[go: up one dir, main page]

    Calendário de lançamento250 filmes mais bem avaliadosFilmes mais popularesPesquisar filmes por gêneroBilheteria de sucessoHorários de exibição e ingressosNotícias de filmesDestaque do cinema indiano
    O que está passando na TV e no streamingAs 250 séries mais bem avaliadasProgramas de TV mais popularesPesquisar séries por gêneroNotícias de TV
    O que assistirTrailers mais recentesOriginais do IMDbEscolhas do IMDbDestaque da IMDbGuia de entretenimento para a famíliaPodcasts do IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthPrêmios STARMeterCentral de prêmiosCentral de festivaisTodos os eventos
    Criado hojeCelebridades mais popularesNotícias de celebridades
    Central de ajudaZona do colaboradorEnquetes
Para profissionais do setor
  • Idioma
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de favoritos
Fazer login
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar o app
  • Elenco e equipe
  • Avaliações de usuários
  • Curiosidades
  • Perguntas frequentes
IMDbPro

Peso de Ódio

Título original: Taxi!
  • 1931
  • Approved
  • 1 h 9 min
AVALIAÇÃO DA IMDb
6,6/10
1,7 mil
SUA AVALIAÇÃO
James Cagney and Loretta Young in Peso de Ódio (1931)
CrimeDramaRomance

Adicionar um enredo no seu idiomaIndependent cabbie Matt Nolan is primed to let his fists and handgun deliver payback after a big taxi firm uses intimidation and violence to squeeze out small-timers.Independent cabbie Matt Nolan is primed to let his fists and handgun deliver payback after a big taxi firm uses intimidation and violence to squeeze out small-timers.Independent cabbie Matt Nolan is primed to let his fists and handgun deliver payback after a big taxi firm uses intimidation and violence to squeeze out small-timers.

  • Direção
    • Roy Del Ruth
  • Roteiristas
    • Kenyon Nicholson
    • Kubec Glasmon
    • John Bright
  • Artistas
    • James Cagney
    • Loretta Young
    • George E. Stone
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,6/10
    1,7 mil
    SUA AVALIAÇÃO
    • Direção
      • Roy Del Ruth
    • Roteiristas
      • Kenyon Nicholson
      • Kubec Glasmon
      • John Bright
    • Artistas
      • James Cagney
      • Loretta Young
      • George E. Stone
    • 49Avaliações de usuários
    • 16Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos38

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 31
    Ver pôster

    Elenco principal37

    Editar
    James Cagney
    James Cagney
    • Matt Nolan
    Loretta Young
    Loretta Young
    • Sue Riley Nolan
    George E. Stone
    George E. Stone
    • Skeets
    Guy Kibbee
    Guy Kibbee
    • Pop Riley
    Leila Bennett
    Leila Bennett
    • Ruby
    Dorothy Burgess
    Dorothy Burgess
    • Marie Costa
    David Landau
    David Landau
    • Buck Gerard
    Ray Cooke
    Ray Cooke
    • Danny Nolan
    Joe Barton
    • Jewish Man with Cop - Matt's Pal
    • (não creditado)
    Berton Churchill
    Berton Churchill
    • Judge West
    • (não creditado)
    Donald Cook
    Donald Cook
    • Actor playing Ferdinand in Movie Clip
    • (não creditado)
    Jesse De Vorska
    Jesse De Vorska
    • Goldfarb
    • (não creditado)
    Bobby Dunn
    Bobby Dunn
    • Cab Driver at Meeting
    • (não creditado)
    Audrey Ferris
    Audrey Ferris
    • Dance Contestant
    • (não creditado)
    Eddie Fetherston
    • Dance Contest Emcee
    • (não creditado)
    Ella Hall
    Ella Hall
    • Trial Spectator
    • (não creditado)
    Henry Hebert
    Henry Hebert
    • Trial Spectator
    • (não creditado)
    Ben Hendricks Jr.
    • Moving Man
    • (não creditado)
    • Direção
      • Roy Del Ruth
    • Roteiristas
      • Kenyon Nicholson
      • Kubec Glasmon
      • John Bright
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários49

    6,61.6K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avaliações em destaque

    61930s_Time_Machine

    Are You Lookin At Me?

