O Barbeiro

Another dose of madness from W. C. Fields, this short sees him playing the part of Cornelius O'Hare, small-town barber with a cutting observation for all who pass his path. Fields comes up with a number of gags that possibly only he would dream up, whether its testing the sharpness of a razor on his tongue, playing a bass fiddle in his own inimitable way, or shaving a hapless customer with all the delicacy of a blind man painting a barn door. This forms a loose trio with The Dentist and The Pharmacist, which Fields also made for Mack Sennett, and all of which present the comedian at the height of his talent – although this one is perhaps the weaker of the three.

Personally, I like Fields' features much more than the few short films he made. The Bank Dick, You Can't Cheat an Honest Man, You're Telling Me, The Old-Fashioned Way, It's a Gift, Never Give a Sucker an Even Break, and The Man on the Flying Trapeze are some of the funniest films you're ever likely to see. But most of his shorts are somewhat lame. My favorite is The Golf Specialist, which is nothing more - nor should it be - than Fields' infamous vaudeville routine. The Dentist is famous for its sexual innuendo of the woman wrapping her legs around Fields while he pulls a tooth, but it's not very funny after that. The Barber Shop is the second funniest of these shorts. Fields is very funny in it, and so are the supporting cast members. Here Fields is in henpecked husband mode, taking it from his evil vegetarian wife. His little son likes to tell him the lamest riddles in history. The slight plot is a prelude to The Bank Dick, with a criminal on the run and Fields bragging that he'd throttle him good if he got a hold of him. A lot of good jokes here. See it on the Criterion disc of his short films. 8/10.

The Barbershop was the fourth and last Mack Sennett short subject that W.C. Fields did for Paramount. In this last one and in The Pharmacist he honed his henpecked character to perfection.

As you gather by the title Fields is a barber and he lives above the shop with his wife Elsie Cavanna and son Harry Watson who is busy annoying dad with a lot of stupid riddles. It may have been in this film and in The Pharmacist that Fields developed his well known appetite for children. Remember he said he liked them if they were properly cooked.

His moment of sunshine every day is shapely manicurist Dagmar Oakland who brightens his working day. But Fields is so under the thumb of his wife he dare not make a move. Still he can and does dream.

My favorite gag is the very obese gentleman who went into the steam room Fields installed and came out like a third world starvation victim. If losing weight were only that simple.

I do also like that two bull fiddles mate and have a nice litter of violins as a result. That's another great sight gag.

In the end Fields does not get credit for an albeit accidental act of heroism. But it's all in a day for Fields whose characters just can't catch a break ever.

This is one of the oddest films I've seen of W. C. Fields because he seems to genuinely like his son! The young boy loves to tell really lame riddles and W. C. encourages him and acts pretty tenderly towards the kid (at least compared to the usual fare from this comedian). Children are either just tolerated or hated in his films. A good example was his famous line "Of course I love kids,....boiled". For whatever reason, this film is unusual in this respect.

Now as for the film itself, this one is very similar to THE PHARMACIST in that it is a very slow slice of life short, though it does have more gags and a more "Fields-like" ending. Don't expect the craziness of Fields shorts like THE DENTIST or THE FATAL GLASS OF BEER, but this isn't a positive or negative thing--I like both styles of his work. Funny, well-paced and cute--this is an excellent Fields short.

THE BARBER SHOP (Paramount, 1933), directed by Arthur Ripley, marks the fourth and final Mack Sennett Star Comedy short to feature W.C. Fields (who also scripted), following THE DENTIST (1932), THE FATAL GLASS OF BEER (1933) and THE PHARMACIST (1933). Not quite as famous as the initial two, THE BARBER SHOP does bear a strong resemblance to THE PHARMACIST, that of Fields wearing a straw hat with an open top; his encounter with a bank robber; and having Elsie Cavanna (famous as the drill patient in THE DENTIST) in the role of his wife. As with THE DENTIST, however, the customers in THE BARBER SHOP are more victims than patrons. For Fields' final short (lasting 21 minutes), much of it falls into familiar territory in true Fields-comedic style, with touches of originality, especially his chosen character name, pun intended.

Set in Felton City, "Population 873, Elevation two feet below sea level," the story revolves around the day in the life of Cornelius O'Hare (W.C. Fields), a small town barber with a nagging wife (Elsie Cavanna) and a young son, Ronald (Harry Watson). O'Hare's morning starts off peacefully as he sits in front of his place of business (with his home in back of the barber shop), greeting the passing residents while sharpening his razor, then playing his huge bass fiddle he names "Lena." After dining at the breakfast table with his family, O'Hare's work day, shared by his manicurist (Dagmar Oakland), soon comes to a series of mishaps as he shaves off a mole from a man's chin, places an ultra hot towel over that same customer's (John St. Clair) face by holding a pair of tongs, and unwittingly locking a fat man ("Fatty" Alexander) in a steam room before O'Hare's day is complete as he finds himself face to face with an armed bank robber (Cyril Ring).

With Fields being best known playing one with a strong dislike for children and animals, THE BARBER SHOP shows his compassion towards his offspring, listening attentively listening to his riddles, rather than being short-tempered towards his annoyance. In fact, there's even a brief scene where he happily throws a ball over to the neighborhood street kids, only to have it landing on top of a man's noggin. So not to be a total loss, the plot does include Fields' encounter with a baby in a stroller hitting him over the head with a milk bottle, as well as his involvement with Mrs. Broadbottom's (Fay Holderness) bratty daughter, Gloria, wearing an assortment of party hats. A dog takes part sitting by the barber's chair awaiting for another chance for O'Hare to accidentally cut off an ear while shaving a customer, but all the dog can do is witness some "close shaves."

Although the brief climatic chase and its closing fail to recapture some rather amusing scenes earlier in the story, THE BARBER SHOP does recapture classic routines originated on stage by Fields himself, some for which he reprized to better advantage in his later feature film comedies. With Alison Skipworth and Kathleen Howard making the grade as Fields' most notable co-stars during his years (1932-38) at Paramount, Elsie Cavanna shouldn't go unnoticed with her participation in three of Fields four comedy shorts, with THE DENTIST as their most famous and revived.

THE BARBER SHOP, along with other Fields' shorts, has turned up occasionally on television over the years, notably cable stations (American Movie Classics in the 1990s, and Turner Classic Movies a decade later), and distribution on video and DVD formats, with best possible prints from the Criterion Collection. For some amusements, watch Cornelius O'Hare's barber shop methods. For a good haircut and a shave, try someplace else. (***)