[go: up one dir, main page]

    Calendário de lançamento250 filmes mais popularesFilmes mais popularesPesquisar filmes por gêneroMais populares no cinemaHorários de exibição e ingressosNotícias de cinemaFilmes indianos em destaque
    O que está na TV e no streaming250 séries mais popularesSéries mais popularesPesquisar séries por gêneroNotícias da TV
    O que assistirTrailers mais recentesOriginais do IMDbEscolhas do IMDbDestaque da IMDbFamily Entertainment GuidePodcasts da IMDb
    OscarsPride MonthAmerican Black Film FestivalSummer Watch GuidePrêmios STARMeterCentral de prêmiosCentral de festivaisTodos os eventos
    Nascido hojeCelebridades mais popularesNotícias de celebridades
    Central de ajudaZona do colaboradorSondagens
Para profissionais do setor
  • Idioma
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de favoritos
Fazer login
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar o app
  • Elenco e equipe
  • Avaliações de usuários
  • Curiosidades
IMDbPro

O Circo

Título original: Tsirk
  • 1936
  • Not Rated
  • 1 h 30 min
AVALIAÇÃO DA IMDb
6,6/10
779
SUA AVALIAÇÃO
Lyubov Orlova in O Circo (1936)
ComedyMusical

Adicionar um enredo no seu idiomaIn the mid-1930s, circus actress Marion Dixon flees the United States with her young black son. Arriving with an original attraction in the USSR, she finds friends here and decides to stay f... Ler tudoIn the mid-1930s, circus actress Marion Dixon flees the United States with her young black son. Arriving with an original attraction in the USSR, she finds friends here and decides to stay forever.In the mid-1930s, circus actress Marion Dixon flees the United States with her young black son. Arriving with an original attraction in the USSR, she finds friends here and decides to stay forever.

  • Direção
    • Grigoriy Aleksandrov
    • Isidor Simkov
  • Roteiristas
    • Grigoriy Aleksandrov
    • Isaak Babel
    • Ilya Ilf
  • Artistas
    • Lyubov Orlova
    • Yevgeniya Melnikova
    • Vladimir Volodin
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,6/10
    779
    SUA AVALIAÇÃO
    • Direção
      • Grigoriy Aleksandrov
      • Isidor Simkov
    • Roteiristas
      • Grigoriy Aleksandrov
      • Isaak Babel
      • Ilya Ilf
    • Artistas
      • Lyubov Orlova
      • Yevgeniya Melnikova
      • Vladimir Volodin
    • 22Avaliações de usuários
    • 2Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória no total

    Fotos36

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 31
    Ver pôster

    Elenco principal29

    Editar
    Lyubov Orlova
    Lyubov Orlova
    • Marion Dixon
    • (as L.P. Orlova)
    Yevgeniya Melnikova
    Yevgeniya Melnikova
    • Rayechka, the director's daughter
    • (as E. Melnikova)
    Vladimir Volodin
    • Circus Director - Ludvig Osipovich
    • (as V. Volodin)
    Sergey Stolyarov
    Sergey Stolyarov
    • Martinov - Ivan Petrovich
    • (as S. Stolyarov)
    Pavel Massalsky
    Pavel Massalsky
    • Kneishitz - Entrepreneur
    • (as N. Massalskij)
    Aleksandr Komissarov
    • Skameykin - Amateur Designer
    • (as A. Komissarov)
    N. Otto
    • Chaplin
    Jim Patterson
    • Jimmy, Marion's son
    • (as Dzh. Patterson)
    Fyodor Kurikhin
    Fyodor Kurikhin
    • Captain Borneo, animal tamer
    • (as F. Kurikhin)
    Sergei Antimonov
    • Circus Presenter
    • (as S. Antimonov)
    Solomon Mikhoels
    • Lullaby Singer
    • (as S. Mikhoels)
    Pavel Geraga
    • Lullaby Singer
    • (as P. Geraga)
    Lev Sverdlin
    Lev Sverdlin
    • Lullaby Singer
    • (as L. Sverdlin)
    Vladimir Kandelaki
    • Lullaby Singer
    • (as V. Kandelaki)
    Robert Ross
    • Pilot - Lullaby Singer
    Coretti Arle-Titz
    • baby Jim's nanny
    • (não creditado)
    Vladimir Durov
    • Clown
    • (não creditado)
    Emmanuil Geller
    Emmanuil Geller
    • Circus Orchestra Conductor
    • (não creditado)
    • Direção
      • Grigoriy Aleksandrov
      • Isidor Simkov
    • Roteiristas
      • Grigoriy Aleksandrov
      • Isaak Babel
      • Ilya Ilf
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários22

