Jardim do Pecado

Setting aside all the implausible elements in the story, it's a pretty good, briskly told yarn, made exciting by the way the plot actually becomes more complicated as the film careens wildly to its conclusion. So it's easy to watch, first of all, this garden of unholy criminals in the middle of nowhere working through their mutually broken honor among thieves. Pre-code, you'll find only the hint of a bosom flashing from a very minor female character. Otherwise the sexual innuendos are largely verbal. Like another reviewer, I too appreciated the hotel-in-the-desert ambiance and its effervescent symbolism. And the strangely obsequious Arab natives flitting about never intrude upon the Westerners. Meanwhile Ronald Colman and ever-pleasantly baby-fatty Fay Wray may not be the last word in chemistry, but they do get the job done nicely.

Unholy Garden, The (1931)

** 1/2 (out of 4)

Decent little pre-Code about a blind old man (Tully Marshall) and his daughter (Fay Wray) who are staying at a hotel in the Sahara. The two keep themselves locked up in their room because there's a group of criminals in the lobby trying to come up with a way to get in the room and steal what could be millions from them. A suave criminal (Ronald Colman) then shows up and tries to get into the room and the daughter's heart his own way. THE UNHOLY GARDEN isn't a very well-known film but I found it to be a pleasant time killer thanks in large part to the performance of Colman who really shines here. The story itself is a mildly interesting one but at the same time you really have to suspend some disbelief that these cut-throats wouldn't have already gotten into the room and forced they way into finding out where the money was. There's a funny sequence dealing with the old man just shooting his gun off and I'm guessing this was the writers attempt to show that the criminals couldn't get in but I'm sure they could have came up with something else. The way Colman works his way into the room was at the same time a tad bit too easy. With that said, at just 74-minutes the film goes by very quickly and a lot of this is due to the very charming performance of Colman. It's almost as if the actor knew the material wasn't the greatest so he just really went all out in terms of charm. His character makes it easy to see why the daughter would fall for him but Colman is also brilliant at showing as slick this character is. This is especially true towards the end when he tries to save the daughter by lying to all the criminals to try and protect her. Wray, who would follow this up with such titles as DOCTOR X, THE VAMPIRE BAT, MYSTERY OF THE WAX MUSEUM and of course, KING KONG, is in fine form even if the screenplay doesn't do too much justice to her. The supporting cast includes Estelle Taylor, Warren Hymer and Lawrence Grant as a doctor who has murdered his three wives. The dialogue is at times fairly risky and there are many pre-Code elements, which are another plus. Overall, while the film certainly has some flaws it's still entertaining and that's the most important thing.

The acting style is dated, the production is low-budget, the characters are cartoonish, and the story is quite silly... but there is something about this movie I adore. There's no comparing Colman in RAFFLES to this role in THE HOLY GARDEN, as other reviewers have done - in the former, he's distinguished, elegant and urbane, an adorable, tame scoundrel any woman would be quite safe to be around (except for her heart, of course), but in THE UNHOLY GARDEN, the undercurrent of sexuality in his character will be a shock to anyone who is used to Colman in much less sensual, much more gentle roles. I'm used to seeing Clark Gable get this physical and sexual with his leading ladies, but Ronald Colman? Awesome! The dress-hooking scene with Estelle Taylor is delicious... If you are a Colman fan, you will adore this movie. If you're not, you may be one by the end - but don't expect to see him in other films in a role quite like this. In addition - lots of laugh-out-loud lines. What a shame the rest of the movie isn't as good.

This is a pretty oddball film, plot-wise and characters. I've seen it a few times now and still can't make up my mind on how good it is - or not. It is dated of course, but who cares when you can be ogling Fay Wray at her peak!

Just how unlikely is the basic situation - a hotel in the middle of the Algerian desert full of cut-throats and thieves plus one trigger-happy old blind man and his beautiful daughter sitting on but protecting a useless fortune for years. The brainy fugitive rascal Colman appears and the cut-throats' plans to rob the old man suddenly coalesce and are dependent upon our dashing anti-hero finding the loot for them. All of the characters without exception are dislikeable but I'm afraid I don't know how faithful this is to the original book, or whether it was simply designed for the movie that way.

Never mind, Colman uses the opportunity splendidly to woo Wray, and the two couldn't look more beautiful as when splashed by the Goldwyn moonlight - others would have burst into song! He later goes Noble in a tortured climax, but hey that's Love!

To the Faithful: well worth watching - after "Raffles" it's definitely my next favourite Goldwyn Colman potboiler. To the Unbeliever: you won't get it, wait for a violent remake.

Ronald Colman and Fay Wray star in "The Unholy Garden," a 1931 film that is darn strange.

A fugitive from justice (Colman) winds up at a hotel in the Algerian desert where all the other thieves and killers hang out. Among them is lovely Fay Wray and her blind father. Word is the old man is hiding a great deal of money, and the thieves want it. Colman manages to become their leader, but his agenda is somewhat different from theirs.

Ronald Colman is delightful as Barrington Hunt, escaped con - fast talking, debonair, and charming. Wray is beautiful as the vulnerable, despairing Camille de Jonghe, who feels that her life will never change.

The atmosphere is marvelous - one really feels like they're in an Algerian hotel where danger lurks. Worth seeing for Colman and Wray.