Juggernaut

Boris Karloff is a research doctor who needs money to complete his research. He's returned to Britain to search for backers, and gets involved in one of those family situations. Old Morton Selten is married to young Mona Goya, and she has a young man on the string. Selten is failing, so Karloff is called in, Meanwhile, Selten has changed his will and given power of attorney to his son, Arthur Margetson; he hates Miss Goya and she him. Suddenly, Margetson is dead, and the nurse, Joan Wyndham suspects foul play.

It's a pretty good murder movie, one of the last that Henry Edwards directed for Julius Hagen. Karloff is, as always, a treat to watch, playing his doctor with intelligence, although he clearly finds the screaming and shouting going on a distraction from his duties; Miss Wyndham is good as the nurse who suspects the worse and finds herself trapped. There's also Nina Boucicault as Selten's sister; she was the daughter of the dramatist Dion Boucicault, and the first women to play Peter Pan.

It's a solid effort, with its only flaw the blaring theme by W. L. Trytel. Karloff had made three films in Great Britain in quick succession. After this, it was back to the US; Charlie Chan needed him.

In JUGGERNAUT, Boris Karloff plays a furious medical specialist who has received a major setback in his research into human paralysis. His desperation for renewed funding- and a hyper-inflated ego- lead him into a devil's agreement with the wife of a millionaire cotton industrialist, who is seeking a way to murder her husband so that she can go on with her high living affair with a jigolo. Running a timely interference are the family members of the rich patriarch, loyal personal servants and an observant and resourceful nurse portrayed by Joan Wyndham. Definitely the stuff of melodrama, and not a particularly unusual role in Karloff's career.

What's interesting about this piece is the pacing- which I suspect seemed very slow to American audiences, even at the time of its release (1936), if contemporary reviews found in books on Karloff are any indicator. Though some of it is indeed histrionic in content, there are only a few spots in the work where "over the top" acting disrupt its continuity. As a whole, of course, it's junk, but it's the junk of guilty pleasure. it's fascinating to watch Karloff breathe life into yet another tripped-up scientist characterization. His Dr. Sartorious is bitter, high strung, barely a note below fury at all moments, far from the characterizations of educated fruitcake benevolence that the actor is so often remembered for.

As for his "slouching" noted by other reviewers, I suspect it had less to do with conscious characterization then with the back ailment and arthritically bowed legs that plagued Karloff most of his life, which were flaring up before the man was in his 50s. You can view almost any of his films and see evidence of the ailment early on.

I think JUGGERNAUT is actually a better film then it's often reviewed as. It's not Karloff at the top of his form, but it's Karloff attempting to bring new flavor to what for many other actors would have long become a shop-worn characterization, and for that reason, well worth the hour or so it takes to take it in.

Juggernaut (1936)

* (out of 4)

Incredibly bad thriller about a mad scientist (Boris Karloff) who is hired by a millionaire to kill her husband but things take a turn for the worse. This film runs 62 minutes but I could have sworn it was 62 hours. The movie is so incredibly slow, boring and annoying that I kept wishing Karloff would insert me with some poison. The only good thing is Karloff's performance but that too gets lost in all the badness. Mona Goya plays the wife and gives without a doubt one of the worst performances I've ever seen. The most annoying to as she does nothing but shout throughout the film.

This film is what I call "basic" - meaning not a lot to it. Doctor Sartorius (Karloff) is a "mad doctor" who's lost all his funding, Yvonne Clifford (Mona Goya) is married to a rich man while having an affair with man with not a lot of money. So she enlists the help of Dr. Sartorius to bump off her husband but there is one problem - the nurse.

If you like Boris Karloff then this film is worth watching otherwise you can pass this one by - you are not missing anything. It's not a terrible film but it's not a great film - I put it in the so-so category.

When you read reviews of this film you will find that reviewers talking about Mona Goya's performance being bad - and it's true she is not very good in this movie. Very much over acting in this film but she does not take away from Karloff's performance.

5/10

I adamantly disagree with those claiming this is a really bad film. I suppose they want monsters or vampires or whatever but this isn't about all that. Juggernaut is a very well produced, reasonably well written, and quite well acted feature. My only gripe would be the paradox that the Doctor found himself him wasn't fleshed out as well as it could have been. However, this movie is pretty short so that probably explains the shortcuts. You see, essentially Karloff's character (who has a short time to live) has to make a difficult choice: he can let his life's work come to a screeching halt for the most trivial reason (lack of money) or he can turn to murder for hire and finish his research which may benefit mankind greatly. In my opinion the doctor transitioned a bit to smoothly from dedicated man of science and medicine to homicidal maniac.

Despite this problem I enjoyed the entire film. The actress who played the wicked wife was a bit over the top but the role was over the top so...? Opposite her was the understated performance of the other leading lady who was pretty and quite effective. The gent who played the caddish gambler was perfect for his part. Of course Karloff hogged the spotlight in every scene but how could he not. The little smile there at the end when he was found out was simply genius.

I love these old films because they carry you relatively far back in time. It's like having a little window that allows you to peek into a different time and attitude. I love the cars, the fashions, the slang, the hair, even the furnishings. (In one memorable scene there is a stunning nude statue just behind the action...cool!) It makes me wonder a bit as to why the cameras lingered in that area for such a major part of the film...ha. Thankfully many of these oldies have a bit more than just nostalgia value...they are interesting.

The production values were, for the most part, quite good. I really liked the storyline and Karloff really elevated the cast and the movie with his strong presence. Definitely worth checking out but no monsters or vampires for you kiddies.