Mata Hari

German spy Mata Hari works in Paris during World War 1 under cover as an exotic dancer, and falls in love with a young Russian officer while she is taking advantage of him.

The script is rubbish, dialogue trite at best, and the treatment doesn't hold together well. Adrian's costumes are ridiculously improbable, but in a sinfully pleasurable MGM kinda way. You simply sit there and gape at Adrian's inventiveness and sense of kitsch. And William Daniels photographs them beautifully.

As he does his favorite subject, Greta Garbo. There is no way anyone could call Mata Hari one of the better Garbo roles, although she looks gorgeous at every turn, even in her slightly awkward Balinese dance in the beginning, all arms and legs. And still Garbo manages to be sexy! Notice the glance she sends Ramon Novarro as she draws the curtain of her bed. This was a short period in the history of Hollywood, when there was no functioning censorship, and it is always titillating to see what cinematographers, directors and stars made of it. And here they exploit it to the full.

Not a great film, not even in the Garbo canon, but still worth a watch, absolutely.

...from MGM and director George Fitzmaurice. Greta Garbo stars as the title lady, an exotic dancer who enthralls all who see her perform, allowing her to gain access to valuable intelligence which she relays to her aloof handler Andriani (Lewis Stone). Among Mata Hari's conquests are General Shubin (Lionel Barrymore) and young ace pilot Alexis Rosanoff (Ramon Novarro).

When historians roll their eyes at the mention of Hollywood history lessons, this is the kind of film they are thinking about. The truth only remains as far as it makes the leads look attractive and dramatic. Garbo, who naturally bears little resemblance to the real Mata Hari, gets to wear some outrageous costumes and perform a lurid, pre-code dance with a giant statue of the goddess Shiva. Barrymore hams it up, and Navarro makes for an unconvincing Russian. Despite the sloppy script, there's some good set design and camerawork, and the appeal of the leads, particularly Garbo at the height of her stardom, helped make this one of the top ten biggest box office hits of the year, and the biggest for MGM.

In 1917, in Paris, the famous dancer Mata Hari (Greta Garbo) has a double life as a German spy, obtaining secrets from French and Russian officers in bed. The chief of the French Secret Service Dubois (C. Henry Gordon) is unsuccessfully in her tail trying to find proofs to incriminate Mata Hari. The Russian general Serge Shubin (Lionel Barrymore) has a crush on Mata Hari, but when she meets the young Russian pilot lieutenant Alexis Rosanoff (Ramon Novarro), she sleeps with him to photograph secret documents in his possession. But they fall in love for each other, and the jealousy of her lover Shubin provides the evidences to Dubois to arrest her.

This fictional and naive romance based on the life and death "Mata Hari" is an enjoyable melodramatic love story. Of course it is not a historic event, but this pleasant romantic fantasy is supported by an extremely beautiful Great Garbo performing a charismatic role in a great production. In spite of not being a masterpiece, I totally disagree with the unfair reviews in IMDb. My vote is seven.

Title (Brazil): "Mata Hari"

Seductively mysterious, the exotic dancer MATA HARI pays the ultimate price for being the most famous spy of World War One.

Coming only fourteen years after the execution of its title character, here is a densely plotted film given the full MGM gloss & glamour. Production values are excellent, even if the script strays a bit too much into fiction to tell its story.

Languid & languorous, Greta Garbo slinks across the screen like a large cat, almost purring her dialogue rather than speaking it. Utterly fascinating, it is easy to see why she dominated her generation & why her legend still endures. Finally coming fully alive during a penultimate murder scene, Garbo exhibits the frenetic energy of which she was capable on screen. Fortunately, she is only required to dance once, leaving to the imagination the full impact of Mata Hari's original private performances.

Ramon Novarro, who receives co-equal billing with Garbo, had been an important movie celebrity far longer than she, but her rising sun tended to obscure most other stars in her orbit and Novarro has to work hard to get much notice in their joint scenes .As always, MGM's chameleon actor (this time he plays a Russian) gives a very competent performance, but as a romantic pair they make a rather unusual couple - which simply means that Novarro's sexual ambiguity is perfectly mirrored by Garbo's intrinsic androgyny.

Lewis Stone is quite effective as a sinister German spymaster. C. Henry Gordon gives some nice moments as a tough French policeman. Lionel Barrymore is also on hand, flamboyantly overacting as a Russian general who delivers military secrets to Mata Hari in exchange for her favours; he apparently decided Garbo wasn't going to steal the entire picture and he puts up an outrageous display of ham acting.

Karen Morley & Frank Reicher appear as German agents who learn the price of becoming no longer useful to Berlin; movie mavens will recognize an uncredited Mischa Auer in the opening scene as an unfortunate victim of Mata's wiles.

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Born to a prosperous hatter in The Netherlands on August 7, 1876, Margeretha Geertruida Zelle was convent schooled and later attended a teacher's college. In 1895 she married British-born Campbell MacLeod, a captain in the Dutch colonial army and lived with him in Java & Sumatra from 1897 until 1902.

After their divorce, Margeretha settled in Paris, where she changed her name to the Malay 'Mata Hari,' which means 'eye of the day.' Fabricating a mystique of exotic mysticism, the beautiful Mata supported herself quite nicely as a courtesan and erotic dancer, giving special performances around Europe to delighted clientele. Several military officers of various nations counted themselves among her lovers.

The details of Mata's involvement in espionage still remain rather vague. It's possible she entered the German Secret Service as early as 1907, but she later is thought to have worked for the French Secret Service, as well. As a citizen of neutral Holland, she was still able to travel freely after the commencement of the War and it is alleged that she garnered secrets from Allied officers for her German employers. It was the British who tipped off the French as to Mata's supposed activities while in Belgium, and she was arrested upon her return to France.

At the court martial trial, she could only be found guilty of giving outdated information to the Germans, which she claimed was entirely innocent. However, it was more than enough to imprison her for three months, before her final rendezvous with a firing squad on October 15, 1917.

She is not the first to play Mata Hari, the alluring spy of World War I. But Greta Garbo is very memorable as the temptress; the seducer; the beguiling not-so-secret agent. Garbo's exotic dance is quite lethal for the early 1930s. Ramon Novarro plays the young lover willing to give his life for hers. Lionel Barrymore is the older lover that dies by her hand. This classic does not claim to be factual to history, but makes a great melodrama not to be missed. Supporting cast features Lewis Stone, C. Henry Gordon and Karen Morley. Viva la France.