Ajudante Desastrado

Helpmates has laughs from beginning to end, replete with the slapstick and wordplay that are the trademarks of the greatest film comedy team ever. It's twenty minutes of delight and each gag builds on the one before and sets up the next, a crazy crescendo in a symphony of sublime silliness. The comic Lou Costello was once asked who he thought was the greatest comedy team of all time and he unhesitatingly named Laurel and Hardy. Helpmates is worth many watches. This 1932 short nearly equals their Oscar winning short, The Music Box. See it. Then visit the Boys again and again. Laurel and Hardy - except for their mishandling by Fox in the 1940s -- are, as the great Steve Allen once said - ALWAYS funny.

This is classic Laurel and Hardy. The origin of Dumb and Dumber and an inspiration for generations of comedians and comedy writers, Laurel and Hardy were the masters of complicating easy tasks beyond the point of minor disaster. Often referred to as the fiddle and the bow, this comedy team started in the silent era with slapstick humor. Many of the comedies revolve around the destruction of cars, for which they found many ways to destroy. Upon the coming of the sound era, many silent stars lost work because of voice flaws (see Singin' In The Rain for a great example) or because they could only do visual slapstick comedy. Laurel and Hardy were able to transcend the silent era of slapstick and successfully incorporate witty dialogue in amongst their visual humor.

This two realer is classic as the Boys try and clean up after Ollie's wild party before his wife comes home. The ending of this short comedy has the funniest line of all time. As usual, Laurel and Hardy are their bumbling destructive selves, which of course leads to one laugh right on top of another. As Ollie says in the beginning while looking at himself in the mirror, "I have two words to describe you. Impossible."

Laurel and Hardy showed their greatness in classic shorts such as this. Slapstick with an economy of storytelling.

While the cat's away the mouse comes out to play and this big mouse, Oliver has thrown a party which has left his house in a mess and him with a hangover. Trouble looms as his wife is arriving home from a trip earlier than expected.

Oliver Invites Stan to help him clear up which leads to one disaster to another. Oliver would be lucky if his house is standing upright.

Both are at their bumbling best.

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. 'Helpmates' for me is up there with their best and certainly among their funniest.

Can't really find anything wrong with it, was past caring this time as to whether the story was standard or not because it gets to the point and has a lot of energy throughout, on top of being riotously funny in its best moments. Whoever knew that attempting to clean up a house, something that can be fairly stressful, could be so entertaining?

From start to finish 'Helpmates' is great fun, never less than very amusing and the best moments, such as the ending, being classic hilarity. It is never too silly, there is a wackiness that never loses its energy and the sly wit is here, some of the material may not be new as such but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. A lot happens yet it doesn't ever feel rushed or over-stuffed. The ending is a sheer delight and it contains one of the best and most priceless lines of all Laurel and Hardy.

Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Helpmates' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable.

'Helpmates' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid, but it's Laurel and Hardy who take the honours here.

In summary, one of Laurel and Hardy's best. 10/10 Bethany Cox

This is one hilarious Laurel & Hardy comedy short.

The story is, as always, deliciously simple. Oliver Hardy just had a wild party in his house the other night. The next morning he hears by telegram that his 'lovely' wife shall return from Chicago were she has been with her mother the last couple of days. Of course the house is a total wreck so in all his panic, Oliver calls his good friend Stanley to help to clean the mess up before Oliver's wife gets home. But of course instead of cleaning up, the boys make an even bigger mess.

This is basically the only joke of the movie; the two boys cleaning the mess up. It provides some absolutely hilarious and well executed slapstick sequences. The slapstick moments are amazingly stupid and unlikely but because of that also extremely hilarious. This movie is really filled with great slapstick moments, so fans of slapstick comedy will be absolutely delighted while watching this movie.

This is how I want a Laurel & Hardy movie to be; simple, stupid and filled with well executed slapstick humor.

9/10

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