Adicionar um enredo no seu idiomaAttorney Tom Cardigan is the discontented "mouthpiece" for Vanny Powers' mob. When Tom takes sweet June Perry as his mistress, she tries in vain to redeem him. But Powers decides Tom would b... Ler tudoAttorney Tom Cardigan is the discontented "mouthpiece" for Vanny Powers' mob. When Tom takes sweet June Perry as his mistress, she tries in vain to redeem him. But Powers decides Tom would be even more useful to him as District Attorney, which he arranges with surprising ease...d... Ler tudoAttorney Tom Cardigan is the discontented "mouthpiece" for Vanny Powers' mob. When Tom takes sweet June Perry as his mistress, she tries in vain to redeem him. But Powers decides Tom would be even more useful to him as District Attorney, which he arranges with surprising ease...despite Tom's warning that "if I go on the other side, I'll stay there." Soon, Tom's ambiti... Ler tudo
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias no total
- Valentine 'Vanny' Powers
- (as William Boyd)
- First Trial Prosecutor
- (não creditado)
- First Trial Court Recorder
- (não creditado)
- Cardigan's Assistant
- (não creditado)
- Last Trial Judge
- (não creditado)
- Member of the Jury
- (não creditado)
- Cardigan's Butler
- (não creditado)
- Assistant District Attorney
- (não creditado)
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Avaliações em destaque
This is a witty courtroom drama with Barrymore in fine form. The legendary actor's fondness for alcohol neatly weaves into the story. Barrymore was still able to perform while drinking, although the deterioration would soon become apparent. Rowland Brown and Gene Fowler enliven the script with great lines and moral dilemmas. The characters "Tom" and "June" are allowed an option to live "in sin" because it works for them. Leggy murder suspect Mary Duncan (Nora Dean) overplays feverishly, but she's a lot of fun. Jill Esmond (aka Mrs. Laurence Olivier) is oddly giddy over Barrymore and a younger tenor. Director George Archainbaud flatters his cast and keeps it moving.
****** State's Attorney (5/5/32) George Archainbaud ~ John Barrymore, Helen Twelvetrees, William 'Stage' Boyd, Jill Esmond
Coupled with a Heavy Stage Experience, He became one of the most Respected Actors of His Era. Although Surprisingly never Nominated for an Academy Award (He famously said they were afraid I would show up drunk and embarrass them and myself).
This Film also had the Advantage of a Pre-Code Freedom to Exercise some later to be Forbidden Behavior like Premarital Sex, and other Innuendos. But it is Barrymore's Charisma and Naturalism that Endears this Courtroom and Political Drama, also Helped by a Strong Supporting Cast.
It is Less Ham than usual for 'The Profile" and the Movie has a lot of Long Dialog Scenes that are Fascinating to Watch. This makes for a somewhat Stilted but Compelling Drama that is an Actor's Showcase and Barrymore Effortlessly Delivers.
Helen Twelvetrees plays the usual wronged innocent who comes to top flight criminal attorney Barrymore when he's slumming in night court. He takes her case and then takes up with her and she convinces him to go over to the other side and start prosecuting the people he previously defended like top mobster William Boyd. He and Boyd have considerable history going back to when they were kids.
The Code would end heroes like John Barrymore's character. In his quest for power and respectability he dumps Twelvetrees with whom he was living without benefit of clergy and takes up with quirky Jill Esmond who is rich and her old man Oscar Apfel is powerful. The union does not last long, but no movie hero once the Code was in place would either live with a woman without being married to her or dump said woman strictly for his own ambitions.
Early sound Barrymore and he had not given in to dissipation as he would in his last years. It's an old fashioned acting style but still worthy of giving a look to and enjoying. It was a follow up for Jack possibly in response to brother Lionel playing a lawyer and winning an Oscar for a dramatic courtroom climax in A Free Soul. He also has a climatic courtroom scene, and while not as dramatic it was affective indeed for the junior Barrymore brother.
Still able to perform, he would go on to make many more films before dying 10 years later of cirrhosis of the liver and pneumonia. Only a few of those would be top performances.
The life of a real lawyer, William J. Fallon, may have been the inspiration for this story. Fallon was known as the "Great Mouthpice."He was a prominent criminal lawyer who defended many homicide cases that resulted in no convictions. He befriended organized crime boss Arnold Rothstein who was implicated in the Black Sox Scandal. Fallon's lifestyle involved heavy drinking. He was just 41 years old when he died – probably from alcohol and other effects.
Você sabia?
- CuriosidadesThe story was supposedly based on the life of defense attorney William J. Fallon, who successfully defended 126 homicide cases. Warner Brothers beat RKO to the box office by a couple of weeks with Pela Mão de Sua Dama (1932), also supposedly based on Fallon's life.
- Erros de gravaçãoLater in the movie, when June Perry is brought into Cardigan's office as Jane Doe, he calls her Joan, instead of June.
- ConexõesReferenced in Brasileiros em Hollywood (1970)
- Trilhas sonorasThe Sidewalks of New York
(uncredited)
Music by Charles Lawlor (1894)
Strains played during opening credits
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- Tempo de duração
- 1 h 19 min(79 min)
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- Proporção
- 1.37 : 1