    6,6779
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avaliações em destaque

    damirradic14

    Great Soviet film by genius director Aleksandrov

    Grigori Aleksandrov co-directed some of the best films by Sergei Eisenstein, "Staroye i novoye", "Oktyabr" and "Que viva Mexico!". He was as much talented as Eisenstein, but with much more sense for genre movies, especially comedy. In his films he blended brave formal devices, a genre narration and a humor, and he did it with a great skill. "Tsirk" is an excellent example of Aleksandrov's style. The film is visually expressive, includes some typical modernistic devices, but with populist aim, some scenes are made in Busby Berkeley way, and so on. Also, "Tsirk" is a great propaganda movie and it tells the truth about American racism of those times, using this for glorification of Soviet Union as a tolerant and progressive society. (In fact, regarding racism, Soviet society of that time really was progressive in comparison with the United States.) Final scenes celebrates Lenin, Marx and Stalin in superb artistic way (a long double exposure is fascinating), and the film glorifies not only Soviet Union, but Soviet Russia, too. In fact, Soviet Russia is adored homeland in the film as a result of Stalin's Russian nationalism.
    7americanmovie3000

    Circus

    Circus is about an American dancer, who is touring through Moscow – as a dancer in the circus. She falls in love with a soldier in Russia. It's discovered that she is the mother of an interracial child, which displeases her manager. She comes under attack from him, but she is ultimately accepted into the loving embrace of the Soviet people.

    The director of Circus – Grigori Aleksandrov – had a specific purpose when making this film - to show that the unity of the people could rise above any opposing force. The film serves as a propaganda piece for Russia, Stalin, and socialism. At the end of the film, when our main character is under attack from the villain, everyone in the circus audience quickly comes to her aid and hides the baby from hard. This represents the unity and equality of the Russian people. Everyone is equal and everyone is accepted.

    The film takes place in the 1930s, in Russia. Most of the action takes place within the walls of the circus. Although, at the end of the film, the whole group of performers and friends march through the streets of Moscow in praise of unity, communism, and Russia.

    I thought the movie was very interesting and thought provoking. Not only did it contain musical elements, but it also proclaimed an intense social message. I especially liked the story line, because it seemed unique and interesting - how many movies about American dancers in the Russian circus are there?

    I would definitely recommend this film to a friend because of the unique story, the 30s-era musical numbers, and the interesting social message. Not many movies usually spell out their message in such a way as Circus did. Imagine if every movie with an important social message had its characters run through the streets at the end, proclaiming the lesson learned!

    It's interesting to see a moment in time, in a country where the people are so passionate about unity. You know things were not this perfect in real life, but its fun to see a glossed over version of history - if only to recognize its weirdness.
    5amikal

    The purpose of this film is clearly propaganda.

    Circus which was written by Brigori Aleksandrov and was directed by Aleksandrov and I. Simkov was released in 1936. The movie which is a comedy/musical centers on a U.S.-Vaudeville dancer Marion Dixon on tour with her German manager Von Kneischitz in Mosocow. The woman's act entails her being shot from a canon and is a crowd favorite. When Marion begins to fall in love with the handsome Ivan Petrovich Martynov(Sergei Stolvarov) she falls in love with Moscow as well. When Marion decides she wants to remain in Moscow this does not make her German manager happy. Her manager insists that if she tries to stay in Moscow she will never be accepted after he tells everyone about her son who is half black. As the film progresses and comes to a close Marion confesses her love to Martynov and Kneischitz shows Marion's black child to the circus audience. While Kneischitz thinks he is going to ruin Marion, the opposite occurs. The Russian people accept the child. In the final scene they all march off in unity and happiness.

    The purpose of this film is clearly propaganda. The author seems to try and convey multiple messages in this film for that purpose. One message the author tries to convey in this film is that the Russian people are good and the German people are bad. This message is used as propaganda in order to create and increase nationalism amongst the Russian people during a time of conflict between Russia and Germany. Another message which the author tries to convey is not apparent until the end of the movie. This message is the portrayal of the Russian way of living, during the time of the Soviet Union, as the best way of living. The author conveys this message of equality and bliss amongst the Russian people for the purpose of propaganda in the final scenes.

    In my opinion the author and the Committee of Cinema Affairs want to portray Stalin and Lenin as Gods and Communism as a type of religion. This is reflected in what I believe to be the theme of the film; The Soviet way of living is the best way of living because all Russian people are equal and happy. This theme reflects the author's purpose of the film as propaganda.

    I liked some aspects of the film and some aspects I did not necessarily like but in a way I understood. The parts of the film that I did like were: the love story of Marion and Martynov, the humor associated with the acts of the circus clowns, and the conveyed message of equality and bliss. However some parts of the film may rub certain individuals the wrong way. For example: the way the black child is hidden from the public until the very end of the film. Although I understood that part of this use of a black child was to portray the existence of slavery in the United States during this time period. Another aspect of the film that may be offensive to some is the way that Americans(through the image of Marion) are portrayed as dumb and Russians superior. I would suggest this film to a friend because the film captures a person's interest, is controversial, and is funny. However this film is not for everyone, and I would mostly recommend it for the purpose of study in film or history, not pleasure.
    anweinandy

