Charlie Chan na Broadway

"excuse please," but this is a straight forward top notch mystery with no gimmicks involved. Much of the action takes place in the Hottentot Club and the only dance is of a tropical variety that is more reminiscent of Charlie Chan in Rio or Panama.Warner Oland is at the top of his game playing the famous Chinese detective. Keye Luke, as usual, is excellent. Harold Huber does a fine job as Inspector Nelson and proves less silly than we'd see in future films.This must be considered one of the best.

The title of this Charlie Chan flick is a misnomer because Broadway doesn't play a part in this film. Yes, we are in New York City for part of the story, but the scene isn't Broadway but "The Hottentot Club."

This Chan story has the normal assortment of interesting characters. It didn't think Charlie's proverbs were up to snuff in this one but his repartee with Number One Son (Keye Luke) was fun to hear, as always.

Louise Henry, a woman who has a diary that everyone is after in this murder-mystery, has one of the prettiest faces I've seen in a Chan movie. However, on the opposite side, Harold Huber as "Inspector Nelson" is one of the more annoying ones I've seen.

Overall: good, and another in the series that I am still hoping to see on DVD.

A young woman, Billie, puts a package in a trunk belonging to Charlie Chan. Charlie is with his number one son. He is there to be honored at a luncheon. A woman is killed and it proves to be Billie. While things are being investigated the prime suspect gets out the door. Soon another person is murdered in Charlie's room. There is an incriminating diary involved. As is usually the case, Lee gets in the middle of everything. One thing I've noticed about Keye Luke's voice is so loud. Frequently there is someone outside the door or at a window. He continues to provide comic relief. One of the things about this episode is that there is little if any mention of the Great White Way.

Warner Oland, the Swedish-born actor famous for his Asian portrayals and in particular his portrayal of the famous Charlie Chan, gives a fine performance as Chan in this, one of his last screen performances before his untimely death. This time out, Charlie and #1 son, played as affably as ever by Keye Luke, are aboard a ship soon to dock in New York. A woman aboard stows something in #1's luggage and tries getting it later in Chan hotel room. Woman who mess with Charlie like fly that play in spider's web. OK, enough of that. Anyway, you get the usual good stuff you would find in most Chan films: a good mystery(I didn't figure this one out), some nice comedic touches with Chan's sayings and his by-play with his son, solid character acting from the likes of Luke, Donald Woods, Joan Marsh, etc..., and a look back at what New York was like in the late 30's. I enjoyed the film a good deal. It doesn't creak either like some of the earlier Chan films. It has a lively pace throughout.

Another really well done, atmospheric, Warner Oland/20th Century Fox Chan film. Although the film has nothing to do with the theater, as some might expect from the title, it is set amid the exotic night life of Broadway of the late 30's. It begins with Charlie and Lee aboard an ocean liner. Then in New York, the Hottentot Club is the main setting along with the hotel Chan and other notables stay at. This captures the mood of New York in the 30's--at least from a Hollywood perspective. The supporting cast is top notch with J. Edward Bromberg, Harold Huber in his best Chan role, Leon Ames, Marc Lawrence, Donald Woods, Louise Henry and Joan Marsh. The script is very clever. The hunt is on for a missing diary that could blow the lid off the mobs. Loads of fun!