E o Mundo Marcha

Author and environmentalist Edward Abbey once said "Democracy - rule by the people - sounds like a fine thing; we should try it sometime in America." At least the internet says he did. The makers of this film felt the same way about Prohibition. They must have felt pretty strongly since the film ran for two hours back when the average was about 1h 10m.

Did you that know that during Prohibition the US government put poison in industrial alcohol so it couldn't be converted to drinking alcohol? The result of this policy was that criminals converted it anyway and thousands of people were poisoned to death. Yes, it's in the movie and can be verified on reputable websites. Just one of the historical facts you can pick up from this film, not to mention a sampling of the spectrum of public opinion at the time.

For instance, imagine you were an ordinary social drinker at the time. The film captures such people's incredulity as they watched the laborious process involved in passing a Constitutional amendment, one they never dreamed possible, that would make their recreational drug of choice illegal.

Despite such nuances the film makes no bones about its anti-alcohol feelings. It differs from laughable anti-drug films like "Reefer Madness" in that its makers actually knew about the real effects of the drug in question. Its point is that Prohibition as it existed was not working and was only funneling money into organized crime while increasing disrespect for law and order. It was made during the tail end of Prohibition, when it must have been clear that its repeal was imminent. Its message is a pious hope that somehow Prohibition can be made to work, but it doesn't quite specify how.

By the way, there is a plot with stars like Robert Young and Myrna Loy buried in all of this, which generally moves at the snappy pace of other pre-code films. Its excessive length is due to its repetitious hammering home of the evils of alcoholism. They did try to liven it up a little by having comedian Jimmy Durante playing an unlikely Prohibition agent who performs bits of Durante's nightclub act. Still it may impress you as overlong, melodramatic and even depressing at points, but those interested in American history and culture in the 1920s and 30s will find it fascinating.

Victor Fleming's "The Wet Parade" (1932) would be an appropriate double feature companion to "Reefer Madness". But while it shares that film's exaggerated (insert hysteria here) style, it is a much higher budget production and ultimately delivers a balanced and well- reasoned message.

It also has an all-star cast, although many of them are very early in their careers. The story centers around an old southern family, the Chilcotes; Lewis Stone, Dorothy Jordan, and Neil Hamilton (Commissioner Gordon on television's "Batman" series). Other name actors included Walter Huston, Robert Young, and Myrna Loy, Wallace Ford, and Jimmy Durante.

The film is almost an epic as it covers a 15-year span from 1916 to 1931. During WWI Congress expands federal regulation with a wartime measure called the Food Control Act (regulating grain among other things). This leads to the ill-advised Volsted Act and the 18th Amendment outlawing liquor (insert nationwide "Prohibition"). But prohibition curtails only legal drinking, and gives criminal elements a huge base of potential customers. Although much of the demand is met by smuggling (especially from Canada) and domestic distillation, there is quick money to be made with bogus product. Criminals simply take bulk denaturated (meaning unfit to drink) cleaning fluid ( a mix of ethyl alcohol and methanol) and package it as a name brand product. The film shows an excellent sequence of this process.

The film also shows the consequences of consuming this product; blindness or death.

The intention of the film is not to promote drinking but to illustrate a bigger evil, the unintended consequences of the government's ill-advised attempt to prohibit the activity. "The Wet Parade" was a rare example of mainstream Hollywood's willingness to openly take a side in a political issue. In doing so they risked alienating a huge potential audience (the President had vetoed the original legislation and it took legions of pietistic voters to pass the 18th Amendment). The effectiveness of the "The Wet Parade" message no doubt contributed to the passage of the 21st Amendment the following year (1933), which repealed nationwide prohibition. Then again, what do I know? I'm only a child.

