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Hard boiled Jack Holt escapes from prison. His gangster contacts set him up with a job as chauffeur at the large estate of one of their associates who is getting a little nervous. Holt's job is to keep an eye on said associate - whose attractive daughter Constance Cummings already knows there is something fishy going on.

It doesn't take long before we discover that Holt is not a real crook but an undercover agent hoping to track down the smugglers' big boss, the mysterious Mr. X.

Boris Karloff is fun as the loyal but not too bright henchman who does Mr. X's dirty jobs. Edward Van Sloan is a bit creepy as a suspicious-looking doctor running a very shady hospital. There's also a nurse named Bertha Mann at the house who spies on the family and phones in reports which she leaves on a very cool answering machine in an unknown location.

Constance Cummings has a good role as the daughter who is not content to sit back and let Holt chase the bad guys. Cummings and Holt are an effective pair of heroes in this fast-paced crime drama that offers few surprises but does feature some suspenseful moments, including an exciting climactic scene in the hospital.

Ah, there's nothing like a good old-fashioned creepy & atmospheric horror tale from the early nineteen-thirties starring the almighty Boris Karloff! Be forewarned, however, that this "Behind the Mask" is not really a horror movie and that Karloff in fact only plays a supportive character – albeit quite a menacing one. Does that mean that the film isn't worth checking out? Nope, not at all, because "Behind the Mask" definitely does contain quite a few sinister twists and details in its overall very ambitious and compelling crime/mystery screenplay. A whole bunch of elite federal agents are trying to unravel a large-scaled drug smuggling network led by the nefarious Mr. X. Special agent Jack Hart takes the identity of small thug Quinn and goes undercover in a state prison where he meets Jim Henderson (Karloff); one of Mr. X's principal henchmen. The organization of Mr. X is most certainly evil, as the criminal mastermind also runs an unorthodox clinic where the patients are murdered and their coffins stuffed with narcotics. The script from the hand of Jo Swerling – also the writer of Hitchcock's "Lifeboat" – superficially seems extremely ambitious, but rather many elements are nevertheless tacky (like the forced love-story between the secret agent and one of the minions' daughter) and/or predictable (for example the identity of Mr. X is not really that secretive). Top-billed stars Boris Karloff and Jack Holt are decent enough, but the show is stolen by Edward Van Sloan in a fiendish double role, and by Bertha Mann! She depicts a creepy maid who's strategically put in the house of Dr. X's unreliable collaborators. She closely observes everyone in the house and reports to her employer via a radio installation in her room.

Were it not for the presence of Boris Karloff, here in a supporting role, we may not have such a high quality home video edition of this movie. Enjoyable as it is in many ways, BEHIND THE MASK is also a good example of how much difference a talented director can make. Compare the films of James Whale, for example, from the same period and see how much better several scenes here might have been. On the plus side, there is the cinematography of Ted Tetzlaff, creating moody scenes in heavy rain that grab a viewer's attention from the start. So the film looks mostly great, but in the acting department it's merely adequate. No one in the cast is terrible, and we do have Edward Van Sloane clearly enjoying himself as an evil scientist. But even Karloff is a slight disappointment. It's fun to see him in modern dress, playing a hired killer, but it's not one of his really notable appearances. Still, the plot is engaging and there is more action than one might expect from such a modest production.

This is a nice, efficient mystery/thriller, enlivened by the presence of Boris Karloff and Edward van Sloane. Karloff is fine in this non-monster role, as a cocky, bowler wearing, cigar smoking crook. His presence (in retrospect) also provides a cachet of horror to the mix. This movie, after all, was shooting just as Frankenstein was released. The rest of the cast is very good and the direction is no-nonsense, straight ahead story telling (if a bit improbable). Things keep moving so quickly you don't really have time to question the plot's realism. But the real kick and revelation is Edward van Sloane in a dual/triple role -- in particular, his portrayal of Dr. Steiner, with his crackling electronic gear, his google-eye specs, his trilling foreign accent -- apparently having the time of his life as an sinister, conniving doctor masterminding a dope ring. His sadistic banter during the film's climax is convincing enough to rank with the best of Lionel Atwill's or Bela Lugosi's incarnations of mad doctors at the height of their madness.

This film was made during the same period as "The Criminal Code" by the same studio. It also used some of the same sets and film footage. During this period,"Frankenstein" was released and Columbia decided to play up Karloff's name and the picture's horror aspects in the advertising. But technically, it is not a horror film. It is exploited as another horror picture, this doesn't horrify sufficiently to class with preceding baby-scarers. The scare stuff seems tossed in regardless of where it fits, but it gets results because KARLOFF's threatening pan makes him a natural for his part.