Charlie Chan no Circo

This is a diverting, pleasantly enjoyable Charlie Chan film with WARNER OLAND as CHARLIE CHAN AT THE CIRCUS. In this outing, he takes his entire family to the circus while they're all on vacation and has to put up with the fumbling assistance of #1 son KEY Luke, who serves as comic relief.

Even more so than in most Chan entries, every utterance from Oland sounds like a Chinese fortune cookie--non-stop. And none of them sound authentically Chinese. That's the main quibble I have with the screenplay. But for the most part, it moves at a fast pace while it examines a group of suspects, all of whom had a motive for wanting the murdered man (the financial manager) out of the way.

The circus dancing team of midgets GEORGE and OLIVE BRASNO opens the story with some neat ballroom dance steps, but most of the plot focuses on an angry ape locked up in his cage but sometimes set loose. The murderer even makes it appear that the ape might have been responsible.

The only attempt on Chan's life comes from a poisonous snake that his son dispatches with a shotgun. Other than that, he's never in any real danger and that's where the plot falters slightly.

Meantime, we hear lots of his clichés and they don't sound very Oriental: "Size of package does not indicate quality within." "Give man plenty of rope and he will hang self." "Troubles rain on man already wet." And when he has a plan to catch the murderer, he says: "Silent witness sometimes speaks loudest." Enjoyable stuff for any mystery fan of the Chan series, but the material is all too familiar even for most Chan fans.

This is not 'just' one of Charlie Chan's fascinating, intricate murder cases, but it's also set in very special surroundings: a circus show - and the circus atmosphere here is presented so wonderfully genuine that it really fills every circus fan with nostalgic feelings...

The whole Chan family (14 altogether...) have been invited to see the show by the circus' co-owner Joe Kinney; but not without a reason: he wants to show Charlie some threatening letters he's received. But before the show's even ended, Kinney is found murdered in his wagon - mysteriously bolted from the inside... And Charlie very soon finds out that it could have been almost any member of the circus ensemble who'd have liked to see him dead: he was a mean cheat who threatened to take away his co-owner's shares because the circus wasn't doing too well, he was rude, cruel and PRETTY unpopular with all his staff; and besides that, he was a reckless womanizer who simply used to drop his girl when he'd found another one.

And that was also the case with Nellie Farrell, whom he pushed off to the wardrobe department when he became sweet on trapeze artist Marie - but in the fight for his money, more things come to light: Kinney had been married to Nellie, according to a marriage license the police find in his safe. But Marie knows otherwise; and she promises to tell as soon as she'll have finished her trapeze act - that fact alone automatically makes our hair raise while we're awaiting her daring stunt that she always does without a net...

An incredible amount of suspense and a plot that demands a lot of our 'little gray cells' mixed with a fair amount of humor (son number one, Lee, who never can resist flirting, tries to impress a Chinese contortion artist...) - an unforgettable hour of entertainment and excitement, just like those good old-fashioned circus performances!

Thoroughly entertaining and enjoyable Chan vehicle with the ever- adroit Warner Oland carrying off the Chan role this time in a circus venue. Charlie and his large family are out with a free pass enjoying the circus when(to use a cliché) death strikes under the big top. One of the partners and it seems a man virtually no ones likes dies from what appears to be by a rampaging fake -looking ape(sorry, this is even early for George Barrows!). Charlie must determine what could have taken place in this locked box car that might have a different explanation. Along the way we are treated to intriguing circus types - in particular two "midgets" wonderfully played by the brother/sister team of George and Olive Brasno. Some interesting red herrings are delivered as well as the light comedy touches that are customary with a good Chan film: pithy sayings laced with much wisdom, Charlie and his son Keye Luke's wonderful chemistry and humor, and Oland's general pleasant/pleasing portrayal of a man who has twelve children. Charlie Chan at the Circus isn't a great Chan film but it is a very good one and a fun one to be sure. Join the circus!

Warner Oland is Charlie Chan in "Charlie Chan at the Circus," a 1936 entry into the series. This time Charlie brings his wife and 12 kids to the circus and runs into murder.

While Lee Chan (Keye Luke) is off trying to romance the pretty contortionist, the co-owner of the circus asks Charlie to look into some threatening letters he's gotten. Then the man is murdered, and it turns out that even though he gave Charlie 14 free passes to the circus, he's not beloved. The man had enemies including his own partner, a snake charmer, and a gorilla!

Very entertaining, and one of the things neat about the film is the presence of the Brasnos, a brother and sister midget team, who play Colonel Tim and Lady Tiny. The Brasnos were vaudevillians and successful enough that Olive Brasno could turn down the role of a munchkin in The Wizard of Oz because she was too busy with their act. They bring a lot of charm to the film. As a bit of trivia, Olive lived to age 80 and died within two days of her husband of 38 years.

Warner Oland is a terrific Chan, much livelier and more cheerful than Sidney Toler and less sarcastic (though I like Toler's characterization and lots of those episodes). Keye Luke as Lee is always delightful. The circus atmosphere made for a fun atmosphere. This is one of the better films in the series.

Fans of the Charlie Chan films should see this film for one reason in particular--it's a very rare chance to see the entire huge Chan clan in a single film. In most Chan films, there are one or two of the Chan children along to "help"(?) their father. However, here there are all twelve plus Mrs. Chan--a real rarity and proof that Charlie had interests other than police work!

The film is set at a circus where there is a mysterious murder--supposedly perpetrated by an ape! However, things don't add up and it's up to Charlie and his romantically challenged oldest son, Lee, to solve the crime. Along the way, you'll see midgets, tall guys, trapeze artists and the like--all providing an unusual and welcome backdrop to the investigation. Practically everything works well, though in 1930s fashion, there is an ape that is obviously just some guy in a gorilla costume (so I'll deduct a point). A bad cliché, but otherwise a great and exciting film--as are all the Chan films starring Warner Oland (the series, unfortunately, sagged a bit after his death).