It's difficult to find old movies that I haven't already seen, so it was with great anticipation that I watched The Wet Parade, 1932, for the first time. It was like taking a vicarious time machine journey that landed smack in the middle of one of America's less memorable self-righteous escapades: The Prohibition. The best part is that this intensely dramatic flick was made a full year before prohibition ended, so the full flavor of the alcohol-soaked theme really hits home. It includes some historically accurate details, which were still very fresh in everyone's minds when the movie was produced. It also depicts some of the darker details of desolation and desperation the general public wrestled with after losing complete access to drinkable alcohol. Walter Huston, one of Hollywood's most convincing actors of his era, outdoes himself in this movie. Young Robert Young is quite dashing in his role, although the sight of him paired up with the gregarious Jimmy Durante might prompt a quick reality check if you're not prepared for this early "odd couple" concept.

The Wet Parade has a very powerful message, and at a full two hours, it's one of the longest movies to ever come out of the 1930s. The film chronicles the use of alcohol in the United States before Prohibition, and the effects of the law in its early years.

Starting out in the South, the film shows how alcoholism can devastate a family and ruin lives. Lewis Stone is the patriarch, and he gives a rare performance full of emotional turmoil. This pre-Code film shows what other films wouldn't be able to show for decades. Lewis is taking a buggy ride with his daughter, Dorothy Jordan, and he's so drunk, he has to pull over and vomit in the bushes.

With an unhappy end to that part of the story, we the see the attitudes of Lewis's children, Dorothy and Neil Hamilton. Dorothy vows to never touch a drop and wishes alcohol would be taken away from the entire country, but Neil discovers the euphoric feeling and develops a habit of his own. Up in the North, Neil is living in a hotel run by Robert Young and his parents, Walter Huston and Clara Blandick. Walter is also a drunkard, and much to his horror, the newspapers announce the possibility of Prohibition. Robert, Clara, and Dorothy are ecstatic at the prospect of no one being able to drink alcohol anymore, but it doesn't occur to them that people will break the law and continue to drink.

This movie is such a heavy drama, I must caution you before you rent it. Regardless of your views on alcohol, it's pretty upsetting to watch. If you think alcohol is the root of all evil, or if you think it's the men who abuse it who are the villains, or if you think Prohibition was a terrible mistake-there's a message in this movie for everyone. It flows beautifully from one person's story to the next, connecting them but still keeping them separate so the audience can see how the problem permeates different families. Robert Young isn't even in the start of the film, but he ends up being the lead of the story. Fans of his television career need to rent this movie to see him give a once-in-a-lifetime dramatic performance. He's different in this film from any others he made, and he pours his heart out scene after scene.

Kiddy Warning: Obviously, you have control over your own children. However, due to violence and adult themes, I wouldn't let my kids watch it.

If I had one piece of advice for people wanting to try out films of the 1930s, it would be to check out any movie with Walter Huston in it. From Gabriel Over the White House to Kongo to The Beast of the City and more, the man was in some of the weirdest and most interesting films of the period. Here we have a film about the dangers of alcohol, made a year before prohibition ended. The film seems to be both anti-alcohol and anti-prohibition, which makes for some fascinating think-work about what the movie is really trying to advocate.

The film starts with Lewis Stone's Colonel Sanders-looking Southern patriarch, whose daughter (Dorothy Jordan) is trying to get him to quit drinking. After a short while we move North to a fresh-faced Robert Young and his lush of a father Walter Huston. The two stories eventually intersect as Young falls in love with the daughter. Prohibition passes which leads to a tragedy for Young, who decides to become a treasury agent and is partnered with Jimmy Durante (!). From here the movie hits a bit of a lull as we get a fairly typical T-man story until the final minutes, which are exciting.

The film offers some great moments such as the haunting image of Lewis Stone's final fate or the powerful scene where Walter Huston's wife confronts him about his bootleg liquor. The cast is excellent. The performances are melodramatic but in the best way. In addition to the stars already mentioned, we also have Neil Hamilton, Myrna Loy, and Wallace Ford. Not a bad lineup.

As an entertainment piece, I think it's solid. But it has added value as a historical curio, allowing modern audiences to get perspective on the thoughts and feelings at the time regarding an important period in our history.