The King Murder

Dorothy Revier is a kept woman with a man or two on the side, as well as a sideline in blackmail. When Don Alvarado and Marceline Day break into her apartment to recover some letters, they discover her dead. They leave, but soon Detective Chief Conway Tearle is on the case, with a large number of suspects.

THis straightforwardly plotted mystery seems to have been based on the murder of showgirl Dorothy King in 1923; it was also the inspiration for S. S. Van Dyne's THE CANARY MURDER CASE and the movie THE NAKED CITY. The handling of this Poverty Row movie is fast and seems to be rather random under the dirction of Richard Thorpe.

Tearle is clipped in his line readings. He had spent most of the 1920s as leading man to lady stars who wanted someone who didn't want the audience being distracted. By the 1930s he was reduced to leads in cheap B movies like this, and good supporting roles in major studios' A movies. He died in 1938 at the age of 60.

I will transport myself to 1932, and then if I look at, it isn't that bad as some of use have said here. It definitely has more merit than the 5.4 score that is given now. The mystery is built up quite well, of who-dunnit and being precode, the story could openly say about the pre as well as post marital relation - the fact of life which naturally the codes won't let be brough out. And in those circumstances, the high society blackmailer (Miriam King) is killed - and probable murderer could be any of the three current (should have been more) males she had been sponging on, her own black mailer, or even any of the current girlfriends/ wives of her victims who knew of her existence with their lovers/ husbands. The method of the murder was very ingenuous and probably unless the murderer hasn't committed virtual suicide, to save some one dear, the case would have remain unsolved. It is a neat mystery, fast paced, and not too much to find-fault about, even if it wasn't a 'B' movie.

"The King Murder" like "The Canary Murder Case" (1929) and "Discarded Lovers" (1932) featured a female victim with multiple paramours. Any one of them could be guilty.

The victim was Miriam King (Dorothy Revier). She was shaking down a few men who'd been dumb enough to cheat on their wives with her. She was found dead one night by a man named Jose Moreno (Don Alvarado) who'd broken into her apartment to steal some letters that compromised him. He as well as a host of other men were suspects. Even two women were suspects: Elizabeth Hawthorn (Natalie Moorhead), the wife of one of Miriam's marks, and Pearl Hope (Marceline Day), the friend (or more) of Jose Moreno.

I must say that this murder mystery did have me guessing. At one point I was convinced of who the murderer was (I always lock on to the one with the least supposed motive and opportunity), just to be wrong. So for that, I give this movie a 7/10.

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"The King Murder" is available on DVD from Alpha Video. Like most of Alpha's films, this one has a rather rough print--a bit blurry (looking as if copied from a videotape or just a very used print) and with poor sound (there's too much background hiss). Unfortunately, this is likely the only way you'll find the film so you'll need to accept it, warts and all. Fortunately, as the film progresses, the sound quality at least improves though at the end it suddenly became worse.

This story was apparently based on a famous murder case of the era involving a blackmailer named Dot King. Interestingly, the studio (Universal) didn't disguise this very well, naming the character Miriam King.

Miriam has made a career out of seducing rich married men. Then, once she has incriminating information, she blackmails them into paying her not to produce this information to their wives. After her latest shakedown, Miriam ends up dead and the police are trying to figure out what happened. It isn't easy, as she's gathered a lot of enemies over the years.

Conway Tearle plays Detective Barton--the man assigned to work on this murder case. Interestingly, despite the subject matter being rather salacious and the recentness of the actual murder, the film did NOT seem exploitational in the least. Likewise, it was handled in a quiet, cerebral fashion and the overall film was far better than I'd expected--especially since it was from tiny-budget Chesterfield Productions. My only complaint, and it's a minor one, is that the pawn broker seemed incredibly broadly portrayed---extremely Jewish--most likely in keeping with stereotypes of the day. Worth seeing even with the lousy print.

I watched this movie as an entry on one of those "50 Movies" DVD sets (Crime Classics), so maybe I didn't get the highest quality video around. Nevertheless, I found this movie to be stultifyingly bad. The script is muddled and confusing. Characters come and go and the time line is jarring and confusing. The acting generally sub-par, with the best performance being turned in by Maurice Black, probably best known for his role as "Little Arnie" Lorch in "Little Caesar". The audio is terrible and at time unintelligible. The cinematography is primitive and looks many times as if filmed in a closet. Don't get me wrong, I like "bad" movies but more in the vein of Ed Wood bad. This film has nothing to offer the viewer on any level.