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IMDbPro

O Jardim de Allah

Título original: The Garden of Allah
  • 1936
  • 12
  • 1 h 19 min
AVALIAÇÃO DA IMDb
5,8/10
1,8 mil
SUA AVALIAÇÃO
O Jardim de Allah (1936)
AdventureDramaMysteryRomance

Adicionar um enredo no seu idiomaThe star-crossed desert romance of a cloistered woman and a renegade monk.The star-crossed desert romance of a cloistered woman and a renegade monk.The star-crossed desert romance of a cloistered woman and a renegade monk.

  • Direção
    • Richard Boleslawski
  • Roteiristas
    • Robert Hichens
    • W.P. Lipscomb
    • Lynn Riggs
  • Artistas
    • Marlene Dietrich
    • Charles Boyer
    • Tilly Losch
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,8/10
    1,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Richard Boleslawski
    • Roteiristas
      • Robert Hichens
      • W.P. Lipscomb
      • Lynn Riggs
    • Artistas
      • Marlene Dietrich
      • Charles Boyer
      • Tilly Losch
    • 54Avaliações de usuários
    • 21Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Indicado a 2 Oscars
      • 2 vitórias e 2 indicações no total

    Fotos50

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    Elenco principal53

    Editar
    Marlene Dietrich
    Marlene Dietrich
    • Domini Enfilden
    Charles Boyer
    Charles Boyer
    • Boris Androvsky
    Tilly Losch
    Tilly Losch
    • Irena
    Basil Rathbone
    Basil Rathbone
    • Count Ferdinand Anteoni
    C. Aubrey Smith
    C. Aubrey Smith
    • Father J. Roubier
    Joseph Schildkraut
    Joseph Schildkraut
    • Batouch
    John Carradine
    John Carradine
    • Sand Diviner
    Alan Marshal
    Alan Marshal
    • Capt. De Trevignac
    Lucile Watson
    Lucile Watson
    • Mother Superior Josephine
    Henry Brandon
    Henry Brandon
    • Hadj
    Eric Alden
    Eric Alden
    • Anteoni's Lieutenant
    • (não creditado)
    Louis Aldez
    • Blind Singer
    • (não creditado)
    Harlan Briggs
    Harlan Briggs
    • American Tourist in Hotel
    • (não creditado)
    John Bryan
    • Brother Gregory
    • (não creditado)
    Ann Bupp
    • Girl
    • (não creditado)
    Pedro de Cordoba
    Pedro de Cordoba
    • Gardener
    • (não creditado)
    Corky
    • Bous-Bous the Dog
    • (não creditado)
    Nigel De Brulier
    Nigel De Brulier
    • Lector at Monastery
    • (não creditado)
    • Direção
      • Richard Boleslawski
    • Roteiristas
      • Robert Hichens
      • W.P. Lipscomb
      • Lynn Riggs
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários54

    5,81.7K
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    Avaliações em destaque

    6blanche-2

    unusual film

    If you did "The Garden of Allah" today, you'd have to play it for camp. As produced in 1936, it nearly is anyway.

    Marlene Dietrich, Charles Boyer, Basil Rathbone, C. Aubrey Smith, and Joseph Schildkraut star in this David O. Selznick Technicolor production. The story concerns a religious woman, Domini, who is in mourning for her father and visits the convent where she lived as a child. The Mother Superior encourages her to go out and live, as she was her father's caretaker and didn't get out into the world.

    She meets Boris Androvsky, and he seems even more unfamiliar with the world than she. What she doesn't know is that he was a Trappist monk and has left the order. The two fall in love and marry. However, someone eventually recognizes him, and his secret is revealed.

    I have to say, I feel sorry for any ex-Trappist monk running into gorgeous Marlene Dietrich, especially under a desert sky. The atmosphere of this film is very moody, the color beautiful, and the photography sensational. Filmed in California and Arizona, it looks for all the world like an exotic desert setting.

    Even with all this, and a young, handsome Charles Boyer, the film comes off as melodramatic and slight. Partly I blame the overly-dramatic music, but let's face it, the script isn't very good.

    Marlene Dietrich is very good and underplays her role; Boyer's role is really impossible. He's confused and miserable through most of it. He was an excellent actor and pulls it off, though. Rathbone doesn't have a big role, nor does Schildkraut, but they were two of the best character actors around.

    "The Garden of Allah" is definitely worth seeing - it's wonderful to look at, and when you see the Cyndi Lauper video of "Time after Time," this is the film she was watching in the beginning of the song.
    Doghouse-6

    Glamour and Romance To The Max.....Surrender!

    Much abuse has been heaped upon this film in users' comments here ("tripe," "hokum," etc.) and, yes, in later years even Marlene herself called it "twash," (along with most of the rest of her movies). But it's gweat twash and, in all fairness, much-loved weepies like "An Affair To Remember" have got nothing on this picture. The fabulousness (that's definitions 1 & 2 in Webster's) of the plot, the emphatic performances, the overblown dialogue and the sheer absurd audacity of full silver service and "dressing for dinner" in a tent in the middle of the Sahara; these are the very things for which you watch such a film. After all, if life was never like this anywhere, at any time, it sure should have been.

    The user who suggested the "right mood" is necessary is absolutely correct, and it helps to remember the perspective of audiences of the time who, while the Depression dragged on, desired escapism that bore no resemblance to their real lives. We certainly have our escapist fare today and, believe me, "Spiderman," "The Matrix" and "The Fast and the Furious" are going to look at least as ridiculous - if not more so - after a half-century (if not before). So, please, let's not have any more carping about implausibility.

