A Donzela de Salem

The film takes place in the village of Salem, Massachusetts during the famous witch trials of 1692. I have just seen Bonita Granville in a comedy from 1937 ("It's love I'm After") in which she plays an annoying brat of a child. Here she goes a step further and turns evil! She starts the ball rolling as she accuses a black servant Madame Sul-Te-Wan (Tituba) of being a witch in revenge for having a book that she had stolen from her strict father about witchcraft confiscated. Hysteria takes over and so-called witches are hung. Set against this, we have a romance being played out between Claudette Colbert (Barbara) and Fred MacMurray (Roger) who puts on a dodgy Irish accent. We soon have the finger of accusation pointed at Colbert...

It is staggering that this situation was allowed to develop. And all because of religious intolerance. It is also mind-blowing to think that all of this is also partly down to adults believing children. Even today, children are given precedence over adults in everything we do - entertainment at fetes is usually centred around children's activities (nothing for adults to do), pubs put up bouncy castles so they can be child-friendly (how about having no children and being adult-friendly), schools no longer have any discipline over kids and are not allowed to hit them anymore and police can't do anything but soak it up if a kid taunts them. We need to develop a society that looks after its adults first. Then, when children grow up, they can have the respect due them.

We must avoid the path where society adopts a child's word as sacrosanct. We are already allowing laws whereby they can change their gender at a very young age. What a load of nonsense. We are only a step away from the Salem Witch Trials part 2. "Children should be seen not heard" - that was the oft used quote when I was younger. Quite right.

This was one good movie, with none of the melodramatic acting you often get from films in the 1930's, when actors were still adjusting to sound. Considering the dramatic time period when it takes place (the Salem witch trials of 1692), that says a lot for the writers and the actors!

Claudette Colbert should have won an award for this one, especially those trial scenes, when she makes you feel all her character's going through, wanting to prove her innocence and at the same time protect the man she loves (Fred MacMurray, who gives an excellent performance).

You get a real sense of how the witchcraft hysteria takes over, and how people used that fact to their own advantage with so many outrageous accusations. (I wonder if Arthur Miller was influenced by this movie when he wrote his play?)

There are other familiar faces (like Sterling Holloway, Beulah Bondi, Gale Sondergaard, as well as some others) that add to what turns out to be a picture no one should miss!

Solid 30's costume melodrama, certainly an artistic equal to director Frank Lloyd's more famous "Mutiny on the Bounty". Excellent acting from Colbert and, surprisingly, MacMurray (but then he's great in "Double Indemnity" too). Sterling Holloway is wonderful as the spurned suitor, and Madame Sul-Te-Wan is great as the VooDoo Woman. An excellent introduction to the Witch-Hunting syndrome that is suitable to show to young children. Witch-Hunting still occurs today in politics, religion, workplace, school and sometimes even in the family, and this film could be a tool for inciting discussion.

If you haven't seen Maid of Salem, then you haven't seen a good motion picture. Simple as that.

It's not because the story has never been done before-- stories about witches have been done countless times by Hollywood over the years. Nor is it going to challenge the average viewer very much-- though it does cause one to stop and consider what happens when a community of people act like an angry mob and try to cling to superstitious beliefs that defy logic.

Rather, it is because of the powerful performance at the center of this film. Claudette Colbert, as the title character, infuses the story with heart and conviction. Check out the courtroom scene near the end of this picture to see what I mean.

The only real drawback is that Fred MacMurray seems slightly miscast here, and the film may have been stronger with Fredric March or someone else in the male lead. But Colbert and MacMurray's chemistry more than makes up for any deficiency.

It is a very chilling account of a woman denied her own basic rights and suspected of the worst in human nature. Don't miss it.

As studio policy went at Paramount controversial subjects were usually shied away from. So when Maid Of Salem came out this was a big surprise for the movie-going public and those who review films back in 1937.

Arthur Miller's The Crucible has become the defining work about the Salem Witch Trials in 1692, but Maid Of Salem should not be readily dismissed by Miller's admirers.

Claudette Colbert is in the title role and Fred MacMurray who is a refugee from Virginia colony star in this film. In fact MacMurray's very presence inadvertently ticks off fear of witches and demons and goblins and all kinds of things that go bump in the night. He puts on a spook act that scares some gullible Puritans after they've been given the word of warning about witches.

But the real demons are in one's own mind and in the evil intent of those who use fear of same. That in this film is Bonita Granville who is playing the same kind of role she did in her breakthrough part in These Three.

Lest you think that Maid Of Salem is an unrelenting drama, there are two very nice comic roles. First from E.E. Clive who is a drinker and unashamed of his vice and who goes obligingly off to the stocks like Andy Griffith used to let town drunk Otis lock himself in the jail cell every night. Secondly is Sterling Holloway a person of some property who just can't understand why Claudette Colbert should be less than enthusiastic about getting such a catch.

The performance of Madame Sul-Te-Wan should also be singled out. Back in this day most of the northern colonies also permitted slavery and she does a superb job as a woman who basically because she's not forgotten her African roots yet, still going by a tribal name she becomes an easy first target when she's accused.

Frank Lloyd got good if under-appreciated work from his whole cast. This film ought to be better known for today's audiences.