    Nothing could be more typical of early 30s Warner Brothers than this. Daryl Zanuck was pumping out about fifty motion pictures a year - not for the learned, not for the artists, not for the sophisticated dinner party sets but for the ordinary people whom The Depression had chewed up and unceremoniously spat out. These films were about people and for people whom society, authority and big business had treated like dirt. Zanuck's Warner Brothers was the people's studio and James Cagney was the people's actor. TAXI is not as powerful as the more 'campaigning' WB films of that era but it still has Zanuck's familiar: "we're on you side, boys" feel about it which when watched today still feels warm and caring.

    What's fascinating watching this today is realising what a different race of people we are compared with those who lived here ninety years ago. It's amazing how different our attitudes were: how violence was so much more widespread and normalised. One could not imagine a scriptwriter today having a gentle old man (Guy Kibbee ) gunning down someone simply because he destroys his taxi - let alone the general casual use of guns, knives and fists used in response to things which today might just elicit 'a hard stare' (in the case of Paddington anyway!) Equally fascinating is how our attitudes, the way we treat each other - especially the relationship between men and women has changed. This is one of Cagney's least likeable characters, he's a violent, uncouth yob who treats Loretta Young absolutely horribly and yet he's the hero of the film. Loretta Young's feisty, self-assured character, Sue, is very much a modern woman and yet she simply accepts that that's just the way he is, this is how things are and so loves him just the same - different times!

    As stupid as it is, I find myself comparing this with Scorsese's masterpiece TAXI DRIVER. Of course that's an idiotic thing to do but there are some similarities (besides the obvious). They're both broken people struggling to survive and struggling to have a relationship. However whereas Robert De Niro is a lonely repressed psychopath about to explode, James Cagney's psychopath's pressure is constantly leaking out through his uncontrollable temper. This temper is uncontrollable and although all the misfortunes which befall him are all because of it, he shows no remorse, no acknowledgment that all this is his fault, no realisation that he needs to change his ways.

    However many times I see Loretta Young in these early 30s movies I am always shocked, amazing and astounded at how unbelievably pretty she is. Not in a sexual or saucy way, she's almost like a painting come to life. That aside, she seriously is an exceptional actress and portrays a very authentic believable young woman we can instantly empathise with and she is only 18! Can she change Cagney's character, if anyone can reform him, surely someone as optimistic, positive and sensible as she can? No, it's a hopeless task. The violence, the uncontrollable temper is as much a part of him as his own blood and bone. Like De Niro, where Cagney has come from, that cruel and brutal world has made him who he is. Growing up in the squalid slums of New York at the beginning of the century was especially tough for the Irish kids.

    Overall this is entertaining and reasonably exciting upbeat movie. It is snappily directed and as it's a cost conscious WB production where every millimetre of film has to be used efficiently, there no time wasted on padding so it zips along. It's well acted by everyone, even the bit players - Leila Bennett as the annoying friend who never shuts up is particularly good and offers a good contrast with Loretta Young's quiet and considered persona. Worth an hour of your time.
    8Maleejandra

    "I'd like to bury the hatchet, right in their thick skulls."

    Matt Nolan (James Cagney) is a cab driver, but a group of new cabbies are trying to muscle into the area. They use intimidation and force when they feel it is necessary which tends to be sooner rather than later. Take Pop Riley (Guy Kibbee) for example. He'd been running the same route for years until the new gang came to town and decided they didn't want the competition. They totaled his car and got him sent to prison when he retaliated. His little girl Sue (Loretta Young) doesn't want to see anyone else suffer the same fate, so when she falls in love with Matt, she does her best to keep his temper under control. It isn't easy, especially when the opposing group starts harassing him.

    Roy Del Ruth keeps the story exciting with the typical Warner Brother's format. Taxi! features a great cast, quick dialogue, fast action, and a short run time. Cagney is the true star of the movie; he can lay it on thick with the romantic scenes, pop out the cocky one-liners like no other, and even dance around like a pro. (We are treated to a preview of his talents; they would not be utilized in film until a few years later.) Young is absolutely beautiful, as she is in all of her pre-code movies, and her acting abilities hold up against Cagney's. Also notable are the sidekicks of the two leads: Leila Bennett and George E. Stone who play great backup.

