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IMDbPro

Beco sem Saída

Título original: Dead End
  • 1937
  • Approved
  • 1 h 33 min
AVALIAÇÃO DA IMDb
7,2/10
9,2 mil
SUA AVALIAÇÃO
Humphrey Bogart, Joel McCrea, Sylvia Sidney, and Claire Trevor in Beco sem Saída (1937)
The lives of a young man and woman, an infamous gangster and a group of street kids converge one day in a volatile New York City slum.
Reproduzir trailer1:42
1 vídeo
99+ fotos
CrimeDramaFilme NoirRomance

Adicionar um enredo no seu idiomaThe lives of a young man, a young woman, a notorious gangster, and a group of street kids converge one day in a volatile New York City slum.The lives of a young man, a young woman, a notorious gangster, and a group of street kids converge one day in a volatile New York City slum.The lives of a young man, a young woman, a notorious gangster, and a group of street kids converge one day in a volatile New York City slum.

  • Direção
    • William Wyler
  • Roteiristas
    • Lillian Hellman
    • Sidney Kingsley
  • Artistas
    • Sylvia Sidney
    • Joel McCrea
    • Humphrey Bogart
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    9,2 mil
    SUA AVALIAÇÃO
    • Direção
      • William Wyler
    • Roteiristas
      • Lillian Hellman
      • Sidney Kingsley
    • Artistas
      • Sylvia Sidney
      • Joel McCrea
      • Humphrey Bogart
    • 89Avaliações de usuários
    • 41Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Indicado a 4 Oscars
      • 1 vitória e 4 indicações no total

    Vídeos1

    Official Trailer
    Trailer 1:42
    Official Trailer

    Fotos103

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    Elenco principal53

    Editar
    Sylvia Sidney
    Sylvia Sidney
    • Drina
    Joel McCrea
    Joel McCrea
    • Dave
    Humphrey Bogart
    Humphrey Bogart
    • 'Baby Face' Martin
    Wendy Barrie
    Wendy Barrie
    • Kay
    Claire Trevor
    Claire Trevor
    • Francey
    Allen Jenkins
    Allen Jenkins
    • Hunk
    Marjorie Main
    Marjorie Main
    • Mrs. Martin
    Billy Halop
    Billy Halop
    • Tommy
    Huntz Hall
    Huntz Hall
    • Dippy
    Bobby Jordan
    Bobby Jordan
    • Angel
    Leo Gorcey
    Leo Gorcey
    • Spit
    • (as Leo B. Gorcey)
    Gabriel Dell
    Gabriel Dell
    • T.B.
    Bernard Punsly
    Bernard Punsly
    • Milty
    Charles Peck
    Charles Peck
    • Philip
    Minor Watson
    Minor Watson
    • Mr. Griswald
    James Burke
    James Burke
    • Mulligan
    Ward Bond
    Ward Bond
    • Doorman
    Elisabeth Risdon
    Elisabeth Risdon
    • Mrs. Connell
    • Direção
      • William Wyler
    • Roteiristas
      • Lillian Hellman
      • Sidney Kingsley
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários89

    7,29.2K
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    Avaliações em destaque

    7Nazi_Fighter_David

    The film turned out to be Bogart's most significant film since "The Petrified Forest."

    It offers a vivid portrait of people caught up in a continual fight to somehow satisfy themselves despite the oppressive environment that seemed to quiet their every attempt…

    Joel McCrea is a frustrated architect who dreams of tearing down the slums and Sylvia Sidney portrays a shopgirl struggling for identity and meaning in her life, a life made even more complicated by having to look after her brother (Billy Halop). The boy idolizes the decadent Bogart, an excessive admiration shared by the rest of the Dead End Kids, here recreating their original Broadway roles with noisy good humor…

    Opposing these idealists is their real threat, Bogart, an assassin named Baby Face Martin… Bogart is impolitely rejected by a mother (Marjorie Main) who hates him and an ex-girl friend (Claire Trevor) who leaves him bitter and disillusioned when he discovers that she has become a hooker…

    Rebuked by those he had been sentimental enough to want to visit, he rapidly reverts to represent beforehand and plans a kidnapping in order to rescue something from the consumed affair…

    "Dead End" remains one of Bogart's best films, where the actor proves that he is capable of handling difficult material with considerable skill
    9swog85

