Windbag the Sailor

This first entry in the six movies made by the English comic trio of Will Hay, Moore Marriott and Graham Moffatt. The film manages to entertain and delight from start to finish. Will Hay once again finds himself in an impossible situation: the captain of a British merchant marine vessel heading towards Norway. Marriot and Moffatt are landlubbers who are stowaways on the ship. Of course there is a mutiny and the three become castaways on a South Pacific Island. This movie contains some funny Buster Keaton moments on board of the ship. The funniest scene has Hay, Marriott and Moffatt trying to coordinate the latitude and longitude of the ship.

This is an early outing for Hay and the 2 stooges - Moore Marriott and Graham Moffatt - made before the ever famous Oh Mr Porter. Now largely forgotten this film set the scene for several more to follow - all largely with the same characters and plot but different settings.

Hay plays the usual incompetent fraud supported and at the same time harassed by his partners Moffatt and Marriott. The latter pair were never really recognised for their unique talents, certainly Hay never acknowledged this. It is doubtful if he would have been so successful without them. The film itself is a competent comedy, typical of the period and very British. One scene in particular stands out however - the "navigation" scene where the three attempt to ascertain where in the world they are. This is done with a school globe and a dress making measuring tape. The scene should be compulsory viewing for all aspiring comedians. Watch this film not for the story but just to see the three in action - poetry in motion sometimes.

I've always enjoyed British humor and comedy; and I think the British movies and TV sitcoms of the late 20th century are generally far superior to those on this side of the pond. But, until recently I hadn't seen many early English films. So, I was surprised and pleased to find that our English cousins also had some early doses of slapstick and buffoonery on film. .

"Windbag the Sailor" is such a film. Its cast has some stars of British cinema from the silent days to the early years of sound pictures. Will Hay didn't start in pictures until sound, but he was a talented actor, writer and director. He plays Captain Ben Cutlet, who has many a yarn about his seagoing days to spin at the local pub. One can guess what the plot might be from that. Other actors add to the goofy plot that is punctuated with some hilarious scenes.

I don't know if the United Kingdom had anything like vaudeville. It surely had performance halls for such entertainment. A number of early American stage entertainers took their vaudeville acts to Europe in the early 20th century. If the Brits didn't have a phase of vaudeville, the country was quick to develop its own film industry. Movie houses opened as quickly as in the Americas. Comedies, dramas, mysteries and adventure films soon became common fare for the Brits. "Windbag the Sailor" is an early example of British buffoonery on film that most movie buffs should enjoy.

A retired barge captain entertains customers in a pub with tall tales of days at sea. He gets caught out when he is tricked into captaining an unseaworthy ship which is to be scuttled for insurance money.

Mildly amusing film with Will Hay as the ship captain aided by Moore Marriott and Graham Moffat as stowaways. These three would go on to to make other, better, films together. Some racial stereotypes and language are now outdated.

Of all the 1930s English comedies, Will Hay's films are the ones which appeal most in a modern audience. Silly, gentle, nostalgic and always uplifting. Although most of his films are virtually identical, this is one of the best.

This was made immediately after WHERE THERE'S A WILL with the same team but with one notable addition: Moore Marriott and Graham Moffatt as Harbottle and Albert who would repeat their roles in Hay's next five pictures. These three are simply magical together.

Although his gentle humour; laughing at loveable incompetence is akin to that of Laurel and Hardy, I find the mood of Hay's films, that sense of teetering close to the close to the cliff edge between blissful ignorance and anarchy closer to that of early Marx Brothers. Maybe it's also because they inevitably have a Margaret Dumont equivalent, a wealthy trusting and naïve patron who can see only the good in Will Hay/Groucho - in this picture, like the previous ones that's Norma Varden who looks and acts suitably matronly despite only being 36! A film like this ostensibly looks childish but what it's doing is appealing to our base emotions and there's nothing wrong with that - after all, you couldn't call SPONGEBOB sophisticated but it's still funny.

It takes real genius (Hay was famously quite the intellectual) to make something which appears so childish so engaging to grown-ups.