Condenados ao Inferno

Road Gang (1936)

** 1/2 (out of 4)

"B" picture from Warner about a reporter (Donald Woods) trying to bring down a dirty politician but before he can he along with a friend and set-up and thrown into a corrupt prison system. Once there the reporter sees the abuse that prisoners are receiving so he sets out to do something about it. This here is obviously just a low-budget rip on I AM A FUGITIVE FROM A CHAIN GANG and while it's nowhere nearly as great as that film, on its own this here remains mildly entertaining. The best thing is that it barely clocks in at a hour, which means were just given a bunch of fast-paced action. The film really doesn't have too much to say as it just goes through the motions and delivers the action. A lot of credit has to go to Woods who manages to keep the viewer interested in his character and this here helps keeps us entertained in the film. The supporting cast also features Kay Linaker as the girlfriend, Carlyle Moore, Jr. as the best friend and small roles from Henry O'Neill, Joe King and Edward Van Sloan. At just over a hour there's really not too much "story" here but that's pretty much what you'd expect from a film like this. It's main purpose was to entertain and it does a good job at that. One strange thing is that there's some editing to the soundtrack because one character is being addressed by a certain name (Moett) and this character is listen in the credits under this name. However, it's clear that the other characters are calling him by a different name (Metcalf) so why the edited soundtrack appears to be a mystery.

This film was made by the B-movie unit at First National/Warner Brothers. Because it's a B, it only lasts about an hour and stars a relative unknown, Donald Woods. However, although many folks normally assume that a B-movie is synonymous with a 'bad movie', this is DEFINITELY not the case with this movie. Thanks to exceptional writing and direction, the film sure satisfies.

This film is from the social reform era in Hollywood. Many films were made by this studio which questioned the penal system--such as "I Am a Fugitive From a Chain Gang", "Mayor of Hell", "20,000 Years in Sing Sing" and "Angels With Dirty Faces". In this same tradition is "Road Gang"--a film not just about government corruption but corruption in the chain gang system.

A crusading reporter has gotten on the wrong side of a bunch of crooked politicians. They try to bribe him to keep his mouth shut but he vows to bring down the corrupt officials. So, shortly after this meeting with the crooks, this reporter (Woods) is convicted on trumped up charges along with his friend. They are sent to a brutal chain gang--one that is run by people working for the same crooked machine. The plan is to work the two to death so that they never can have a chance to publish anything. And, when the newspaper man tries to smuggle out a story about the brutality, he's sent to an even worse place--a place where they have no intention of allowing anyone to see him again. What's next? See the film.

This film works on so many levels. The dialog is great, the plot works very well and the film really gets its point across. On top of that, it has a really good ending. This film has it all--and is better than you'd ever expect from a tiny-budgeted movie.

A reporter uncovers a network of corruption that extends to the penthouses and prisons of a southern state.

MGM may have gussied up the Depression era with glamorous escapism, but not so Warner Bros. WB liked to say their stories were ripped from the headlines of the day. Their writers operated from street level and not the penthouse top, as this programmer clearly shows. Prison conditions could be abominable at a time when tax monies had dried up along with businesses. Thus prison movies like the best known one, I Am a Fugitive From a Chain Gang (932), were popular with straitened audiences of the day.

There are many good touches in Road Gang—the pin-pricked message, the tumbling coal stope, the artful safe-cracker. Note too, how the scheme reporter Larrabee (Woods) uncovers goes all the way to the top. I'm sure audiences of the day enjoyed indicting the rich and powerful. Nonetheless, the movie lacks the fire needed to lift it from the merely routine. Woods is sturdy and likable, but lacks the intensity needed to drive the plot in a memorable way. Also, that superb villain Charles Middleton (mine boss) curiously underplays his key role, such that no sparks are lit there, either. My guess is that director King was not much engaged with the material. His story direction is competent, but nothing more. Thus the narrative unfolds in interesting but not gripping fashion, which I suspect is why it's omitted from Maltin's film guide. Too bad WB didn't get Cagney for the lead role or Mike Curtiz to direct it.

This is one of those "B" films that doesn't get much airplay but show up periodically to my delight as an avid aficionado of "B" movies. A solid cast of second leads and character actors....Donald Woods, Henry O'Neil, Charles Middleton and a very young Marc Lawrence. It mirrors "I Was A Fugitive From a Chain Gang", the Paul Muni "A" list movie of that time in that it deals with the conditions of southern prisons in the 20's and 30's An interesting sidelight to this movie which was mentioned by the preceding reviewer....the post-dubbing of the character Moett's name. In the film,it is obviously "Metcalf" but has been post-dubbed to "Moett". I have searched extensively for the reason but can't find out why this was done. I would recommend it to anyone who loves the "B" movies....low budget, hackneyed dialogue and last minute reprieves....it's the stuff "B"'s were made of!

Framed for crimes they did not commit, two young men are sentenced to five years at hard labor on a Southern prison's brutal ROAD GANG.

Here is a fine example of the type of crime film which Warner Bros. produced so well. Although there are no big stars in the film, the acting is generally good, the stifling atmosphere is well maintained and the production values - especially in the prison camp/mine sequences - are of a high standard.

Donald Woods makes a sturdy, stalwart hero; made to endure various humiliations & punishments, he never wavers in his fight for justice. This is quite typical of the fine performances Woods gave during his career. Kay Linaker is enjoyable as his courageous fiancée.

The film is sparked by a handful of noteworthy performances among the large cast: Carlyle Moore Jr. as Woods faithful, tragic buddy; Henry O'Neill as a slick, utterly corrupt politician; Edward Van Sloan as a shyster lawyer; Olin Howlin as the lethargic prison doctor; and Charles Middleton as the Blackfoot Mine's vile warden.

ROAD GANG was a partial re-make of Warner's' hit film from four years earlier, I AM A FUGITIVE FROM A CHAIN GANG (1932), starring Paul Muni. In the days of the studio factory system, when churning out one picture after another in an almost endless supply was vitally important, it was not at all unusual to recycle the plots of successful A movies. The B pictures department would change elements here & there (ROAD GANG has a much happier ending than the Muni film), and release an entirely new picture, hoping for another winner. This was the first film scripted by the young Dalton Trumbo, destined to be famous for more than just his celebrated screenwriting abilities.