AVALIAÇÃO DA IMDb
7,4/10
1,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaStan fakes receiving a telegram so he can go to a club with Ollie and a bottle of his unsuspecting wife's liquor, but she overhears his plans.Stan fakes receiving a telegram so he can go to a club with Ollie and a bottle of his unsuspecting wife's liquor, but she overhears his plans.Stan fakes receiving a telegram so he can go to a club with Ollie and a bottle of his unsuspecting wife's liquor, but she overhears his plans.
- Direção
- Roteiristas
- Artistas
Baldwin Cooke
- Waiter
- (não creditado)
Jean De Briac
- Shopkeeper
- (não creditado)
Dick Gilbert
- Phone Booth Gawker
- (não creditado)
Vladimir Gueteron
- Orchestra Leader
- (não creditado)
Charlie Hall
- Cabdriver
- (não creditado)
Jack Hill
- Man in Rainbow Club
- (não creditado)
Frank Holliday
- Rainbow Club Singer
- (não creditado)
Bob Minford
- Phone Booth Gawker
- (não creditado)
Tiny Sandford
- Headwaiter
- (não creditado)
Harry Wilde
- Nightclub patron
- (não creditado)
Avaliações em destaque
There is little story present and the movie can mainly be split into two separate parts. The first part of the story is about Stan, who tries to sneak out of the house from his wife, to meet up with Ollie to go and have a good time in 'Rainbow club'. The second part of the movie is about Stan and Ollie, who get 'drunk' in the 'Rainbow club'. The second part of the movie is more filled with some typical good slapstick humor and hardly any words are spoken in those sequences. It's in my opinion the best part of the movie and the timing and comedy-acting is top-class!
The movie has more than enough laughs in it to make "Blotto" an entertainingly watchable comical movie with Stan Laurel and Oliver Hardy. Especially the slapstick moments make this movie a fun one to watch and are good for some serious laughs.
Oliver Hardy and Stan Laurel are good as always and once more show the wonderful chemistry the both of them had together. Also Anita Garvin is wonderful in the role of Mrs. Laurel.
The movie also provides a pretty good view on '30's nightlife, when the two enter the 'Rainbow club'.
Perfectly watchable when you want to have a good and fun 26 minutes.
7/10
http://bobafett1138.blogspot.com/
The movie has more than enough laughs in it to make "Blotto" an entertainingly watchable comical movie with Stan Laurel and Oliver Hardy. Especially the slapstick moments make this movie a fun one to watch and are good for some serious laughs.
Oliver Hardy and Stan Laurel are good as always and once more show the wonderful chemistry the both of them had together. Also Anita Garvin is wonderful in the role of Mrs. Laurel.
The movie also provides a pretty good view on '30's nightlife, when the two enter the 'Rainbow club'.
Perfectly watchable when you want to have a good and fun 26 minutes.
7/10
http://bobafett1138.blogspot.com/
The boys find themselves in mischief again as Stan tries to sneak out of his house and out of the clutches of his wife to meet with Ollie. The Mrs. is smart to their plans as she then creates a wild concoction for the boys as they try to get their hands on a bottle of liquor. The boys get out safely and head for a club where the bottle would be unleashed. Even though the bottle is filled with tea and other non-alcoholic substances, that still doesn't stop the boys from causing a little mayhem. Constant laughter all the way, as only these two fellows can provide.
Laurel and Hardy want to go out for a night at a bar, some sneaky drinking and an all round fun time. However, Laurel is unable to get out of the house as his wife has forbidden him. He manages to wrangle his way out of the house with the use of a faked telegram.
Having half the film with Laurel and Hardy separated was a bit of a risk, but one that the duo just about carry off. The plot sees Laurel trapped in his house by his wife while Hardy tries to contact him by phone. Laurel trying to play his wife is pretty amusing but, once the short moves out of the house it becomes less funny as the routines in the bar are less funny. It is still amusing but not quite as much.
As often happens, a Laurel and Hardy short that lacks one strong central sequence needs to achieve a consistent level of humour. This film neither has a peak or a high consistent level, meaning that it isn't as good as others in my opinion. Laurel does good work early on with his wife, and laughs convincingly towards the end. Hardy is less well used and his looks are used for reasons which are too slight and thus undervalue them slightly. Garvin is strong as Mrs Laurel though.