    OK but only for some

    The movie Tsirk is about a Russian woman named Mary who was a socially out casted for having a black child. During her escape she is meets her soon to be German manager Von Kneishitz. After running away from her previous life with her new born baby, she joins the circus. In this new group she is at least making a living but she still feels like she must hide from her past. Her manager, Von Kneishitz, is always reminding Mary of her situation and frequently threatens to reveal Mary's illegitimate child. As Mary becomes more at home in her new environment she begins to have feelings for the ideal Russian man. As her feelings continue to grow for the great Russian man the threat to reveal her child becomes more real. While pursuing her new love Mary's plans are thwarted by the conniving and evil German. The film ends in glory after Von Kneishitz reveals Mary's son. All the people under the big top unite to welcome the newly discovered child into the warm embrace of the Russian state. All of this happens while they laugh at the silly German for being racist and turn him into the outcast.

    This film is brimming with propaganda. This film shows just how great the Russian people are when they unite together to belittle the foolish and backward German. There is also a scene that features a giant poster of Stalin that helps the viewer to see that this work was used as propaganda. While on the one hand it supports Russian unity and demonstrated the evils of the German people it also was racist in its own rite. During one of the final scenes all of the different ethnic groups sing to the child in their own native language. The shot with the Jewish group singing to the child was cut out of the official soviet release.

    This was an interesting film but I would only recommend it to those interested in seeing how the Russian government was interested in spreading the message of the state through film.
    7psbarlo-1

    Good, Fun Propaganda

    If you are going to make a movie endorsing the actions of one of history's greatest villains, in this case Stalin, at least make it fun to watch! "Tsirk" is a funny, melodramatic, accessible movie that features several entertaining acts, such as the impromptu Lion Tamer, the dance on the cannon, and the communal ending. It is heartwarming to see an entire country represented as they sing a child to sleep, until you realize that the Yiddish Representatives were executed after the production. The running theme of confusion, over translation and ideologies, provided the movie with several humorous moments of error, and provided the movie with an honest subtext.

    Also, worth pointing out, is the movie's fearless attitude towards racism. Hollywood would hint at the problem, but rarely delve into it as much as "Tsirk" has.

    Mais itens semelhantes

    Os Rapazes Felizes
    6,9
    Os Rapazes Felizes
    Chapaev
    7,0
    Chapaev
    Canção do Volga
    6,6
    Canção do Volga
    Cavaleiros de Ferro
    7,5
    Cavaleiros de Ferro
    Ivan, o Terrível - Parte 2
    7,7
    Ivan, o Terrível - Parte 2
    Terra
    7,2
    Terra
    Ivan, o Terrível
    7,7
    Ivan, o Terrível
    Beg
    7,8
    Beg
    Fúria
    7,8
    Fúria
    To minutter for sent
    6,2
    To minutter for sent
    Sobachye serdtse
    8,5
    Sobachye serdtse
    As Garotas
    7,8
    As Garotas

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      In the scene where people sing a lullaby in various languages to the black child, the bit sung in Yiddish by Solomon Mikhoels was cut out of the film for distribution in the USSR, for a time when a state-backed anti-Semitism campaign was unleashed.
    • Versões alternativas
      A colorized version was released on Blu-ray in Russia in 2012.
    • Conexões
      Featured in Komediya davno minuvshikh dney (1980)
    • Trilhas sonoras
      Vykhodnoy marsh
      Music by Isaak Dunaevskiy

    Principais escolhas

    Faça login para avaliar e ver a lista de recomendações personalizadas
    Fazer login

    Detalhes

    Editar
    • Data de lançamento
      • 25 de maio de 1936 (União Soviética)
    • País de origem
      • União Soviética
    • Idiomas
      • Russo
      • Inglês
      • Alemão
    • Também conhecido como
      • The Circus
    • Empresa de produção
      • Mosfilm
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 30 minutos
    • Cor
      • Black and White
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

    Contribua para esta página

    Sugerir uma alteração ou adicionar conteúdo ausente
    Lyubov Orlova in O Circo (1936)
    Principal brecha
    By what name was O Circo (1936) officially released in Canada in English?
    Responda
    • Veja mais brechas
    • Saiba mais sobre como contribuir
    Editar página

    Explore mais

    Vistos recentemente

    Ative os cookies do navegador para usar este recurso. Saiba mais.
    Obtenha o aplicativo IMDb
    Faça login para obter mais acessoFaça login para obter mais acesso
    Siga o IMDb nas redes sociais
    Obtenha o aplicativo IMDb
    Para Android e iOS
    Obtenha o aplicativo IMDb
    • Ajuda
    • Índice do site
    • IMDbPro
    • Box Office Mojo
    • Dados da licença do IMDb
    • Sala de imprensa
    • Anúncios
    • Empregos
    • Condições de uso
    • Política de privacidade
    • Your Ads Privacy Choices
    IMDb, uma empresa da Amazon

    © 1990-2025 by IMDb.com, Inc.