Papai Perde a Cabeça

Curly is the lovable dumb cluck here, and I agree, this film is for ALL his fans. Clyde Bruckman, known for some off kilter stories, has Curly playing both son and father, an unexpected surprise.

As Stooge luck would have it, their pop (Curly with thick sideburns?) strikes oil, becomes rich and is suddenly caught up with a gold-digger called Daisy (Lucille Lund) and her gangsta' pal Chopper (played by Frank Mills).

Object -- a quickie wedding, Daisy gets all the money and the Stooges get zip. Oh, really?

Not so fast. Moe, Larry and Curly happen to be in jail (where else?), crash the joint and fowl up the plans for the crooks. The way the goofy plot goes, and you probably guessed it -- Daisy marries Curly. Their dad is safe, but are the Stooges safe from Chopper?

Lots of one-liners, director Del Lord staging a string of wild Nyuk Nyuk scenes, though one was dangerous. Production notes indicate Curly cut his scalp (requiring stitches) in a bit where he gets thrown down an elevator shaft. Again proving comedy can be a risky business, and he was lucky, not breaking any bones.

Interesting casting of Lucille Lund as Daisy. She gained fame playing Boris Karloff's wife in the cult thriller THE BLACK CAT a few years earlier, but her career declined and she began appearing in B films, and in smaller roles. Frank Mills, on the other hand, went on to appear in several classics, even playing a slave in the ROBE. He later branched out into tv westerns; WYATT EARP and DEATH VALLEY DAYS.

Cheers for Curly, though the makeup department could have been more creative, considering all their fine work in past episodes.

Always on remastered Columbia dvd, generally by years; 30s, 40s and 50s episodes. Some box sets have themes.

Thanks to METV for running the Stooges on Saturdays. Perfect choice.

The boys break out of jail and go home to try and stop their pappy from being taken advantage of by a gold digger and from gangsters. Curly plays a dual role, taking over as the father. I guess that's most distinguishing feature of this so-so Three Stooges short. They didn't do anything, makeup wise, to Curly except to put big sideburns on him. That makes him 20 years older? No, he looks the same. It turns out, however, that is part of the story as we later get a "mistaken identity" angle where the bimbo thinks Curly is the old man.

Overall, this wasn't one of the Stooges best, especially in an era where they were really on a roll. Hey, you can't get a gem every time.

Note: If you watch enough of these Three Stooges in a short period of time, such as a couple of the DVDs, you see repeating scenes and comic lines. That was the case here in the opening jail scene. I saw and heard three jokes I had just seen in other episodes! Actually, this could have been the first usage of the jokes since it was done fairly early (1937) in the boys' careers. Whatever; fortunately, new material came after that in this episode, but you wonder how many of the same lines and jokes, and stock footage was used over the years.

3 Dumb Clucks finds Moe, Larry, and Curly in the joint when they receive word that their rich father is about to throw her over for a trophy wife. They break out of jail to stop dear old dad from making a fool of himself.

Worse than they realize, the woman is the bait in a con game. They plan to marry the old guy and then take his money. It's the 3 Stooges to the rescue.

This one is Curly's moment to shine. He's not only a stooge, but he plays the father and the aging is accomplished by giving him some sideburns. Shave them off and he looks just like his son. In a series of gags that's part of how they rescue dear old dad.

This one's for fans of Curly Howard. NYUK Nyuk.

The Stooges do their typical stuff while trying to stop their father from marrying a gold-digger aligned with gangsters. Whereas Laurel & Hardy, Charlie Chaplin, and the Marx Brothers always championed the underdog, the Three Stooges made it look as if the underdog deserves to be the underdog. "3 Dumb Clucks" is basically that, even though we laugh.

Larry, Curly, and Moe are in prison. They get a letter from their mother. Their father (Curly) left her for a blonde gold-digger and she needs help to stop the blonde. The boys get there right before the wedding.

The narrative drive isn't that driven. I have to think that once the boys get back home. There must be something they could do right there and then to stop the wedding. How about this? They knock out their father and Curly can imitate his father. All hell breaks loose as the father regains consciousness and it's Curly vs Curly. Done! I've written something 10x more interesting and more screwball fun. It doesn't really make sense that the father shaves his face to look like his son for no apparent reason. The twinsie chase is lots of fun and it's a good third act but this could have been better.