    This movie is definitely worth catching late night on TCM.
    7utgard14

    "I wouldn't go for that dame if she was the last woman on Earth and I just got out of the Navy."

    James Cagney plays a cab driver whose quick temper causes problems in his relationship with Loretta Young, who hates violence. When his kid brother is killed, Cagney is out for vengeance. But getting it may cost him the woman he loves.

    Jimmy's great. He makes a sometimes unlikable character relatable. Loretta is very pretty and endearing. George E. Stone, Guy Kibbee, Leila Bennett, and David Landau are part of the nice cast. George Raft has a bit part where he gets socked out by Cagney. Opening scene where Cagney speaks Yiddish is a classic. This is the movie where Cagney yells at his brother's killer "Come out and take it, you dirty yellow-bellied rat, or I'll give it to you through the door!" This would later be misquoted as "You dirty rat, you killed my brother!" and would become a staple of Cagney impressions.
    Doylenf

    Pugnacious Cagney manages to be likable even when his character is obnoxious...

    TAXI takes the James Cagney persona to extremes in the context of showing him as a tough guy with a fist in love with a girl (Loretta Young) who abhors violence. The love you/hate you relationship between Cagney and Young is what keeps the movie interesting as the story develops, but the stupid things that Young's character does to keep her man from killing the thug who killed her brother-in-law is too incredible to swallow.

    Thankfully, we have some funny and romantic moments that Cagney and Loretta Young manage to do beautifully. She looks lovely throughout and it's her sweet natured temperament that makes it hard to understand why she would be attracted to a man like Cagney in the first place. He's promising to stop his hot tempered violence in an attempt to convince her to marry him, but never manages to cool it.

    Despite all the loopholes in the script and many flaws, this is a tidy little melodrama, very dated in its subject matter, with Cagney stealing the spotlight all the way through. Most annoying feature of the film is the so-called comic relief of Leila Bennett whose nasal voice and flat one-liners are supposed to invoke laughter. It doesn't work.

    Worth a view to see early Cagney, but the motivations for Young's character are unbelievable.
    8lugonian

    A Fare to Remember

    TAXI (Warner Brothers, 1932), directed by Roy Del Ruth, is not so much a tribute on the day in the life of taxi drivers and the involvement with their passengers, but solely on an individual cabbie out to avenge his brother's killer. While the story does start out with a taxi war, Gramercy vs. Consolidated Cabs, it shifts gears during its second half where the theme switches from "fare game" to "revenge is sweet." The cabbie in question is James Cagney, resident tough guy of Warners, still in the driver's seat after his triumph in THE PUBLIC ENEMY (1931). He's not a gangster this time around but a guy on the side of the law, his law in fact, coping with hostility from others which cause his temper to constantly reach its boiling point. Loretta Young, very early in her career, plays the girl he marries who tries every which way to break him out of his quick-temper habit.

    TAXI immediately gets underway as Buck Gerard (David Landau) an organizer who leads his men to create "accidents" for other taxi drivers in order to do away with his competition. He orders "Pop" Reilly (Guy Kibbee) to leave his corner, but when he refuses, has his hired truck driver (Nat Pendleton) smash into his taxi. Reilly shoots the driver, but because he took the law into his own hands, the old man is sentenced to serve ten years in the state penitentiary in Ossining. After Reilly dies, Sue (Loretta Young), his daughter, goes against Matt Nolan (James Cagney), a taxi driver forming a staff meeting in getting the other drivers to unite by fighting back. In spite of their differences, Matt and Sue eventually marry. While in a night club celebrating their union, the Nolans encounter the drunken Buck Gerard with his girlfriend, Marie Costa (Dorothy Burgess). After Buck speaks out of turn, sort to speak, by insulting Sue, a fight ensues causing Gerard to take out his knife aimed at Matt, but accidentally stabbing his brother, Danny (Ray Cooke), in his attempt to save Matt. While Sue feels it best for the police to handle the situation, Matt wants nothing more than to avenge Danny's killer. Their marriage nearly comes at wits end when Matt learns Skeets (George E. Stone), one of his taxi driver pals, that Gerard's girl was seen visiting Sue in his apartment, asking her for $100, leading Matt to believe Sue has betrayed him, unaware of her true reason in doing this.

