Cavaleiros de Ferro

Eisenstein's "Alexander Nevsky" was made mostly for propaganda purposes in 1938. It was a reminder to all Russians of their dastardly neighbors (the Nazis) to their west. The film plays on this comparison and several others to a lesser degree. The evil Germanic Teutonic Knights just happen to be of the Christian faith and their religious leaders make for very effective villians. Although Nikolai Cherkasov as Nevsky and Nikolai Okhlopkov as his right-hand man, Vasili, are commanding in their roles, this movie is mainly noted for the final climactic battle between good (the Russians) and pure evil (the Germans). Eisenstein purposely covers the Germans with over-sized helmets so that they're totally devoid of any human facial expressions. On the contrary, the Russian peasants who comprise most of Nevsky's army are portrayed with a variety of emotions and their humanity is not only recognizable but refreshing and appealing to the viewer. When the Teutonic Knights make their charge on the Russian position, the action is fast and furious and it would be difficult to find any other film which stages its action scenes as well as Eisenstein does here. Although a bit dated in the print that I saw (the sound was certainly a bit off) this movie is a must-see for anyone interested in foreign films and especially the Russian cinema during the days of Stalin. The Germans might have thought twice about attacking Russia in 1941 if they had seen this film beforehand. The message was clear back then. In the words of Alexander Nevsky himself: "Do not enter Russia with a sword in your hand." Well, you can't say they weren't warned.

Alexander Nevsky (1938) is a brilliant piece of cinematic propaganda. The people of Russia are threatened by two major enemies, the Mongols and the Teutonic Knights of the Holy Roman Empire. In ordered to unite the warring, rival Princes in the Russian Realm, Nevsky takes charge and fights the lesser of two evils (The Teutonics). This influential film was copied many times over and it still holds up to this day. The soundtrack by composer Prokiev and Eisentstein's direction are a sight and sound to behold Many years later, John Milius used many of the movies scenes, set pieces and costumes from this film and incorporated them into Conan.

One of my favorite lines from Conan was taken from this movie. "It's not the strength of the iron in a weapon but the strength of the person that wields it is what matters." The comparisons are unmistakable. The armor that James Earl Jones and the Leader of the Teutonic Knights wear are virtually identical. A true tribute paid from one director to another.

I give Alexander Nevsky one of my highest recommendations. The movie plays like the final Act of Richard III. The presence of Prince Alexander on the screen is truly amazing.

I've loved this movie since the first time I saw it lo these many years ago. I'm not sure how many times I've seen it, perhaps 10, perhaps 20. This last time I watched it I was struck by a detail that I hadn't noticed before.

Toward the end of the picture, the slain heroes are conveyed back to the town via sled. There are a couple of closeups of the dead men. The one that struck me most was a shot of the blond youth. All you see on the screen is his profile from head to hands. His hands hold a flickering candle. The wind is blowing and his thick blond hair is dancing in the wind, in sync with the flicker of the candle flame. The contrast between death and the life he has lost is incredibly powerful. The moving hair and candle flame remind us of the life force that once inhabited his body.

Every time I revisit this film I see something new.

Guys, before saying that Alexander Nevsky is a propaganda film, please keep in mind that it is about a Russian saint, prince and patriot and it was produced in the country which totally denied religion, patriotism and nobility. If you look more attentively you can notice that the Novgorod churches had no crosses on top. The full helmets Eisenshtein took from ancient manuscripts and followed the history precisely. The portable organ the monk plays was an exact copy of the real thing from the 13th century which crusaders used. The children auto-da-fe was taken from ancient chronicles (both Russian and German). But in addition it had religious meaning since it draws parallel with Herod's slaughter of the innocents (used later once again in Ivan The Terrible). Alexander Nevsky is a Russian historical saga which has everything in common with old Russian cultural and historical tradition but nothing (or very little) with the Soviet propaganda. The film definitely has allusions to the Stalin's time: free Novgorod republic fights for its freedom at the expense of prosperity, elected prince Alexander (leader but not czar) etc. But nevertheless I think that the French critic Robert Brasillach (he was very close to nazis) was right when he called Alexander Nevsky the slavic war carol which has nothing to do with bolshevism, communism etc.

But IMHO Serghey Eisenshtein was against the war and followed the tradition of War And Peace by Leo Tolstoy. The same plot with common people uniting to oppose the uppish professional army. If you remember the scene when Russian soldiers alike in color with the earth and trees butted into the German close formation they use axes the same way they did when chopping woods. No pride, honor or awards but every day job. I think it is an excellent film which is larger then our judgements.

Like many of Eisenstein's other works, "Aleksandr Nevsky" is a beautifully made and well-written propaganda piece. Even today, it stands on its own with a solid story and incredible action scenes. No one did an epic battle better than Eisenstein ("October" and "Ivan the Terrible"), and the giant battle on the frozen lake in "Nevsky" ranks up there as one of his best.

Just as important to the film as Eisenstein's script and visuals is the masterful score by Prokofiev. Fortunately, it has been rerecorded for the most recent video release and the new soundtrack adds incalcuable depth and power to the story on the screen. In my opinion, the film's score is simply the best ever composed for a film. It fits the film perfectly, both during the film's intense action scenes and the lingering moments of reflection. If for no other reason, one should see this film to hear one of the 20th century's greatest composer's best works.

The story is true (well, as true as events from the 1200s can be accurately recreated) and simple, but powerful. Despite its heavy-handed Russian/Soviet patriotism, the film succeeds in telling a compelling story. When one looks at the events unfolding when the film was made, it becomes even more of a masterpiece.

No, "Nevsky" doesn't have the flashy visuals or super-handsome stars of a modern war epic, but it still ranks of one of the most interesting films in my book. For fans of Eisenstein or classic cinema, it is an absolute must-see. And for people who want to see the Soviet propaganda machine firing on all cylinders, check it out as well.