Companheiros de Quarto

Laurel and Hardy made a ton of comedy shorts so it was inevitable that they'd have a few disappointments. While this film is watchable and mildly amusing in spots, it is certainly not a very good film by their standards. The problem was the script. It was incredibly mundane and unexciting and was later remade in much funnier ways. For example, the same basic plot and landlord (Charlie Hall) return for LAUGHING GRAVY. It wasn't a huge improvement, but adding the dog and allowing some of the action to take place outside really helped to pick up the pace. But with THEY GO BOOM!, it's all contained in their small apartment and the entire movie revolves around two unfunny gags--Ollie overreacting after he gets a cold and Stan mucking up the attempts to alleviate Ollie's sneezing as well as a rather lame joke about over-inflating the air mattress. It's worth seeing, but there are so many better Laurel and Hardy films I recommend this one to devoted fans only.

Laurel and Hardy are simply trying to get a good nice sleep but Mr Hardy has a really bad case of the sniffles and can't get off easily. Laurel just wants to help and tries various remedies including a bath of hot water, a mustard plaster and a water bed. But try as he might things don't seem to be getting any better for Hardy.

A oft repeated theme is used to good effect here – Laurel is simply trying to help Hardy but yet he only manages to make things worse in one way or another. In this film Hardy is a little full of the cold so Laurel tries to help. The routines are pretty funny – my favourite gags are the little running ones rather than the bigger set ups. So, for example, I loved the bath of water constantly getting in the way or the fat that Hardy kept getting hit in the head. The self contained nature of the film and the fact that the plot isn't something that needs a great deal of setting up works in it's favour.

Laurel does well in his wide eyed innocent role but as always Hardy has to carry the majority of the prat falls and does it very well indeed. The support cast have a very small contribution to make and it shows their class that Laurel and Hardy carry almost 100% of the screen time here.

Overall an enjoyable little short that is self contained and all the better for it.

Call me crazy ("Hey, crazy!") but I never enjoyed silent era films. I tried, oh I tried, but each time an actor's mouth moved there was nothing but an awkward silence. Then after what seemed too lengthy of a wait, a placard flashed on the TV screen, reflecting what the actor had just said moments before. I found this to be very distracting, plus it slowed down the natural comedic timing. This lapse between action and dialog, for me, was like watching an entire movie subtitled, and I couldn't square the two up.

That being said, I didn't watch any of the short and feature length "TV reruns" unless they were "talkies." As a kid who was fortunate enough to have a tiny black and white TV set in my bedroom, every Saturday morning before my parents or the Sun were up, I was thoroughly mesmerized by the vaudevillian, overtly physical humor of Buster Keaton, Our Gang (The Little Rascals), The Three Stooges, and of course, Laurel & Hardy.

The first Our Gang (The Little Rascals) talkie was "Small Talk" released in 1929. Buster Keaton's first talkie was "Free and Easy," released in 1930. The Three Stooges (Larry, Moe and Curly) most recognized talkie was The Woman Haters (1934). "Unaccustomed As We Are," released worldwide in 1929, was Laurel and Hardy's film debut with sound. It was an immediate hit with audiences.

Unlike many of their silent film era contemporaries who couldn't make the transition from silent to sound film, Stan Laurel and Oliver Hardy effortlessly slipped into this new media. Both actors had the rare gift of "comedic timing," and the duo knew how to thoroughly exploit sight gags. Moreover, lovable Hardy routinely broke the "fourth wall" of film, and after each hilarious yet tragic gag, he would often look straight at the camera as if to say, "Can you believe what just happened to me?"

"They Go Boom!" (1929) was Laurel and Hardy's fifth sound movie. Like the first four, it is a short. The plot is simple: Laurel & Hardy live in a somewhat dingy apartment room and both (in the same bed, mind you) are trying to sleep. Ollie already has a very bad cold and Stan tries to help him. Naturally, Stan's efforts result in total chaos. There is some great give and go "retaliation" between the boys and their grumpy landlord (Charlie Hall).

It's all brilliantly choreographed by two of the most iconic comedic teams in history, and supported by a wonderful set of actors who would often appear in many future Laurel & Hardy shorts and feature length films.

No spoilers here as usual, but I will reveal that They Go Boom! Has no musical score and instead incorporates several vaudevillian sound effects.

Sometimes the simplest of situation comedies work the best, and so it proves with THEY GO BOOM! Essentially, Ollie's suffering from the sniffles and Stan tries to cure him, and that's all there is to it. But what a journey unfolds over the 20 minute running time here! The gags start out on familiar ground before becoming more and more elaborate as they go on, and each of the boys seems to be subjected to endless injury and physical peril. Of course, it all builds to an explosive scenario at the climax that the title hints at, and as usual the sheer amount of stunts, physical destruction and sight gags make it a delight.

These guys work in two modes. The mode I like is brilliant, when Stan basically looks at the camera in gasping anguish for what punishment is upon him. It is the first example of direct dialog with the audience while keeping in character.

The other mode is this, which is the same basic gags that dozens of others were up to: The flypaper joke. The feather joke, the blowing up the fat guy joke.

Go elsewhere if you want to see better comedy. But look at this if you have any illusions about them portraying borderline homosexuals. Its not just a matter of passing interest because much of Laurel's manner became adopted by later portrayals of gays and thus "stuck" to the subculture.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.