Drácula

If my facts are straight, this much touted Spanish version of "Dracula" was considered lost for many years until its rediscovery in the 1970s--upon which many a critic and film historian flocked to view this rare "gem" & seemingly all at once proclaimed it better than its more famous English cousin.

Perhaps the novelty of finding this similar, but in many aspects different alternate take on the Tod Browning classic led to such clamoring, though given the many years in which viewers have been accustomed to videotape & now DVD--in which a back-to-back comparison of the two films is a very simple exercise--the fawning many do over Melford's 'Drac' seems a bit in the extreme, particularly such critical observations of how Melford upstages the English film "scene by scene, shot by shot". Having recently viewed both films, it's my opinion that a shot-for-shot comparison doesn't prove very detrimental at all to Señor Browning.

For instance, the much raved about moving camera of George Robinson doesn't really show much more mobility than Karl Freund's. Yes, there is the shot of the camera roving up the stairs in Drac's castle, but aside from that & a few other minor instances, Melford & Robinson keep the camera as still as the oft-derided Browning. Btw, I found it more than a bit amusing that the critters Browning has roaming around the cellars of Dracula's castle--the opossum and bug escaping from a miniature coffin--were retained by Melford.

The really big difference in movies is seeing the different angles which Melford shot many of his scenes from & how he makes more use of the outside portico in many of the later drawing room scenes. For those of us familiar with the Lugosi film, this can make for an interesting visual variety, but does this really equate to "better" or "masterful" directing?

It's not my intention to slam this version of Dracula. I think any horror fan should give it a few looks to see how two different production teams can interpret a single script & put their own creative twists on it. From that standpoint, the Spanish "Dracula" is required viewing, but hardly the "scathing critique" of its English counterpart that many have proclaimed it to be.

It took me over 30 years to finally compare the Spanish language version off Dracula to the more familiar one starring Bela Lugosi. This one is surprisingly much longer. Very well made, using the same Universal sets, with a good cast but Lugosi plays a much better Count in my opinion.

Spanish-language version of Dracula filmed at the same time as the English-language version. While Tod Browning directed that one during the day, George Melford would direct this one at night using the same script and sets. Many consider this to be the superior version of the two, at least from a directing perspective. This film has a more polished look in most scenes than its English-language counterpart. The direction isn't as stiff or stagey as it often is with Tod Browning's Dracula. To be fair, however, director George Melford had the benefit of watching Browning's footage so he had a template with which to work and improve upon. This version is also longer by almost half an hour. There are no added scenes but each scene plays out longer with added dialogue. Often it's just a case of an extra shot or two per scene, with Melford taking his time and building tension. The added length is good and bad . Good because it allows for scenes to play out properly without feeling rushed, as sometimes was the case with Browning's film. Bad because the added time is mostly added dialogue, which makes the long stretches with little action seem interminable. There are also more sound effects in this one as well as bits of music. It helps things considerably, especially in the creepy castle scenes.

The ultimate shortcoming with the Spanish version of Dracula is the cast, particularly the lead actor. Bela Lugosi, for all his hamminess, was an undeniably menacing presence in his film. Comical-looking Carlos Villarías seems a poor imitation, with his constant crazy eyes and goofy smile. It's hard to take him seriously, let alone find him a threatening or alluring character. Pablo Álvarez Rubio is good and probably a better actor than Dwight Frye, but somehow his Renfield is less memorable in comparison to Frye's over-the-top performance. Eduardo Arozamena is decent as Van Helsing but he lacks Edward Van Sloan's screen presence. The guy looks like Eugene Levy! The only solid improvements in the cast are in the romantic pair of Juan and Eva (John and Mina in the other). Barry Norton is a more grounded actor than the theatrically-inclined David Manners. Lupita Tovar is much sexier and livelier than Helen Chandler's pallid Mina.

It's certainly a great movie and not just a curio. Stronger in some ways than Browning's Dracula but weaker in others. I would say they're both about even, with a slight edge to the Browning version simply because of the iconic performances of Lugosi, Van Sloan, and Frye.

It is hard to say which is the better version of the Todd Browning version and this, both have flaws but both has many things to recommend. There are things here that are done better here than in Browning's, like some of the storytelling and how it was made, but Browning's had the better Eva/Mina, Van Helsing and especially Dracula(the Renfield interpretations personally rank the same).

Visually this version is an absolute treat, the cinematography is superb and the editing is much improved over Browning's version as is George Melford's exciting direction over Browning's, the sets are wonderfully Gothic too, especially the genuinely creepy Trasylvanian castle. Of individual scenes the standouts were the smoke with Dracula rising out of his coffin, Renfield and the fly and the terrific final shot. The eerie music score compliments the atmosphere beautifully and the dialogue flows reasonably well.

The storytelling is very compelling on the whole, as well as those three standout scenes the relationship between Eva and Seward is incredibly affecting, the atmosphere is very spooky, there is an exciting climax and it does make more sense than Browning's with things better explained thanks to the stronger editing. It is not perfect this said, the film is overlong and does drag as a result as expanding on these loose ends, the first scene with Dracula is scarier in the Browning film. The acting is a mixed bag, with the strongest performances being Lupita Tovar as a lively Eva, José Soriano Viosca's sympathetic Seward and particularly the chillingly insane Renfield of Pablo Álvarez Rubio. Eduardo Arozamena plays Van Helsing more than reliably if not as memorable as Edward Van Sloan or Peter Cushing. Barry Norton however is very stiff as Juan and Carlos Villarias tries far too hard as Dracula, his facial expressions verging on cartoonish and he lacks the aristocratic charisma and suave menace that Bela Lugosi and Christopher Lee had.

All in all, a worthy version but a long way from perfect. A very high 7/10 Bethany Cox

Made simultaneously to the famous Bela Lugosi Dracula using the same sets but filmed at night, this is the Spanish language version of Dracula. Back in 1931 at the dawn of the talkie era you couldn't overdub a film into a different language, to service a different market - you had to make another film! And I guess, with the large Spanish audience in not only the States but the world in general, this was a commercially viable idea. To this end, we have a film which often looks very similar to its more famous English language equivalent but there are numerous differences as well. For a start, its 28 minutes longer, so fills in a few areas where the English variant was sketchy. It also allowed for a far more sensual presentation of its female vampires and included a few more horror moments too. It seemed to be unseen for decades, only resurfacing again in the late 70's, adding to its mystical reputation. So, is it better? Many people think it is and aspects of it are an improvement but for me, the English language version pips it to the post. For one thing, the latter version has far better pacing - those extra 28 minutes aren't necessarily all stellar stuff and it is still quite stagey like the English version. Secondly, Lugosi is better as the count than Carlos Villarías - the latter is solid enough but Lugosi is so brilliantly over-the-top, he was made for the role. This is still a very worthwhile movie though, especially for Dracula completists and fans of vampire cinema.