A Dupla do Outro Mundo

George & Marion Kerby like to live life to the max, they party hard and pursue the good time with carefree abandon. During one devil may care drive home fuelled with excess, they crash into a tree and are instantly killed, yet strangely their spirits are still on earth, and it would seem they need to achieve something of value before they can hit the big house in the sky. Enter regimental prig Cosmo Topper, a friend and colleague of the Kerby's, and someone who is about to become their pet make over project!

Based on Thorne Smith's novel, "The Jovial Ghosts", this is a truly delightful picture, it steams along at a fair old clip, and clocking in at just one and half hours in length, it never outstays its welcome. It would have been very sad if this had become a one joke movie, I mean just how many ghost gags can you pull off before it gets tiresome? Thankfully the makers of this breezy romp have pulled it all together to consistently tickle the ribs. The spooky effects for 1937 certainly hold up well, for sure they are far from perfect, but with the tone of this particular piece being one of mirth and cheekiness, one finds that the effects carry a decidedly uplifting charm.

The film boasts a wonderful turn from Roland Young as Cosmo Topper, as he lurches from one incredulous situation to another, he carries the film with consummate ease. As the Kerby's we get the bright Constance Bennett and the irrepressible comic talent of Cary Grant, with Bennett only bagging the role of Marion when the already cast Jean Harlow sadly passed away a month before the shoot. Grant stepped into the role of George after W.C. Fields vacated it, and we can only guess what sort of picture we would have got with the original cast choices. Yet I simply can't envisage the film being improved upon because Grant & Bennett literally do bounce of each other with cracking results.

From one spooky set up to the next, Topper is a cure for the blues, be it fisticuffs with cops, or turning a hotel inside out, it is quite simply a delicious piece of 30s comedy pie. 8/10

Influential box office hit finds a couple of free spirited, newly deceased ghosts inspiring a dull banker to live life to the fullest. The simple, straightforward story is given a fresh approach by a witty script and terrific performances from the entire cast - Roland Young is divine in an Oscar-nominated performance in the title role, and Cary Grant and Constance Bennett are terrific as the dearly-departed couple. The film was followed by two sequels, a long-running television series, a made-for-TV remake, and a whole slew of imitators - although none of which ever approached the quality of the original. A delightful good time that remains arguably the best supernatural comedy that Hollywood has ever produced.

This is a faultlessly wonderful movie. The chemistry between Grant and Bennett is captivating. But even more captivating is Roland Young as the middle-aged man trapped in a boring life and yearning to be free. It's hard not to envy the Kirbys their wonderful, carefree and madcap life, and to sympathize with Topper and his feeling of having lost his life. So, of course, you root for him - and against the wonderful Billie Burke - in his efforts to recover his freedom and LIVE. Yes, it's not unlike another great comedy, Auntie Mame, the story of the magical woman who frees young Patrick Dennis, and those who will listen, from their routine world of Babcocks.

If you've never seen this movie, treat yourself. Like the Kaufman and Hart classic "You can't take it with you," you will feel better for having watched it.

A dead couple is determined to loosen up their friend in "Topper," a 1937 comedy starring Constance Bennett, Cary Grant, Roland Young, and Billie Burke. Cosmo Topper (Young) is a bank president whose wife (Burke) has him on a strict schedule and, though unhappy, Cosmo complies.

When bank stockholders George and Marion Kirby are killed when their car crashes into a tree, the two become worried about what St. Peter will have to say to them. They were, after all, two fun-loving, hard-drinking, partying kooks. They decide they must do a good deed before approaching the pearly gates so they make loosening up Topper their project.

This is a wonderful film that inspired the Leo G. Carroll TV series with real-life marrieds Anne Jeffreys and Robert Sterling as Marion and George. The special effects in the 1937 film are groundbreaking and ingenious. Mores have changed over the years - driving drunk is no longer acceptable. I'm afraid George and Marion would be heartily disapproved of today. Nevertheless, they're a gorgeous, glamorous couple and the real stuff of fantasy. Bennett only has a couple of years of big stardom left and, with his second billing, Cary Grant is still on the ascent. They're both hilariously madcap, Grant blasting into a stockholders' meeting and trying to take notes, and Bennett flirting with poor Topper in her silky voice.

Roland Young is the perfect Topper - henpecked, confused, and a nervous wreck. He's a man dying to break free of his shackles, and he's always envied George and Marion's lifestyle, even though it killed them. His frustration and unhappiness make him sympathetic, and the audience is with him all the way.

Very enjoyable, with some effects that were eye-popping in 1937. Don't miss "Topper." It's a classic.

"Topper", the delightful and original film directed by Norman Z McLeod, should be seen more often. It is one of the best things Hollywood ever produced at the height of the madcap comedy craze of the thirties. In fact, just to watch Roland Young, Constance Bennett and Cary Grant in the same film is a dream come true.

"Topper" has always been an old time favorite. We were treated the other night to watching it again, courtesy of TCM. The film's great black and white cinematography by Norbert Brodine looks good, even after these many years.

Constance Bennett and Cary Grant made a fabulous couple. Ms. Bennett had the uncanny gift of blending with all her leading men well. She was a charming actress with such a sense of style and an amazing figure to boot that made her an irresistible presence on the screen. Cary Grant is also seen at his best in the film as the careless and fun loving George Kerby.

Roland Young, in our humble opinion, steals the show! He plays the staid banker Cosmo Topper, who is all business until he starts being made the object of the Kerby's antics. Cosmo Topper's wife is the incomparable Billie Burke, one of the most gracious actresses of that era.

The rest of the cast is not too shabby. Alan Mowbray, Eugene Palette, Ward Bond, Hoagy Carmichael, and as an extra, Lana Turner could be seen backing the principals with their usual elegance and enormous screen presence.

"Topper" is a film that should be "rediscovered" by new audiences, as it shows how great Hollywood could be when it wanted to be original. But above all, "Topper" should be seen for the fantastic Roland Young, who is nothing short of perfection in the film!