Pesos e Medidas

James Cagney was an actor with plenty charisma, and this film is an evidence of it. He was always pleasant in any role, no matter if he was a gangster, a good man or a dancer, he performed all well and delivered enough smell for sympathy. The film had no a complicated plot, it was quite simple but still relevant for the society. Corruption of officials is very common, and what the film showed is what still exists. Certainly there are decent people who do not commit such mistakes, and Johnny 'Red' Cave (Cagney) was one of them, who was in charge of the bureau of weights and measures. He investigated several dark cases and succeeded to make them clear as well as finding out who were responsible for such misdeeds. However, knowing is not enough, it is necessary to make accusations with evidences to condemn those guilty, and that was what Johnny did. Probably today somebody like Johnny should use more sophisticated methods according to those used by those infringing the law. In any case, the film is good also to be watched for entertainment.

Interesting B movie from Grand National that reunites James Cagney with his Public Enemy co-star Mae Clarke. This was one of the movies Cagney made during his contract dispute with Warner Bros. The plot has tough guy Cagney taking over the position of Chief Deputy of the Departments of Weights and Measures, where he fights corruption with a good right cross. It never ceases to amaze me how bureaucrats were held in high esteem in 1930s movies. Name just about any government official and there was at least one movie with him as a crusading hero. More naive about government back then, I guess. Anyway this is not a bad movie but nothing exceptional. It moves along quickly. Cagney elevates the film above its Poverty Row backdrop. It's nice seeing him with Clarke again. The two have a playful chemistry. James Burke is a little annoying as Cagney's "Lucky Charms" sidekick. Worth a look for all Cagney fans, if for no other reason than to see him doing mundane things like shopping for groceries and putting gas in his car. All in the name of justice, of course.

GREAT GUY (Grand National, 1936), directed by John G. Blystone, is an interesting yet plausible low budget production starring none-other than James Cagney, the same James Cagney of the higher quality studio of Warner Brothers. What's a top actor like James Cagney doing over at Grand National instead of at the majors as MGM, Columbia, United Artists or even Paramount? Well, it had something to do with a contract dispute, which kept him away from his home lot for nearly two years. Since Grand National, not First National, initially began in early 1936, how fortunate for the studio to have acquired a top name like Cagney working for them? How unfortunate for the studio to have lost his services following his second with the studio, a musical titled SOMETHING TO SING ABOUT (1937). How fortunate to have Cagney return to his home studio where he truly belonged, and continue to work on films that were to become classics. As for those done at Grand National .... well, let's take a look at his initial offering of THE GREAT GUY. It's not a gangster film idolizing a popular crime boss but actually a crime story placing Cagney on the right side of the law attempting to rid corruption. Having done something similar the year before in G-MEN, the misfortune for GREAT GUY is not having much gun play nor fast-pace action to make this equivalent to a Warner Brothers production.

The story opens with Joel Green (Wallis Clark), chief deputy of the Bureau of Weights and Measures, injured in a car crash, now in a hospital. Knowing the accident was a set up, Green calls for his friend, Johnny Cave (James Cagney), a former prizefighter working with the department of Weights and Measures, and assigns him in his place to acquire enough evidence on the corrupt district leader Marty Cavanaugh (Robert Gleckler). With the assistance of fellow Irishman Pat Haley, whom he calls Aloyisus (James Burke), Johnny teaches him the tricks of the trade of chiselers at the Paradise Market defrauding shoppers by exposing eights on chickens, putting false bottoms in baskets of strawberries, and cheating drivers of their gallons of gas. As for his love life, Johnny is engaged to Janet Henry (Mae Clarke), secretary to city official Abel Canning (Henry Kolker). Janet loves Johnny but finds him too conceited and quick tempered, but overall honest. Refusing to accept bribes even from the city Mayor (Douglas Wood), Johnny later has his work cut out for him by being abducted by hired thugs who frame him on a drunk and driving charge unless he gives up his investigation to expose the gang leader responsible for corruption.

The supporting cast includes Edward Brophy (Pete Reilly); Bernadene Hayes (Hazel Scott); and Edward McNamara as Captain Pat Hanlon, whose great scene has him standing outside the door smoking his cigar while his pal Johnny takes care of the ring leader. The big surprise in GREAT GUY is the casting of James Burke, better known for playing cops, playing the dopey sidekick in the El Brendel tradition, sporting an Irish derelict compared to Brendel's Swedish one. This was one of the few opportunities seeing Burke in a sizable part typically suited for the likes of an Allen Jenkins or Frank McHugh.

With all the ingredients of a Warner Brothers programmer, down to Joseph Sawyer (a Warners stock player) as one of the mobsters, what GREAT GUY lacks is polish and production values. Overall, GREAT GUY turns out to be a reunion of sorts between Cagney and Mae Clarke, his grapefruit victim from THE PUBLIC ENEMY (1931), and co-star of LADY KILLER (1933) the one where he dragged her across the room by the hair. This time they are on friendly terms, as an engaged couple who gather together for lunch in a cafeteria and, with a touch of humor, talking things over at a furniture store with a salesman (Arthur Hoyt) trying to interest them with the display.

Virtually unknown even by film buffs, GREAT GUY is one film in Cagney's filmography list that doesn't get a mention in his 1977 autobiography, "Cagney by Cagney," though his second Grand National starer did. Not until the age of video recording of the 1980s or late in the 1970s on commercial television has GREAT GUY been given some exposure. Circulating prints from 1980 and over suffer from being ten minutes shorter than its actual 75 minute release. Abrupt cuts are noticeable, especially one scene involving Mary Gordon as Mrs. Ogilvie and the corruption involving milk deliveries at the orphanage, found in current video, DVD and public TV late show broadcasts. While a complete version with clearer picture quality won't change GREAT GUY from its low-budget status in the Monogram Studios tradition to a Class "A" Warners production, but restoration will make a big difference on how to view this one, especially with the great guy himself, James Cagney. (***)

Two-fisted, crusading Deputy Chief of the Department of Weights and Measures Johnny Cave is out to smash short-weighting delicatessens, markets, and grocery delivery services and to expose the crooked businessmen who are behind the short-weighting racket and who pay off the aldermen and mayor who are on the take. The plot sounds like a parody of all the tough-guy G-Men and T-Men movies of the thirties, but it is played straight and it works.

The pleasures of the movie, aside from Cagney as Cagney, are that this is the third and final movie to pair Cagney with Mae Clarke and that several great character actors in the supporting cast, particularly Edward Brophy, James Burke, and Henry Kolker, are given plenty of opportunities to show off their characteristic acts.

The interesting role for James Cagney is probably the main reason to watch "Great Guy". The role in itself is a fairly uncommon one for a leading role, and Cagney gives it his own distinctive style. The movie overall is a solid if rather predictable crime drama, with a couple of interesting details.

Cagney plays a new official in charge of the bureau of weights and measures, which is a relatively creative choice for a movie hero. As Cagney goes about investigating various instances of fraud, his character gradually takes on more and more of the tough guy persona that you associate with Cagney. At the same time, the stakes become ever higher in his battle with the sources of corruption.

The supporting cast is adequate, but they are generally overshadowed rather easily by Cagney. Mae Clarke is relatively appealing as Cagney's fiancée, but she mostly has to react to situations, since the script and dialogue don't give her much more to work with.

The movie as a whole largely follows a familiar pattern, and with a lesser star it would have been a rather routine affair. Cagney brings it up a couple of notches, and his own performance certainly won't disappoint anyone either.