A Convidada

Years ago there was a dinner at an old dark house with thirteen guests invited. Only twelve showed up. Flash forward to the future and murders are being committed at that same house with the original twelve guests. Something about an inheritance. Honestly it's a confusing old creaker. It's never as much fun as you would hope from this type of movie. Notable for being an early Ginger Rogers film and for being based on the only other novel by the guy who wrote Scarface. It's watchable enough I suppose but very dry and a bit of a chore at times. Avid fans of the period and genre will likely enjoy it more.

This is one of Roger's & Talbot's earliest film and, by far the best of the "13th Guest" films" (several remakes were done).

At a dinner party many years ago, 13 people were invited, but only 12 showed up. The host died at the table, and the house was closed up for many, many years. Then, the bodies of the people who attended that dinner party started turning up in that abandoned house, sitting in the same chairs they occupied so long ago.

It turns out they are being murdered by a black-cloaked figure who just MIGHT have been one of dinner guests. He peers out thru a secret viewing hole, and cackles insanely after he murders someone.

A very, very eerie film!

This poverty row thriller has a similar storyline to "The Cat and the Canary" - haunted house, frightened heiress, a disguised killer, secret passages etc. Ginger Rogers and Lyle Talbot, who plays Phil Winston were not a romantic couple in this film (although they did date briefly in real life) until the last five minutes - he being very keen on solving the murders.

The film starts imaginatively with a clutching hand pulling down each title card. Marie Morgan (or Lela) (Ginger Rogers) arrives at her old family home - one that hasn't been occupied for 13 years to find a telephone has been installed!!! After reading a cryptic message left by her father, she remembers back to a dinner party of 13 years before. The thirteenth guest did not arrive. When her father died he left the bulk of his estate to the 13th guest who never came forward. Thirteen years later the police are called to view a girls body, they believe has been electrocuted.

There is a "hooded terror" roaming and controlling the house through an "electrified" phone - when people answer it, a lever is pushed and the victim dies. It seems that the killer wanted the police to believe that Marie was the victim but it is really an unknown woman who has had a complete facial reconstruction to look like Marie. Then the family lawyer is found dead. Winston is convinced one of the original guests is the killer and invites them all to his apartment to show them that Marie is very much alive!!!

This is a pretty good film with lots of twists and turns. Being a pre- code some of the comments are surprising. Eddie Philips being referred to as Marie's brother's "boyfriend". When Paul Hurst as a bumbling detective looks down at his shoes, realises that they are on the wrong feet and then says "Well, you told me to tail her" everyone laughs!!

Recommended.

A young woman named Marie Morgan (Ginger Rogers) arrives at night at a presumably vacant old house, and is quickly murdered by person unknown. A private detective named Phil Winston (Lyle Talbot) proceeds to investigate, with the help of an annoyingly grumpy cop and his bumbling sidekick.

As the whodunit plot moves along, various characters reveal the backstory, involving a rich old man who invites thirteen guests to a dinner party at which time he will announce who inherits his estate; problem is the old man dies at the dinner without revealing his secret.

The main problem is a script that is so convoluted that it's almost impossible to figure out the puzzle's solution. Once known, the solution is not remotely believable, and there are significant plot holes. Still, there's enough suspense to keep the viewer watching despite a substandard script. Dialogue comes across as stiff and stilted at times but there are a few good lines.

Before the killer's identity is known, this person appears in a few scenes wearing bizarre garb that covers his/her body completely; the costume makes the person look a little like spider man. The film's prod design is cheap looking. Most of the action takes place indoors and mostly at night.

Casting is acceptable except for the presence of Lyle Talbot who just doesn't have the mystery persona of someone like Sidney Toler or Warner Oland. Indeed, if the film had been made as a Charlie Chan thriller, I think it would have been better.

For all its faults, "The Thirteenth Guest" is worth watching once, owing to adequate suspense in a spooky old house with hidden rooms and a masked killer. Overall, it's an average whodunit for the era in which it was made.

A very young Ginger Rogers stars in "The Thirteenth Guest," a 1932 film also starring Lyle Talbot. Thirteen years earlier, a dinner party took place in an old house, but the 13th guest never appeared. Now the owner of the house is dead and left his estate to this 13th guest. Someone is murdering the original party guests and putting each dead body in his or her original seat at the table.

Rogers plays Marie Morgan, whom we think has been murdered early on. It turns out that it was someone else whose face was altered to look like hers. Detective Phil Winston (Talbot) investigates the situation.

This is a good haunted house mystery, but unfortunately suffers from a terrible print and bad sound. Nevertheless it's fun to see Ginger and Talbot, both of whom are very good. If you can tolerate the print, you'll enjoy it.