    A forgotten 67 minute programmer with fast-pace action is notable mostly for a couple of memorable scenes: Cagney speaking Yiddish to a policeman, and a dance contest at the Rainbow Gardens involving Cagney and Young with another dancing couple, the male partner being the up and coming George Raft. With this being a Cagney picture, it is Leila Bennett as Young's best girlfriend who not only stands out with her comedy relief and witty dialog, but gets the final fadeout. Look fast for Donald Cook (Cagney's brother in THE PUBLIC ENEMY) and Evalyn Knapp in the movie theater sequence playing leading players of "Her Hour of Love."

    As with many movies of the early 1930s, TAXI has gone through the remaking process by the end of the decade under the new title and locale as WATERFRONT (WB, 1939) with Gloria Dickson and Dennis Morgan, both films that have never been distributed on video or DVD. For a quick joy ride, be sure to watch TAXI next the time this and WATERFRONT shows again on Turner Classic Movies. (***)

    Mais itens semelhantes

    O Mulherengo
    7,0
    O Mulherengo
    Homens Marcados
    6,7
    Homens Marcados
    O Durão
    7,0
    O Durão
    Gente Esperta
    7,1
    Gente Esperta
    O Preço da Compra
    6,4
    O Preço da Compra
    Caminhos do Inferno
    6,5
    Caminhos do Inferno
    Noite Após Noite
    6,7
    Noite Após Noite
    O Último Gangster
    6,7
    O Último Gangster
    Uma Alma Livre
    6,6
    Uma Alma Livre
    Sinners' Holiday
    6,3
    Sinners' Holiday
    Mãos Culpadas
    6,9
    Mãos Culpadas
    Traição
    6,5
    Traição

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      James Cagney spoke fluent Yiddish, and in this film got the opportunity to demonstrate it.
    • Erros de gravação
      Although the story takes place in New York City, it's apparent the exterior scene with the three taxicabs was filmed in Los Angeles.
    • Citações

      Matt Nolan: Come out and take it, you dirty, yellow-bellied rat, or I'll give it to you through the door!

    • Conexões
      Featured in Brother Can You Spare a Dime (1975)
    • Trilhas sonoras
      The Darktown Strutters' Ball
      (1917) (uncredited)

      Music and Lyrics by Shelton Brooks

      Played by the band for the final number in the dance contest

      Danced by James Cagney, Loretta Young, George Raft and his unidentified partner

    Principais escolhas

    Faça login para avaliar e ver a lista de recomendações personalizadas
    Fazer login

    Perguntas frequentes13

    • How long is Taxi?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 23 de janeiro de 1932 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Iídiche
    • Também conhecido como
      • Peso do Ódio
    • Locações de filme
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Califórnia, EUA(Studio)
    • Empresa de produção
      • Warner Bros.
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 9 minutos
    • Cor
      • Black and White

    Contribua para esta página

    Sugerir uma alteração ou adicionar conteúdo ausente
    James Cagney and Loretta Young in Peso de Ódio (1931)
    Principal brecha
    By what name was Peso de Ódio (1931) officially released in India in English?
    Responda
    • Veja mais brechas
    • Saiba mais sobre como contribuir
    Editar página

    Explore mais

    Vistos recentemente

    Ative os cookies do navegador para usar este recurso. Saiba mais.
    Obtenha o aplicativo IMDb
    Faça login para obter mais acessoFaça login para obter mais acesso
    Siga o IMDb nas redes sociais
    Obtenha o aplicativo IMDb
    Para Android e iOS
    Obtenha o aplicativo IMDb
    • Ajuda
    • Índice do site
    • IMDbPro
    • Box Office Mojo
    • Dados da licença do IMDb
    • Sala de imprensa
    • Anúncios
    • Empregos
    • Condições de uso
    • Política de privacidade
    • Your Ads Privacy Choices
    IMDb, uma empresa da Amazon

    © 1990-2025 by IMDb.com, Inc.