    Dead End is a multi-faceted gem

    Dead End is one of my personal favorites, as I watch it 10 or more times a year. The 1930's New York City setting lends itself to a host of interesting perspectives. The talent assembled for this production is why the film withstands the test of time and makes Dead End a movie which I never get tired of viewing. Greg Toland's cinematography is masterful. Max Steiner's musical score is brilliant. He perfectly blended the feel of a fast paced urban theme which then becomes a beautiful and dramatic orchestral piece. Max Steiner had a real genius for bringing the right mood to whatever the film demanded. Of so many brilliant Steiner scores, I find this to be among his finest. William Wyler's direction is awesome, as always. I particularly like the constant background flow of pedestrians going about their day throughout the entire picture. The movie's cast is stuffed with talent. Character actors like Marjorie Mane and Esther Howard fill small segments with memorable scenes. Claire Trevor's portrayal of a sweet girl who became disillusioned and wound up as a prostitute, is poignant while remaining gritty and realistic. The Dead End Kids are great throughout the movie. Ward Bond brings a plus to the movie in his role as the upscale apartment's doorman. I like Allen Jenkins and think no other actor was better suited to play the sidekick to Bogart's character as the prodigal gangster, returning to his old neighborhood. Dead End is one film that has countless elements to enjoy. The level of talent on both sides of the camera keep me watching it over and over again.
    8felixoscar

    Well Done --- and a superb cameo

    Considering all the talent involved, it was hardly surprising to find this a first rate movie. Didn't you want to slap Bogart around ... well, that is actually what compelled me to make this entry. Among the handful of superlative cameo (say 2 to 8 minutes in length)performances I have seen in my 40 plus years of movie-going, Dead End features one of them.

    Marjorie Main, almost as unlikely a film character (think Ma Kettle!) as one could imagine, turned in what I consider a masterpiece. Read that she repeated her stage role, and wow, that slap, that dialog and that role. Bravo!
    8utgard14

    "You dirty yeller dog you."

    Brilliant adaptation of a hit Broadway play about life in the slums of New York during the Great Depression. A gangster on the run from the law returns to the neighborhood he grew up in to plot his next move. Add to that a little romance and a gang of street kids getting into trouble and you've got a first-rate Warner Bros. urban drama picture (only this wasn't made by Warners). Humphrey Bogart plays the gangster character 'Baby Face' Martin. In some ways it was a very familiar role to many others he'd played up to this point, but this one was a bit more layered and gave him a chance to flex his acting muscles some. Solid turns from Joel McCrea, Wendy Barrie, Claire Trevor, and Marjorie Main. Allen Jenkins is always fun to watch. Next to Bogart, I'd have to say the standout is the lovely Sylvia Sidney, one of my favorite actresses from this period. She had some of the most expressive eyes in the business.

    Among other things, the film's notable for being the first screen appearance of the Dead End Kids, who would go on to appear in several WB gangster pictures (in basically the same roles as this) before starring in a few series of their own under different names, my favorite of which was the Bowery Boys. It's interesting to see them here looking and acting much more like roughneck teenagers than later where they were clearly adults behaving like overgrown kids. Directed by William Wyler, this is a "message movie" from a time when those types of movies actually felt earnest and not phony or preachy. Yes it's pretty much a filmed stage play, which was very common in the 1930s, but the great cast, excellent sets, and Gregg Toland's beautiful photography goes a long way to bringing it all to life. Not one you'll want to pass up if you're a fan of the stars or the period.
    Sargebri

    Could Be Made Today

    This movie is not only a great story, it is a great social commentary on the divisions between rich and poor. The main story concerns the return of a gangster to his old neighborhood, but a couple of side stories concern the gang of kids who seemingly idolize the hood and the rich people who live in a luxury apartment that is next to the slum. This film could be made today because the conditions that are in the film still exist today only they are a hundred times worse because the gap between the rich and the poor in this country have widened even more. This film should be shown more on television

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      William Wyler gave Claire Trevor an old purse and broken high heel shoes. He had her minimize her make-up and ordered her not to comb her hair when she got up in the morning. He wanted her to look like the downtrodden character she was playing.
    • Erros de gravação
      Baby Face Martin suddenly appears from nowhere and is leaning against a railing as the boys are fighting.
    • Citações

      Hunk: Maybe I'm wrong. We all make mistakes, boss. That's why they put the rubber on the ends of pencils.

    • Cenas durante ou pós-créditos
      Opening credits prologue: Every street in New York ends in a river. For many years the dirty banks of the East River were lined with the tenements of the poor. Then the rich, discovering that the river traffic was picturesque, moved their houses eastward. And now the terraces of these great apartment houses look down into the windows of the tenement poor.
    • Conexões
      Featured in AFI Life Achievement Award: A Tribute to William Wyler (1976)
    • Trilhas sonoras
      Boo-Hoo
      (1937) (uncredited)

      Music by Carmen Lombardo and John Jacob Loeb

      Lyrics by Edward Heyman

      Played at the upstairs party and sung by Huntz Hall in the street

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    Perguntas frequentes

    • How long is Dead End?Fornecido pela Alexa
    • When did the film open in Chicago?

    Detalhes

    Editar
    • Data de lançamento
      • 27 de agosto de 1937 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Dead End
    • Locações de filme
      • Samuel Goldwyn Studios - 7200 Santa Monica Boulevard, West Hollywood, Califórnia, EUA(Studio)
    • Empresa de produção
      • The Samuel Goldwyn Company
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 300.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 33 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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    Humphrey Bogart, Joel McCrea, Sylvia Sidney, and Claire Trevor in Beco sem Saída (1937)
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