    The aspects that have garnered the most criticism are some of the very elements that make it so much fun, but you must abandon your jaded cynicism and surrender yourself to the experience. I'd never recommend this film to everyone I know, but of those to whom I have done - people I knew could appreciate it - not one has gotten all the way through it without choking back a tear or two (if not outright bawling like a baby).

    One thing everyone does seem to agree on is the ravishingly beautiful look of this picture, and they're oh-so-right about that. The DVD from Anchor Bay is particularly stunning - there are scenes that look like they were shot yesterday - so, if you decide to see the film, try to get your hands on a copy of that release.

    Incidentally, this was not the first Technicolor picture in the three-strip process (as opposed to the two-strip, which goes back to 1922) shot on location, as one comment said. That honor most likely belongs to "Trail Of the Lonesome Pine," which was shot and released a few months earlier.
    6planktonrules

    "it's best to ignore the story,..."

    After watching this film on Turner Classic Movies, the host, Robert Osborne, said that "it's best to ignore the story" and just enjoy the film! This is a great way to sum up this odd little film. In some ways, it's a terrific film--it's one of the prettiest color films of the 1930s and is a real artistic triumph. However, despite the masterful color filming, it's an incredibly dull and uninspiring film--thanks to a very tepid script.

    In a bit of a departure, Marlene Dietrich plays a rather decent and chaste woman instead of her usual 1930s vamp. Oddly, however, the magnetic Charles Boyer is given the limpest and least interesting role in the film. He plays a monk who has left his order, but instead of a man searching for SOMETHING outside the monastery, he just looks rather constipated and confused--mostly staring into the camera or looking rather depressed. How Marlene fell for this dull yutz is beyond me! Because of this character, the film itself just seemed silly and trivial. BUT, combined with the great camera-work, it is still worth a look--just don't set your hopes too high!
    6AlsExGal

    Visually impressive romantic melodrama

    Domini (Marlene Dietrich) is a rich woman who has spent many years taking care of her ailing father. When he finally dies, she realizes that she has missed much in her own life, and sets out to North Africa to find herself. Boris (Charles Boyer) is a Trappist monk who has taken vows of poverty and silence, but he can no longer bear the burden of either, and so he heads to North Africa to find himself. The two spiritually conflicted people meet and fall in love, but their sad ending is foretold.

    This was a wild mix of beauty and camp that will appeal to some viewers but leave others rolling their eyes in disbelief. I can't recall many films of this period that were as openly spiritual and as concerned with the burdens of the soul, and yet the two leads are among the most vain and superficial of movie stars, both with acting talent, but both better known for their looks than their depth. Dietrich especially looks more like a studio creation than a living human, with her almost comical artificial eyebrows and professional-grade makeup design.

    The movie looks amazing, a word that perhaps gets overused in amateur criticism, but it is most deservedly used here. The color cinematography, coupled with masterly use of shadow and color, and terrific use of locations, create a film that is a joy to behold even if the story and performances may leave you cold. There's a sequence early in the film involving dancer Tilly Losch as a local Arab dancing girl that made me think I had mistakenly wandered into a Maria Montez camp classic (that's a good thing). Schildkraut as a shady Arab, Brandon as his companion, and Carradine as a creepy street person promising psychic readings, are all enjoyable. This earned a pair of Oscar nominations, for Best Assistant Director (Eric Stacey) and Best Music - Score (Max Steiner), and won a special honorary Oscar for the color cinematography (W. Howard Greene & Harold Rosson).
    6Doylenf

    Dietrich and Boyer in Technicolor heaven...

    Early Technicolor, subdued and with shadows playing over the wide stretches of sand and silk (Dietrich's wide array of costumes), is the real star of this desert opus that should fascinate any student of cinematography interested in exploring David O. Selznick's use of color a few years before GONE WITH THE WIND.

    MARLENE DIETRICH strikes some awesome poses and looks stunning in all of her close-ups and CHARLES BOYER is a suitably romantic figure as he copes with a secret unknown to her--he's a man hiding his past as a monk. She's searching for true love after a girlhood devoted to her sick father and Boyer seems to be the living embodiment of her ideal.

    It's all so unreal and yet it's hard to turn away from the gorgeous colors and not be drawn into the story. When things get too dull, there's always Basil Rathbone, Joseph Schildkraut and C. Aubrey Smith in the supporting cast to bring some added color to the tale.

    It's Technicolor heaven for Dietrich's fans and to top it all there's a nice Max Steiner score in the background. None of it can be taken seriously but it has its compensations from a visual standpoint.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Most of the "Arabic" spoken in the film is gibberish.
    • Erros de gravação
      As the abbot and the major are walking down the hall, the shadow of the boom microphone keeps pace with them on the lower left.
    • Citações

      Count Anteoni: A man who fears to acknowledge his god, is unwise to set foot in the desert. The Arabs have a saying, Madame, the desert is the Garden of Allah.

    • Conexões
      Edited into Tela Class: Costa dos Injuriados: Um Resort Muito Louco (2008)
    • Trilhas sonoras
      No One But God and I Know What is in My Heart
      (1936) (uncredited)

      Written by Max Steiner

      Sung offscreen by an unidentified woman at the hotel

      Reprised offscreen by a chorus on the pilgrimage

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    Perguntas frequentes17

    • How long is The Garden of Allah?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 19 de novembro de 1936 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • The Garden of Allah
    • Locações de filme
      • Castle Dome Peak, Yuma, Arizona, EUA
    • Empresa de produção
      • Selznick International Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 2.200.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 19 minutos
    • Proporção
      • 1.33 : 1

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