Uma dançarina de reputação duvidosa aproveita uma noite animada de baile e se vê romanticamente ligada ao seu chefe.Uma dançarina de reputação duvidosa aproveita uma noite animada de baile e se vê romanticamente ligada ao seu chefe.Uma dançarina de reputação duvidosa aproveita uma noite animada de baile e se vê romanticamente ligada ao seu chefe.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
John St. Polis
- Pa Kelly
- (as John Sainpolis)
Mischa Auer
- Man Dancing at The Boiler
- (não creditado)
Bobby Burns Berman
- Night Club Show Host
- (não creditado)
Phyllis Crane
- Salesgirl
- (não creditado)
Andy Devine
- Young Man at The Boiler
- (não creditado)
Jean Harlow
- Blonde on Rooftop Bench at Junior's Second Party
- (não creditado)
Phil Harris
- Drummer in Band at The Boiler
- (não creditado)
Earl McCarthy
- Party Guest
- (não creditado)
Jack O'Shea
- Man at Dance Contest
- (não creditado)
Avaliação em destaque
Why Be Good? was shown at the Silent Film Festival 2015 in San Francisco, in a 1920's movie house with a live orchestra. You can't get better than that! The line to get in went around the block, but it was sooo worth it: a rediscovered and just-restored silent film at a packed art-house theater which happened to be built a few years before this film's original theatrical release, with live musicians playing along so marvelously, it's hard to top it.
We were given brochures and there was a pre-screening talk. It was there I learned that the film's star, Colleen Moore, died thinking all copies of the movie had been forever lost, including her reels which she'd given to a museum for preservation. But just like with Metropolis recently, someone at a cinematheque found a copy and after years of painstaking restoration work it was brought again to the world.
I loved it. Colleen was so great portraying a flapper, and in a full house she and the other actors sure made us laugh a lot. I was very impressed with the Art Deco sets, the ingenious Boiler Room scene, and the moral of the story which I won't spoil. But yes there was a moral in the midst of all the dancing and comedy, and it was one that made all the women in the theater cheer!
So big kudos to the restoration folks, and the Mont Alto Motion Picture Orchestra for the superb live accompaniment. It makes me wish every movie I attended had live musicians now.
We were given brochures and there was a pre-screening talk. It was there I learned that the film's star, Colleen Moore, died thinking all copies of the movie had been forever lost, including her reels which she'd given to a museum for preservation. But just like with Metropolis recently, someone at a cinematheque found a copy and after years of painstaking restoration work it was brought again to the world.
I loved it. Colleen was so great portraying a flapper, and in a full house she and the other actors sure made us laugh a lot. I was very impressed with the Art Deco sets, the ingenious Boiler Room scene, and the moral of the story which I won't spoil. But yes there was a moral in the midst of all the dancing and comedy, and it was one that made all the women in the theater cheer!
So big kudos to the restoration folks, and the Mont Alto Motion Picture Orchestra for the superb live accompaniment. It makes me wish every movie I attended had live musicians now.
- SanFranciscoCinephile
- 7 de abr. de 2016
- Link permanente
Enredo
Você sabia?
- CuriosidadesThe film was lost for decades until it was found in the late 1990s. The sole known 35mm nitrate print was discovered in an Italian archive. The print had been donated by actor Antonio Moreno who starred in Colleen Moore's Vida Airada (1929). The following message is included at the end of the newly preserved film: "Warner Bros. gratefully acknowledges the following people who made the re-discovery and preservation of this film possible: Joseph Yranski, Ron Hutchinson, The Vitaphone Project, Matteo Pavesi of Cineteca Italiana de Milano, Gian Luca Farinelli of Cineteca de Bologna."
- Erros de gravaçãoWhen Peabody, Sr. enters the Store Manager's office, he calls him Ralph, but the name on the Manager's door is H.B. Lewis.
- Citações
Jimmy Alexander: Well, Mama - now that I'm tea'd up - let's neck.
- ConexõesFeatured in Why Be Good? Sexuality & Censorship in Early Cinema (2007)
- Trilhas sonorasI'm Thirsty for Kisses - Hungry for Love
(uncredited)
Music by J. Fred Coots
Lyrics by Lou Davis
Sung during the opening credits, beginning scenes and at the end by Eddie Willis, Carlton Boxeil, Stanley McClelland and Fred Wilson
Played often throughout the picture as Pert and Junior's theme
Principais escolhas
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- How long is Why Be Good??Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Why Be Good?
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 24 minutos
- Cor
- Proporção
- 1.33 : 1
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By what name was Ver para Crer (1929) officially released in India in English?
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