Corpo de Delito

The third Philo Vance movie starring William Powell. It's adapted from the first Vance novel, itself based on the real life "locked room" murder of famous bridge player Joseph Bowne Elwell. The mystery here has a neat resolution. Powell is always aces and he has fun support from Eugene Pallette. Paul Lukas gives a nervous turn that gets a little grating. Lukas would later play Vance himself. The only real downsides are the usual complaint about early talkies, namely the pacing and that they have a lot of stiff joints. I'm an avid fan of classic films so it doesn't bother me much. But your mileage may vary.

This is a fast-paced, standard mystery from the Philo Vance catalog. I just picked up the first three with William Powell and this was probably just slightly the best of that original trio. 'The Canary Murder Case was mostly of interest due to the presence of Louise Brooks, who was so poorly dubbed, one can only treasure some nice shots of her beautiful face. The Greene Murder Case was nearly as static, but had more atmosphere than Canary or even this one. The problem with those two more than their innate stiffness, is that the mysteries are so poor and immediately predictable that they may be the worst mysteries I have seen from early Hollywood.

The Benson Murder Case has similar faults, but by 1930 the sound technology had improved enough that it moves much better than the previous two. The mystery is more of a challenge for Philo Vance and he proves that he is not only up to the challenge, but he hammers it all home in a satisfying finale. Frank Tuttle, a veteran of the previous two, directed this one and does a competent, but unremarkable job. It has less atmosphere than Greene, but thankfully is a more interesting mystery. Also, Distict Attorney Markham is strangely very angry for most of this film. Eugene Palette is his usual, boisterous self as Sergeant Heath.

Paramount stopped making Vance movies after this one, but had prepared S.S. Van Dine's "The Scarab Murder Case" for William Powell. They even created an advance poster for this film that was sadly not made. Had Powell not made another Vance film after this, his legacy as a great screen detective would remain intact, but he came back one more time to play Vance in Warner's The Kennel Murder Case in 1933, which would easily trump all his previous efforts, and ultimately be the best Philo Vance film. But, if you crave William Powell as a screen detective, add this rarity to your list - It's a solid, workman-like picture, lacking in style, but ample in entertainment for the classic mystery fan.

Amateur Detective Philo Vance investigates the murder of a heartless financier. William Powell's third outing as Vance is a fast-paced mystery full of the usual red herrings and false confessions. The identity of the murderer is rarely in doubt but the brisk 65 minute running time means it maintains its impetus until Vance can gather all the suspects together for the big reveal. The method of murder - or rather the attempt by the killer to deflect suspicion from himself - is about as elaborate as you're likely to see in a movie from any era.

A ruthless, crooked stockbroker Tony Benson (Richard Tucker) to "sell out" many of his clients after the stock market crashed in 1929 is murdered at his luxurious country estate, and detective Philo Vance just happens to be there, and murder takes place virtually in front of Philo Vance's eyes which, for all intents and purposes, should mean that even Sergeant Heath could solve it and Philo can go back home.

But that's far from the case as neither can Philo Vance figure out the mystery for a long period of time. But he has a fair share of suspects: Fanny Del Roy (Natalie Moorhead), Mrs. Paula Banning (May Beatty), Adolph Mohler (Paul Lukas), and Albert Brecker (Mischa Auer), and Harry Gray (William 'Stage' Boyd). They all had motives to do away with the stockbroker.

The Benson Murder Case is a rather standard mystery story and a little stilted at times, but still enjoyable, mainly due to William Powell as Philo Vance - how the murder was done was ingenious, though a little farfetched. I think Kennel Murder Case is a better Philo Vance entry, but this is watchable enough.

"The Benson Murder Case" would have been another unexceptional, run-of-the-mill murder film. Worth watching but largely stagebound and with a primitive sound system (the players' voices fade in and out as they get closer or further from the mike). The deus-ex-machina is outrageously contrived to the point of unfairness, like some of Agatha Christies' stories. It starts off on a dark and stormy night, all suspects at the country estate of a hated stock broker, and, guess what? He gets bumped off. So far, pretty routine.

Enter William Powell as Philo Vance and the picture immediately goes from a rating of 4 up to a 6. Dapper and sophisticated and with his inimitable off-handed cocksuredness, Powell rescues the film just by coming in the front door. This was his milieu and in these circumstances he was the best ever.

Also on hand is Eugene Palette as the dense Police Lieutenant. and Richard Tucker as the corpse-to-be. Mischa Auer appears as a suspicious manservant and Paul Lukas as a mendacious gigolo. If it comes on it is worth a watch as a whodunit (you won't guess) and as a very early example of a new sound film.