal-Mart, and it couldn't be resisted, simply because Jimmy Stewart movies are worth watching, even oldies like Pot of Gold. Clear back in 1941 his trademark common man persona was much in evidence with this quirky little madcap comedy/musical. Considering this movie came just five years prior to It's a Wonderful Life, it's surprising it hasn't received more notice. The plot in a nutshell is that Stewart has to close up his music shop due to poor business, and goes to the city to go work for his cranky rich uncle. Along the way Stewart becomes involved with a band, a pretty Irish girl, thrown in jail, and could be arrested for running a illegal lottery. While there are plenty of madcap moments, honest understated humor, and delightful performances, it's the music that is absolutely incredible! Jimmy Stewart bluffs his way fairly incredibly on the harmonica and even sings a song. It may not have been his favorite movie, but it is still a Jimmy Stewart gem. Even if you have to pay more than a dollar to watch the movie, it's still a movie, especially for Jimmy Stewart fans, to find and enjoy. The dining room musical number is worth the rental fee alone (but dig through the Wal-Mart dollar bins anyway).

This is a nice little part for Stewart, he's the reason to watch it. Stewart's demeanor and delivery are a joy to watch and he delivers some great classic comic moments. The story has that Shakespearean comedy feeling: comedy driven by mistaken identity which ends in marriage. Some good color added by journeyman studio character actors. There's some nicely blended musical numbers which mesh naturally with the story ... then there's the big production number during the radio program which feels like it dropped in from another planet and during the boarding house initiation number, I kept worrying about the stew getting cold. Aside from the musical interludes, the story is tight and never loses its way, delivering comic payoffs all along.

Jimmy Stewart is Jimmy Stewart, in this film as much as in any. The hoofers, musicians, dancers and others are very typical and very good.

Because of our impressions and biases, we expect something very different in a Jimmy Stewart film. This one is way beyond 'Philadelphia Story', on a scale that runs from that to, say, 'Rear Window'.

This, however, is a very lightweight musical, to be considered closer to the 'Follies' films and shorts like the one about Catalina Island than such heavyweights as 'Carousel', 'L'il Abner' or 'Showboat'.

It actually reads more like a cartoon script than any coherent, literary film such as 'Golden Caddillac', 'Animal Crackers' or 'Bringing Up Baby'. Speaking of the last, it is a pity that JS and KH did not work together more.

The pace is frenetic ala Marx Brothers, the dance and musical numbers done very well and the emphasis is on having the minimum story necessary to string together the music.

There is a subtle but very special scene, near the end, when Paulette Goddard goes to Jimmy's place to rouse him out and get him to the studio for the climactic radio show. It is not a musical number though there is a great deal of physical comedy in the scene. What makes it special special part is, without rhythm or music, that it is very clear that Paulette Goddard is dancing. The blocking, direction and her own talent shine. This one scene is worth the price of admission.

With a story in the best tradition of American Musical Tradition, more talent per actor than many better known and better thought-of films, this is a very enjoyable diversion. I was constantly impressed with the tight writing and talent. Did I mention that the folks are good?

It ain't 'Grapes of Wrath' but 'Pot 'O Gold' is well worth the watching.

I didn't know what to expect when I bought this movie. It was on sale really cheap and I just wanted something different to watch. Well, that's exactly what I got! This movie is sweet, silly, and completely outrageous. I was laughing out loud at the unabashedly large plot holes. They were just having fun and didn't care. Neither did I. Loved it. For its fun spirit, this film reminded me a lot of Baz Luhrmann's Moulin Rouge - characters just breaking out into song and dance for no real reason. It's a musical that doesn't admit it.The last half hour is a little long and doesn't seem to really go with the rest of movie, but I'll forgive that because it was so fun to watch.