A Noite Nupcial

Heavy handed dour drama was the last of the big budget films to try and turn Anna Sten, Goldwyn's Folly, into another Garbo. The mistake of that was the actress while not bad, a little overfond of popping her eyes but otherwise fine, isn't suited to that persona. Had they pursued a lighter image for her which she seems inclined to perhaps her career would have fared better in American films. Poor Ralph Bellamy, usually an enjoyable presence in pictures, is made ridiculous by his silly casting as a Polish peasant. Cooper fares better mostly because an accent is not forced upon him and his star power is able to shine through. The person who comes across best even though her character is not the most pleasant is Helen Vinson as Cooper's estranged wife. It is at times confusing since she and Sten bear a strong resemblance to each other a fact not played up in the movie and so it serves no purpose but to distract the audience.

Interesting film, partly because Cooper is cast so completely against the type he is later to be best known for from his Capra films - that is of the rural innocent encountering the corruption of the city. This movie is much more in the transcendental tradition of Henry Hathaway's Peter Ibbetson, also starring Cooper and released the same year. I had never heard of Anna Sten but according to the posts she was a protégé of Samuel Goldwyn in one of her first Hollywood films. She does remind me of a fresh-faced Garbo. Overall the acting is fine and characters are complex, and the direction is up to King Vidor's high standards.

A fine film. The ending in particular is bittersweet.

Tony is a writer and can't get his latest book published in NYC so he and his wife go to a farmhouse he inherited in Connecticut where it'll be cheaper to live. While in Connecticut, he meets his Polish neighbors and their daughter, Manja. While Tony's wife is away and his cook has left him in the dead of winter, Manja helps Tony around the house and provides inspiration for his latest book. An attraction grows stronger, but Manja's hand in marriage is promised to a local farmer. Can two people promised to others and from very different worlds be happy? How will the book end? Film focuses strongly on Tony and Manja, but could have rounded out the wife's character a bit more - overall an enjoyable film but the ending's a bit melodramatic as most were for the time.

I had heard about this film and about how underrated it was,then last week i saw a copy of it on ebay on VHS PAL UK.I was really surprised as i didn't think it had ever been released in the UK.It must be one of the rarest videos in Britain as sadly not many people have heard of it.Luckily i won it for just over £3 not bad eh.So if any one else is interested in buying a copy,there must be others available in Britain,if you really look around.I couldn't wait to watch this film,and i must say i wasn't disappointed.Its starts off a mildly amusing story that suddenly gets sadder and sadder until it reaches a climax to a very tragic ending.I must admit the last 10 seconds of this film does bring tears to the eyes,i wont say why,but try and see this movie and you will see.The acting between Gary Cooper and Anna Sten is first rate,her character is very likable as she is totally unselfish,and is trying to please everyone,so she does deserve happiness.Garys character,well he is married and his wife is not a monster and she does love him,so you feel sorry for her as well,i think you have to decide for yourself in a triangle like this someone is always going to get hurt,but you don't know who.Also this is a very early film showing us cultural differences and the sort of conflicts that can arise when two people from very different back grounds want to be together.Can it work?he is from a literate sophisticated family,she is from a poor immigrant family that is still trying to learn new ways.The answer is if two people really love each other then they can over come their differences as true love conquers all,i think overall this was the strongest message that comes out of this film,to some people the married issue may be the point of the film.Any way this is a very haunting film and well worth watching if you get the chance.

Yesterday I re-watched "The Wedding Night" (1935), this time with my wife who had never seen it before. For me it was like watching it all over again for the first time. I think that this happens with great pictures, like this one. She also loved the film and I felt so gratified by that, because sadly this type of quiet, sensitive films is not the kind of film which you can watch with anybody and can be fully appreciated as it should be.

I'm a fan of "the Gary Cooper" of the late '20s and 1930s, in my opinion some his best films were made around this time, before his definitive screen persona was established, especially in the early thirties. He gives a sensitive, balanced, nuanced, performance in a film that looks like a slice of life. His character is so unarchetypical, so honestly portrayed by him, that you get immersed totally in this beautiful love story. And this is no by chance, because the film was directed by the masterful King Vidor.

Praise must also go to the two actresses that vividly portray the two women in Cooper's life: the unjustly forgotten and underrated Russian actress Anna Sten and the equally unfairly forgotten actress Helen Vinson. Miss Vinson portrays without falling in the caricature, a shallow, but at the same time likable society woman, who thinks that life is a never-ending party and does not take marriage as seriously as it should be taken, realizing it too late. Miss Sten plays the naïve but strong-willed Polish woman who reluctantly at first, begins to fall for the writer portrayed by Cooper. The scene in which Cooper reads to her the first chapters of the new (autobiographical) book he is writing, is most telling in this aspect; because Miss Sten does not fall for the dashing, tall, handsome Cooper, but for his character's sensitiveness, feelings and emotions which she apprehends by means of this book in progress.

In short, none of the three principals of this story incur in stereotypical portrayals, which helped me to connect with their characters' emotions, with its virtues and flaws.

A wonderful experience, which with no doubt I'll repeat in the future, because this film deserves many viewings and is just my kind of film; a simple love story, unpretentiously directed, that does not aim at over sentimentality and does not fall into the maudlin which can ruin a movie, with superb, unaffected performances by the leads.