Em Pleno Espetáculo

The star of "Song of the Toreador" receives threatening messages that he will not survive the preview screening of the film. The studio publicist works with the Director, the Producer and the police, to discover who is behind the threats.

Rather good mystery with a pacy plot, good chemistry between Reginald Denny and Drake - Drake plays an astrology obsessed person. Denny wants to marry her but she says their stars don't align. This is an entertaining mystery with a fine insight of film making of that period. A nice look at paramount studio backlot- the camera angles are great, capturing things nicely.

Pretty inventive, daring, smart, brilliant, and because I guess the Robert Florey directing. What a very sophisticated little thriller, evoking the sound era in Hollywood industry, using it for a true mystery yarn. I did not mind the talking instead of action scenes because, I repeat, this story is pretty good, exciting. But if you are reluctant to the early talkies, maybe it will be a bit difficult for you. Robert Florey was a convincing B director from the forties and late thirties too. Many crime films and dramas, some adventures flicks, short and tense, before goung to the Tv industry with always the same talent.

It's the World Attractions studio. They are remaking a classic musical. Leading man Neil Du Beck is receiving threats. During a preview, Du Beck is found dead from a suspicious overdose. There are more incidents at the studio and the police orders a lockdown.

This is a bit of behind-the-scenes of a movie shoot and a murder mystery. The actors are not big enough. Nobody is overtaking the screen. More than anything, it's a fun peak behind the camera with early Hollywood. The murder mystery is functional B-movie. This movie needs a more compelling lead character to head the investigation and solve the mystery.

Originally, a 'B-movie' was a shorter film intended as a second or lesser film at a double-feature. This does not mean they were necessarily bad...just cheaply and quickly made. And, instead of being 90 minutes or more like most A-pictures, the B ran from 50-65 minutes. Because the budgets were low and turnaround time very fast, many of them were pretty bad...but most were just ordinary time-passers. "The Preview Murder Mystery" is something different...it's one of the better Bs.

A new movie is about to debut and something odd is happening...someone is sending death threats to the leading man. So, while it's supposed to be a breakout film making him a star, his shining moment is marred with concerns about murder. Well, despite the police watching carefully, the man IS murdered in the middle of the preview for this film. But this isn't enough for the killer...and soon other folks connected with this movie begin to receive similar notes and attempts on their lives.

While I picked up on who the killer probably was early in the picture, it didn't really ruin the movie for me. Why? Because, despite being a B, the acting, direction and script were quite good. While hundreds or more B-murder mystery films were made, this one is very different and doesn't suffer from the usual cliches (such as the REALLY dopey cops). It's solid and very entertaining...and deserves to be seen as better than just another B.

Rod Larocque is starring in the sound remake of one of the studio's great silent pictures. The original starred Conway Tearle and his wife, Gail Patrick, and was directed by Ian Keith. Tearle was bound for superstardom, but an accident claimed his looks, and shortly afterwards, another his life. The remake likewise stars Miss Patrick and her second husband, Mr. Keith, directs

However, Larocque has been getting threatening notes that he won't live to see the new picture. When he dies during the premiere, it turns out to be poison... and then, during the production of her next picture, a prop gun aimed at Miss Patrick turns out to hold real bullets.

It's a pretty good murder mystery, directed by Robert Florey, showing off the Paramount studio using a lot of Dutch angles. Florey spent his career as a good journeyman director, always trying out interesting shots, so much so that they dominated his pictures... and he never got much higher than the programmers. Paramount's wealth of talent, in front of and behind the camera helped make this a very watchable movie, with Karl Struss as DP, and a cast that includes Reginald Denny, George Barbier, Thomas Jackson and a wealth of faded but still skilled performers. Had this been a production at Fox or RKO or one of the minors, this would have been a top-grade A picture. At Paramount, it was just another interesting release.