Overall this short needed to be consistently funny but it didn't manage to deliver it. Still funny but it lacks any parts which rise above the rest and lift the short as a whole.
Having half the film with Laurel and Hardy separated was a bit of a risk, but one that the duo just about carry off. The plot sees Laurel trapped in his house by his wife while Hardy tries to contact him by phone. Laurel trying to play his wife is pretty amusing but, once the short moves out of the house it becomes less funny as the routines in the bar are less funny. It is still amusing but not quite as much.
As often happens, a Laurel and Hardy short that lacks one strong central sequence needs to achieve a consistent level of humour. This film neither has a peak or a high consistent level, meaning that it isn't as good as others in my opinion. Laurel does good work early on with his wife, and laughs convincingly towards the end. Hardy is less well used and his looks are used for reasons which are too slight and thus undervalue them slightly. Garvin is strong as Mrs Laurel though.
Overall this short needed to be consistently funny but it didn't manage to deliver it. Still funny but it lacks any parts which rise above the rest and lift the short as a whole.
Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'Blotto' as one of their best and a bit disappointing compared to their late 1928 and the best of their 1929 efforts, which were among their best and funniest early work. It is still very good and has much of what makes Laurel and Hardy's work as appealing as it is.
The story is extremely slight to the point of non-existence and the first part takes a little bit too time to get going and is a little formulaic.
When 'Blotto' does get going, which it does do quite quickly, it is great fun, not always hilarious but never less than very amusing, the best being classic hilarity. It is never too silly, there is a wackiness that never loses its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Blotto' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable.
'Blotto' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid with a scene stealing Anita Garvin.
Overall, very good. Not essential or classic Laurel and Hardy, but a very good representation of them. 8/10 Bethany Cox
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'Blotto' as one of their best and a bit disappointing compared to their late 1928 and the best of their 1929 efforts, which were among their best and funniest early work. It is still very good and has much of what makes Laurel and Hardy's work as appealing as it is.
The story is extremely slight to the point of non-existence and the first part takes a little bit too time to get going and is a little formulaic.
When 'Blotto' does get going, which it does do quite quickly, it is great fun, not always hilarious but never less than very amusing, the best being classic hilarity. It is never too silly, there is a wackiness that never loses its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Blotto' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable.
'Blotto' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid with a scene stealing Anita Garvin.
Overall, very good. Not essential or classic Laurel and Hardy, but a very good representation of them. 8/10 Bethany Cox
A LAUREL & HARDY Comedy Short.
Stan & Ollie head for an evening at a ritzy nightclub, against the wishes of a furious Mrs. Laurel. After getting BLOTTO on a mixture of cold tea & Tabasco, the Boys make a noisy spectacle of themselves. But just wait until Mrs. L. shows up with a shotgun...
A very funny little film. Highlight: Stan's laughing fit. The tearjerker sung by the crooner that gets the Boys crying is `The Curse Of An Aching Heart', a popular ballad from 1913. Mrs. Laurel is played by Anita Garvin.
Stan & Ollie head for an evening at a ritzy nightclub, against the wishes of a furious Mrs. Laurel. After getting BLOTTO on a mixture of cold tea & Tabasco, the Boys make a noisy spectacle of themselves. But just wait until Mrs. L. shows up with a shotgun...
A very funny little film. Highlight: Stan's laughing fit. The tearjerker sung by the crooner that gets the Boys crying is `The Curse Of An Aching Heart', a popular ballad from 1913. Mrs. Laurel is played by Anita Garvin.
Você sabia?
- CuriosidadesThe number Oliver Hardy calls to reach Stan Laurel (OXford-0614) was Laurel's real phone number.
- Erros de gravaçãoFrom where they were standing, it would have been impossible for the laughing crowd to have actually seen Ollie at the phone booth.
- Versões alternativasThere is also a colorized version.
- ConexõesAlternate-language version of Cantando na Chuva (1930)
- Trilhas sonorasThe Curse of an Aching Heart
(1913) (uncredited)
Music by Al Piantadosi
Lyrics by Henry Fink
Performed by Frank Holliday
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Dois Boêmios do Barulho
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 26 min
- Cor
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